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Elisabeth Henry

Biographic Data

ID3874882
NAMEElisabeth Henry
GIVEN NAMESElisabeth
FAMILY NAMEHenry
SIGNATUREHENRY E
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS20
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR1994
H-INDEX2
  • Orpheus with His Lute: Poetry and the Renewal of Life

    Betty Rose Nagle, Elisabeth Henry•ARTICLE•The Classical World•1994

    The Orpheus myth has fascinated Western man from the sixth century B.C. to the present. This book is an attempt to define, through a survey of the European tradition of literature, art, poetry and music, some of the philosophical and psychological implications and developments of that myth. As the supreme poet-musician of Greek tradition, the figure of Orpheus embodies the most central and persistent elements in Greek ideas of poetry, music and a…

  • Virgilian Elements in Tacitus’ Historical Imagination

    Elisabeth Henry, Wolfgang Haase•CHAPTER•Sprache und Literatur (Allgemeines…•1991

    Virgilian Elements in Tacitus’ Historical Imagination was published in Band 33/4. Teilband Sprache und Literatur (Allgemeines zur Literatur des 2. Jahrhunderts und einzelne Autoren der trajanischen und frühhadrianischen Zeit [Forts.]) on page 2987

  • The Vigour of Prophecy: A Study of Virgil's Aeneid

    Elizabeth Block, Elisabeth Henry•ARTICLE•The Classical World•1991•Cited by: 6

    Nothing in the Aeneid more evident to each generation of readers than the interaction of time levels throughout the poem s structure.Elisabeth Henry argues that the interrelation of these different levels of awareness in the narrative is a major subject of the poem. There are also national or collective memories, embodied in names or institutions, that Virgil links to the people and places of his legendary narrative. Thus, though Aeneas story is …

  • The Mask of Power: Seneca's Tragedies and Imperial Rome

    George W M Harrison, Denis Henry et al.•ARTICLE•The Classical World•1987•Cited by: 12

    INTRODUCTIONNine complete Latin tragedies, and two disconnected scenes from another, survivenfrom the first century A.D. This is all the dramatic literature that remains fromnImperial Rome: for that period, there are no comedies. From Republican times, wenhave 26 comedies and fragments from about 100 Republican tragedies. These fragmentsnadd up to more than 1500 Unes - but most are only single lines, or even half-lines, andnno fragment is more th…

  • The Mask of Power: Seneca's Tragedies and Imperial Rome

    Elaine Fantham, D Henry et al.•ARTICLE•Phoenix•1987•Cited by: 2

  • The Mask of Power: Seneca's Tragedies and Imperial Rome

    George W M Harrison, Denis Henry et al.•ARTICLE•The Classical World•1987•Cited by: 12

    INTRODUCTIONNine complete Latin tragedies, and two disconnected scenes from another, survivenfrom the first century A.D. This is all the dramatic literature that remains fromnImperial Rome: for that period, there are no comedies. From Republican times, wenhave 26 comedies and fragments from about 100 Republican tragedies. These fragmentsnadd up to more than 1500 Unes - but most are only single lines, or even half-lines, andnno fragment is more th…

  • The Vigour of Prophecy: A Study of Virgil's Aeneid

    Elizabeth Block, Elisabeth Henry•ARTICLE•The Classical World•1991•Cited by: 6

    Nothing in the Aeneid more evident to each generation of readers than the interaction of time levels throughout the poem s structure.Elisabeth Henry argues that the interrelation of these different levels of awareness in the narrative is a major subject of the poem. There are also national or collective memories, embodied in names or institutions, that Virgil links to the people and places of his legendary narrative. Thus, though Aeneas story is …

  • The Mask of Power: Seneca's Tragedies and Imperial Rome

    Elaine Fantham, D Henry et al.•ARTICLE•Phoenix•1987•Cited by: 2

  • The Mask of Power: Seneca's Tragedies and Imperial Rome

    George W M Harrison, Denis Henry et al.•ARTICLE•The Classical World•1987•Cited by: 12

    INTRODUCTIONNine complete Latin tragedies, and two disconnected scenes from another, survivenfrom the first century A.D. This is all the dramatic literature that remains fromnImperial Rome: for that period, there are no comedies. From Republican times, wenhave 26 comedies and fragments from about 100 Republican tragedies. These fragmentsnadd up to more than 1500 Unes - but most are only single lines, or even half-lines, andnno fragment is more th…

  • The Mask of Power: Seneca's Tragedies and Imperial Rome

    Elaine Fantham, D Henry et al.•ARTICLE•Phoenix•1987•Cited by: 2

  • Virgilian Elements in Tacitus’ Historical Imagination

    Elisabeth Henry, Wolfgang Haase•CHAPTER•Sprache und Literatur (Allgemeines…•1991

    Virgilian Elements in Tacitus’ Historical Imagination was published in Band 33/4. Teilband Sprache und Literatur (Allgemeines zur Literatur des 2. Jahrhunderts und einzelne Autoren der trajanischen und frühhadrianischen Zeit [Forts.]) on page 2987

  • The Vigour of Prophecy: A Study of Virgil's Aeneid

    Elizabeth Block, Elisabeth Henry•ARTICLE•The Classical World•1991•Cited by: 6

    Nothing in the Aeneid more evident to each generation of readers than the interaction of time levels throughout the poem s structure.Elisabeth Henry argues that the interrelation of these different levels of awareness in the narrative is a major subject of the poem. There are also national or collective memories, embodied in names or institutions, that Virgil links to the people and places of his legendary narrative. Thus, though Aeneas story is …

  • Orpheus with His Lute: Poetry and the Renewal of Life

    Betty Rose Nagle, Elisabeth Henry•ARTICLE•The Classical World•1994

    The Orpheus myth has fascinated Western man from the sixth century B.C. to the present. This book is an attempt to define, through a survey of the European tradition of literature, art, poetry and music, some of the philosophical and psychological implications and developments of that myth. As the supreme poet-musician of Greek tradition, the figure of Orpheus embodies the most central and persistent elements in Greek ideas of poetry, music and a…

Art (5 works) · Classical Antiquity Studies (5 works) · History (4 works) · Literature (3 works) · Ancient history (2 works) · History (2 works) · Physics (2 works) · Power (physics (2 works) · Historical and Literary Analyses (1 works) · Historical, Religious, and Philosophical Studies (1 works)

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