J L Butrica
Biographic Data
| ID | 3874624 |
|---|---|
| NAME | J L Butrica |
| GIVEN NAMES | J L |
| FAMILY NAME | Butrica |
| SIGNATURE | BUTRICA J L |
| AFFILIATIONS | Memorial University of Newfoundland |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 36 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 3 |
History and Transmission of the Text
This chapter contains section titled: The Text in Antiquity The Text in the Middle Ages The Text in the Renaissance and Beyond
Maximian
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Ovid
Catullus 107.7–8
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Clodius the Pulcher in Catullus and Cicero
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Melanippe Ecclesiazusa (Aristophanes, Ecc . 441–54)
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The Lost "Thesmophoriazusae" of Aristophanes
that Calligenia spoke first Av tai; 8t patg Oceoloptatop o6at~; .1 According to the current consensus, the extant one was the first and the lost one the second,2 and the latter is regularly called the Second Thesmophoriazusae as if that were its title. This paper, however, will begin by arguing that the lost play belongs to the earlier years of Aristophanes' career and was probably produced at the Lenaea of 423
Editing Propertius
‘Quot editores, tot Propertii’ (‘For every editor, a different Propertius’) has been a familiar—and much misunderstood—phrase in Propertian scholarship ever since it first appeared in the preface to Phillimore′s Oxford Classical Text of 1901. In its original context it described not an existing situation but rather the chaos that Phillimore alleged would result if editors began to adopt significant numbers of transpositions. Such chaos, however, …
Myth and Meaning in Propertius 3.15
Cet article est une etude du poeme de l'A. latin Properce en 3.15, dans le passage concernant la jalousie de Cynthia. L'A. montre comment Properce tend a faire se rejoindre le mythe grec et le cadre de l'histoire personnelle a la maniere des elegies helleniques, et il discute les differentes interpretations a ce sujet
Propertius' Horoscope and a Birthdate Rejected
Propertius 3.11.33–38 and the Death of Pompey
In the midst of his fulminations against Cleopatra, Propertius denounces her land of Egypt in the following ‘wholly admirable parenthesis:’ Noxia Alexandria, dolis aptissima tellus Et totiens nostro Memphi cruenta malo, Tres ubi Pompeio detraxit harena triumphos! Toilet nulla dies hanc tibi, Roma, notam. Issent Phlegraeo melius tibi funera campo Vel tua si socero colla daturus eras
Taking Enemies for Chains
Propertius 3. 3. 7–12 And Ennius
Among the difficulties in Propertius is the question whether to retain ‘cecinit’ in 3. 3. 7 or to adopt the conjecture ‘cecini’. Propertius dreamed that he was reclining upon Helicon in a grove by Hippocrene and that he was able to compose a Roman historical epic: Visus eram molli recubans Heliconis in umbra, Bellerophontei qua fluit umor equi, Reges, Alba, tuos et regum facta tuorum (Tantum operis) neruis hiscere posse meis, Paruaque tam magnis …
The Lost "Thesmophoriazusae" of Aristophanes
that Calligenia spoke first Av tai; 8t patg Oceoloptatop o6at~; .1 According to the current consensus, the extant one was the first and the lost one the second,2 and the latter is regularly called the Second Thesmophoriazusae as if that were its title. This paper, however, will begin by arguing that the lost play belongs to the earlier years of Aristophanes' career and was probably produced at the Lenaea of 423
Clodius the Pulcher in Catullus and Cicero
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Editing Propertius
‘Quot editores, tot Propertii’ (‘For every editor, a different Propertius’) has been a familiar—and much misunderstood—phrase in Propertian scholarship ever since it first appeared in the preface to Phillimore′s Oxford Classical Text of 1901. In its original context it described not an existing situation but rather the chaos that Phillimore alleged would result if editors began to adopt significant numbers of transpositions. Such chaos, however, …
Myth and Meaning in Propertius 3.15
Cet article est une etude du poeme de l'A. latin Properce en 3.15, dans le passage concernant la jalousie de Cynthia. L'A. montre comment Properce tend a faire se rejoindre le mythe grec et le cadre de l'histoire personnelle a la maniere des elegies helleniques, et il discute les differentes interpretations a ce sujet
Catullus 107.7–8
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Propertius 3. 3. 7–12 And Ennius
Among the difficulties in Propertius is the question whether to retain ‘cecinit’ in 3. 3. 7 or to adopt the conjecture ‘cecini’. Propertius dreamed that he was reclining upon Helicon in a grove by Hippocrene and that he was able to compose a Roman historical epic: Visus eram molli recubans Heliconis in umbra, Bellerophontei qua fluit umor equi, Reges, Alba, tuos et regum facta tuorum (Tantum operis) neruis hiscere posse meis, Paruaque tam magnis …
Taking Enemies for Chains
Propertius' Horoscope and a Birthdate Rejected
Propertius 3.11.33–38 and the Death of Pompey
In the midst of his fulminations against Cleopatra, Propertius denounces her land of Egypt in the following ‘wholly admirable parenthesis:’ Noxia Alexandria, dolis aptissima tellus Et totiens nostro Memphi cruenta malo, Tres ubi Pompeio detraxit harena triumphos! Toilet nulla dies hanc tibi, Roma, notam. Issent Phlegraeo melius tibi funera campo Vel tua si socero colla daturus eras
Myth and Meaning in Propertius 3.15
Cet article est une etude du poeme de l'A. latin Properce en 3.15, dans le passage concernant la jalousie de Cynthia. L'A. montre comment Properce tend a faire se rejoindre le mythe grec et le cadre de l'histoire personnelle a la maniere des elegies helleniques, et il discute les differentes interpretations a ce sujet
Editing Propertius
‘Quot editores, tot Propertii’ (‘For every editor, a different Propertius’) has been a familiar—and much misunderstood—phrase in Propertian scholarship ever since it first appeared in the preface to Phillimore′s Oxford Classical Text of 1901. In its original context it described not an existing situation but rather the chaos that Phillimore alleged would result if editors began to adopt significant numbers of transpositions. Such chaos, however, …
Melanippe Ecclesiazusa (Aristophanes, Ecc . 441–54)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Lost "Thesmophoriazusae" of Aristophanes
that Calligenia spoke first Av tai; 8t patg Oceoloptatop o6at~; .1 According to the current consensus, the extant one was the first and the lost one the second,2 and the latter is regularly called the Second Thesmophoriazusae as if that were its title. This paper, however, will begin by arguing that the lost play belongs to the earlier years of Aristophanes' career and was probably produced at the Lenaea of 423
Catullus 107.7–8
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Clodius the Pulcher in Catullus and Cicero
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ovid
Maximian
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
History and Transmission of the Text
This chapter contains section titled: The Text in Antiquity The Text in the Middle Ages The Text in the Renaissance and Beyond
Classical Antiquity Studies (10 works) · Art (7 works) · Literature (6 works) · History (5 works) · Organic Chemistry Synthesis Methods (5 works) · Historical, Religious, and Philosophical Studies (4 works) · History (4 works) · Political science (4 works) · Classical Philosophy and Thought (3 works) · Computer Science (3 works)