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Ross Kilpatrick

Biographic Data

ID3874813
NAMERoss Kilpatrick
GIVEN NAMESRoss
FAMILY NAMEKilpatrick
SIGNATUREKILPATRICK R
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS19
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2002
H-INDEX1
  • "Horace's "Carmen Saeculare: Ritual Magic and the Poet's Art

    Ross S Kilpatrick, Ross Kilpatrick et al.•ARTICLE•Phoenix•2002

  • Dramatic Pairings in the Elegies of Propertius and Ovid

    Ross Kilpatrick, John T Davis et al.•ARTICLE•Phoenix•1978•Cited by: 19

  • Horace on His Critics: "Epist". 1.19

    Ross S Kilpatrick, Ross Kilpatrick•ARTICLE•Phoenix•1975

    THE PERSONALITY which Horace has presented to us through our reading of Epistles is that of retired gentleman poet who is now concerning himself, from vantage point of rural retirement, with specific social and ethical questions which occur to himself and his friends.' But although he may claim to have retired from poetry, nunc itaque et versus et cetera ludicra pono (Epist. 1.1.10),2 and although point of view with respect to his real poetry is …

  • Two Horatian Proems: Carm. 1.26 and 1.32

    Open Access•Ross Kilpatrick, Ross D Kilpatrick•CHAPTER•Studies in Latin Poetry•1969

    H orace's lyric prayers for poetic inspiration from his Muses seem to fall into two categories. First, there are those odes which contain both the prayer and the poem requested, as do Carm. 1.24 and 3.4. Secondly, there are two odes in particular that consist wholly of the prayers themselves, and do not include the poem that is the object of the prayer. In Carm. 1.26 Horace addresses a formal prayer to his Muse ( Pipleis ) to inspire in him a poe…

  • Dramatic Pairings in the Elegies of Propertius and Ovid

    Ross Kilpatrick, John T Davis et al.•ARTICLE•Phoenix•1978•Cited by: 19

  • Two Horatian Proems: Carm. 1.26 and 1.32

    Open Access•Ross Kilpatrick, Ross D Kilpatrick•CHAPTER•Studies in Latin Poetry•1969

    H orace's lyric prayers for poetic inspiration from his Muses seem to fall into two categories. First, there are those odes which contain both the prayer and the poem requested, as do Carm. 1.24 and 3.4. Secondly, there are two odes in particular that consist wholly of the prayers themselves, and do not include the poem that is the object of the prayer. In Carm. 1.26 Horace addresses a formal prayer to his Muse ( Pipleis ) to inspire in him a poe…

  • Horace on His Critics: "Epist". 1.19

    Ross S Kilpatrick, Ross Kilpatrick•ARTICLE•Phoenix•1975

    THE PERSONALITY which Horace has presented to us through our reading of Epistles is that of retired gentleman poet who is now concerning himself, from vantage point of rural retirement, with specific social and ethical questions which occur to himself and his friends.' But although he may claim to have retired from poetry, nunc itaque et versus et cetera ludicra pono (Epist. 1.1.10),2 and although point of view with respect to his real poetry is …

  • Dramatic Pairings in the Elegies of Propertius and Ovid

    Ross Kilpatrick, John T Davis et al.•ARTICLE•Phoenix•1978•Cited by: 19

  • "Horace's "Carmen Saeculare: Ritual Magic and the Poet's Art

    Ross S Kilpatrick, Ross Kilpatrick et al.•ARTICLE•Phoenix•2002

Classical Antiquity Studies (4 works) · Art (3 works) · Literature (3 works) · Classical Philosophy and Thought (2 works) · Art history (1 works) · Astronomy (1 works) · Epistemology (1 works) · Geology (1 works) · Historical and Literary Analyses (1 works) · Historical and Literary Studies (1 works)

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