Graham Chesters
Biographic Data
| ID | 3876015 |
|---|---|
| NAME | Graham Chesters |
| GIVEN NAMES | Graham |
| FAMILY NAME | Chesters |
| SIGNATURE | CHESTERS G |
| AFFILIATIONS | Hull |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
Anthology of Modern French Poetry (1850-1950)
Appreciation of Modern French Poetry (1850-1950)
Baudelaire and the Poetics of Craft
The poetics of craft 2. A singular clarity of timbre, I: sound repetition and conventional form 3. A singular clarity of timbre, II: sound repetition and units of sense 4. Sound patterns and the secrets of composition 5. Rhymes 6. Pattern, expectation, surprise 7. 'Lapse' and recuperation 8. Experimentation and urban poetics, I: the limits of poetry 9. Experimentation and urban poetics, II: the transformation of a prose-poem Notes Bibliography In…
Hart Crane
Figures of Reality. A Perspective on the Poetic Imagination
Sign and Structure in the Poetry of T. S. Eliot
Baudelaire and the Limits of Poetry
Journal Article BAUDELAIRE AND THE LIMITS OF POETRY Get access GRAHAM CHESTERS GRAHAM CHESTERS HULL Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXII, Issue 4, October 1978, Pages 420–434, https://doi.org/10.1093/fs/XXXII.4.420 Published: 01 October 1978
An Anthology of Modern French Poetry (1850–1950)
This anthology is the companion volume to The Appreciation of Modern French Poetry, the aim of which was to give detailed preliminary help with the problems of poetic appreciation. The fourteen poets represented here provide a varied and exciting introduction to what is probably the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the nineteenth century, whose work gives new resonance and vitality to imaginative vision, …
The Appreciation of Modern French Poetry (1850–1950)
Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the appreciation of its supremely creative use of language. Born of the belief that the proper study of poetry is the poem itself, this book seeks to concentrate on the poetic process at work on the page.…
No prominent works on this page.
An Anthology of Modern French Poetry (1850–1950)
This anthology is the companion volume to The Appreciation of Modern French Poetry, the aim of which was to give detailed preliminary help with the problems of poetic appreciation. The fourteen poets represented here provide a varied and exciting introduction to what is probably the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the nineteenth century, whose work gives new resonance and vitality to imaginative vision, …
The Appreciation of Modern French Poetry (1850–1950)
Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the appreciation of its supremely creative use of language. Born of the belief that the proper study of poetry is the poem itself, this book seeks to concentrate on the poetic process at work on the page.…
Baudelaire and the Limits of Poetry
Journal Article BAUDELAIRE AND THE LIMITS OF POETRY Get access GRAHAM CHESTERS GRAHAM CHESTERS HULL Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXII, Issue 4, October 1978, Pages 420–434, https://doi.org/10.1093/fs/XXXII.4.420 Published: 01 October 1978
Sign and Structure in the Poetry of T. S. Eliot
Figures of Reality. A Perspective on the Poetic Imagination
Hart Crane
Baudelaire and the Poetics of Craft
The poetics of craft 2. A singular clarity of timbre, I: sound repetition and conventional form 3. A singular clarity of timbre, II: sound repetition and units of sense 4. Sound patterns and the secrets of composition 5. Rhymes 6. Pattern, expectation, surprise 7. 'Lapse' and recuperation 8. Experimentation and urban poetics, I: the limits of poetry 9. Experimentation and urban poetics, II: the transformation of a prose-poem Notes Bibliography In…
Anthology of Modern French Poetry (1850-1950)
Appreciation of Modern French Poetry (1850-1950)
Art (6 works) · Literature (6 works) · Poetry (6 works) · French Literature and Poetry (4 works) · History (4 works) · Philosophy (4 works) · French Literature and Critical Theory (2 works) · Linguistics (2 works) · Metre (2 works) · Visual arts (2 works)