Brent Wood
Biographic Data
| ID | 3875991 |
|---|---|
| NAME | Brent Wood |
| GIVEN NAMES | Brent |
| FAMILY NAME | Wood |
| SIGNATURE | WOOD B |
| AFFILIATIONS | Department of English and Drama, University of Toronto at Mississauga |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Michael Kaler. Get Shown the Light
Robert Hunter's Oral Poetry
This essay takes an oral poetics approach to the analysis of the song lyrics of Robert Hunter as performed by the Grateful Dead from the late 1960s to the early 1990s. Hunter's work is treated as an exemplary case for the study of the use of oral poetry within the contemporary electronic communication milieu. The reception of the poetry by the specific listening audience is considered, with special attention given to the functioning of metaphor i…
Resistance in rhyme
Postmodern Culture - Volume 7, Number 1, September 1996
William S. Burroughs and the Language of Cyberpunk
The early works of William S, Burroughs, including Naked Lunch and the subsequent “science-fiction” texts Nova Express, The Soft Machine, and The Ticket that Exploded, embody principles of communication strategies which are central to the notion of cyberpunk writng. Burroughs ought thus to be understood as a writer of both theory and fiction in the same sense that Donna Haraway, Jean Baudrillard, Felix Guattari, and Gilles Deleuze are considered …
Bring the Noise! William S. Burroughs and Music in the Expanded Field
Bring the Noise! William S. Burroughs and Music in the Expanded Field Brent Wood Burroughs, William S. Dead City Radio. Island Records, 1990. Burroughs, William S. Spare-Ass Annie and Other Tales. Island Records, 1993. Ministry, with William S. Burroughs. Just One Fix. Sire Records, 1992. Revolting Cocks. Beers, Steers and Queers. Waxtrax, 1991. Revolting Cocks. Linger Ficken Good. Sire Records, 1993. Music, it seems, has always been the art that…
From Technology to Machinism
Postmodern Culture - Volume 4, Number 3, May 1994
No prominent works on this page.
From Technology to Machinism
Postmodern Culture - Volume 4, Number 3, May 1994
Bring the Noise! William S. Burroughs and Music in the Expanded Field
Bring the Noise! William S. Burroughs and Music in the Expanded Field Brent Wood Burroughs, William S. Dead City Radio. Island Records, 1990. Burroughs, William S. Spare-Ass Annie and Other Tales. Island Records, 1993. Ministry, with William S. Burroughs. Just One Fix. Sire Records, 1992. Revolting Cocks. Beers, Steers and Queers. Waxtrax, 1991. Revolting Cocks. Linger Ficken Good. Sire Records, 1993. Music, it seems, has always been the art that…
Resistance in rhyme
Postmodern Culture - Volume 7, Number 1, September 1996
William S. Burroughs and the Language of Cyberpunk
The early works of William S, Burroughs, including Naked Lunch and the subsequent “science-fiction” texts Nova Express, The Soft Machine, and The Ticket that Exploded, embody principles of communication strategies which are central to the notion of cyberpunk writng. Burroughs ought thus to be understood as a writer of both theory and fiction in the same sense that Donna Haraway, Jean Baudrillard, Felix Guattari, and Gilles Deleuze are considered …
Robert Hunter's Oral Poetry
This essay takes an oral poetics approach to the analysis of the song lyrics of Robert Hunter as performed by the Grateful Dead from the late 1960s to the early 1990s. Hunter's work is treated as an exemplary case for the study of the use of oral poetry within the contemporary electronic communication milieu. The reception of the poetry by the specific listening audience is considered, with special attention given to the functioning of metaphor i…
Michael Kaler. Get Shown the Light
Art (6 works) · Philosophy (5 works) · Literature (4 works) · Art history (3 works) · Epistemology (3 works) · Poetry (3 works) · Linguistics (2 works) · Lyrics (2 works) · Music History and Culture (2 works) · Philosophy (2 works)