Charles Ford

Biographic Data

ID3878334
NAMECharles Ford
GIVEN NAMESCharles
FAMILY NAMEFord
SIGNATUREFORD C
AFFILIATIONSUniversity College London
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS13
WORKS AS AUTHOR23
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2019
H-INDEX3

  • Searching for ghosts

    Charles FordARTICLEPopular Music2019References: 4

    Having first raised questions of musical evaluation, and introduced my analytical approach, I proceed to an empirical, in the sense of more-or-less objective, analysis of the metric and melodic aspects of the songs on those five LPs that constitute Joni Mitchell's early style: Song to a Seagull (1968), Clouds (1969), Ladies of the Canyon (1970), Blue (1971) and For the Roses (1972). The results of this style analysis are then summarised. Next I p…

  • Where Meaning Lies

    Open AccessCharles FordARTICLEArt History1999

    Mariët Westermann, The Art of the Dutch Republic Michael North, Art and Commerce in the Dutch Golden Age Reindert Falkenburg, Jan de Jong, Mark Meadow, Dulcia Meijers, Bart Remakers, Herman Roodenburg and Frits Scholten (eds), Natuur en Landschap in de Nederlandse Kunst, 1500–1850 (Nature and Landscape in Netherlandish Art, 1500–1850) Wayne Franits (ed.), Looking at Seventeenth‐century Dutch Art — Realism Reconsidered

  • Robert Johnson's rhythms

    Open AccessCharles FordARTICLEPopular Music1998Cited by: 6References: 8

    Robert Johnson's 1936-37 recordings are widely held to have consummated the Delta blues style, and to have provided one of the very few pre-war influences on rock. Yet it is his pathetic life and the occasional metaphysical imagery of his lyrics that have commanded critical attention. Consequently we have as yet still to discover what precisely makes his music take on such historical significance. It seems to me that two features of Johnson's mus…

  • Gently Tender

    Open AccessCharles FordARTICLEPopular Music1995Cited by: 3

    The monstrous machinations of the reissue CD market are reorganising our relations with ourselves, with our own and other peoples' pasts. This, in conjunction with the fact that baby-boomers have grown up, that pop music is no longer simply youth music, means that yesterday's and tomorrow's songs are not necessarily heard in that order, and that styles no longer grow and change in a linear fashion. In the simple act of repetition, thousands of al…

  • Visual Storytelling

    Open AccessCharles Ford, C E FordARTICLEArt History1992

    Rembrandt's Landscapes by Cynthia P. Schneider , New Haven and London: Yale University Press, 1990, 289 pp., 14 col. plates, 156 b. & w. illus., £30.00 Rembrandt, the Master and his Workshop, Paintings by Christopher Brown, Jan Kelch and Pieter van Thiel , New Haven and London: Yale University Press in association with National Gallery Publications, London, 1992, 396 pp., 250 col. plates, 190 b. & w. illus., £30.00 Rembrandt, the Master and his W…

  • Portraits and Portraiture in the Literature of Art

    Charles FordARTICLEDutch Crossing1990

  • The first chapter of the Foundations of the Noble and liberal Art of Painting

    Carel Van Hander, Jacqueline Penniall Boer et al.ARTICLEDutch Crossing1988

    1988). The first chapter of the Foundations of the Noble and liberal Art of Painting. Dutch Crossing: Vol. 12, No. 36, pp. 39-65

  • Preface to the Foundations of the Noble and Liberal Art of Painting

    Karel Van Mander, Charles Ford et al.ARTICLEDutch Crossing1987

  • Regression analysis and the assessment of local expenditure need ‐ a reconsideration

    Arthur Midwinter, Colin Mair et al.ARTICLELocal Government Studies1987Cited by: 4References: 4

  • Haarlem and the Rise of Landscape

    Charles FordARTICLEDutch Crossing1987

  • Rhythmic Gesture in Mozart

    Charles Ford, Wye Jamison AllanbrookARTICLEMusic Analysis1986

  • The Weimar Cult

    Open AccessReinhard Rudolph, R Gordon Rudolph et al.ARTICLEArt History1985

    The Weimar Years ‐ a Culture Cut Short by John Willett , London: Thames & Hudson, 1984, 160 pp., 300 ills, £12.50 Bauhaus by Frank Whitford , London: Thames & Hudson (World of Art series), 1984, 216 pp., 138 ills, 16 colour plates, £3.95 Barfüssige Propheten ‐ Erlöser der zwanziger Jahre by Ulrich Linse , Berlin: Seidler Verlag, 1983, 272 pp., 122 ills, DM 36

  • Grist to the Mill

    Open AccessCharles FordARTICLEArt History1985

    The Age of Vermeer and De Hooch: Masterpieces of Seventeenth‐Century Dutch Genre Painting, University of Pennsylvania Press and the Symposium: Images of the World: Dutch Genre Painting in its Historical Context, Royal Academy of Arts, 9–10 November 1984. The Golden Age. Dutch Painters of the Seventeenth‐Century by Bob Haak , London: Thames & Hudson, 1984, 536 pp., 1117 ills (74 in colour), £40 The Dutch Arcadia. Pastoral Art and its Audience in t…

  • The Lie of the Land

    Charles FordARTICLEDutch Crossing1985

  • Alban Berg's Letters

    Charles FordARTICLEMusic and Letters1970

    Journal Article ALBAN BERG'S LETTERS Get access CHARLES FORD CHARLES FORD Faber and Faber Ltd24 Russell Square, London, W.C.I. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LI, Issue 1, January 1970, Pages 99-a–99, https://doi.org/10.1093/ml/LI.1.99-a Published: 01 January 1970

  • The Correspondence of Jonathan Swift, Vol. 5: 1737-1745 Appendixes and Indexes

    Jonathan Swift, Alexander Pope et al.BOOKCorrespondence of Jonathan Swift…1964

  • The Correspondence of Jonathan Swift, Vol. 4: 1732-1736

    Jonathan Swift, styled first Viscou Bolingbroke Henry St John et al.BOOKCorrespondence of Jonathan Swift…1964

  • The Correspondence of Jonathan Swift, Vol. 3: 1724-1731

    Jonathan Swift, styled first Viscou Bolingbroke Henry St John et al.BOOKCorrespondence of Jonathan Swift…1963

  • The Correspondence of Jonathan Swift, Vol. 2: 1714-1723

    Jonathan Swift, Harolod Williams et al.BOOKCorrespondence of Jonathan Swift…1963

  • Charles Ford to Swift London

    Charles Ford, Harold WilliamsCHAPTERThe Correspondence of Jonathan…1963

    "Charles Ford to Swift London: 22nd July 1714" published on by null.

  • Charles Ford to Swift London

    Charles Ford, Harold WilliamsCHAPTERThe Correspondence of Jonathan…1963

    "Charles Ford to Swift London: 12th August 1714" published on by null.

  • Charles Ford to Swift London

    Charles Ford, Harold WilliamsCHAPTERThe Correspondence of Jonathan…1963

    "Charles Ford to Swift London: 20th July 1714" published on by null.

  • Charles Ford to Swift London

    Charles Ford, Harold WilliamsCHAPTERThe Correspondence of Jonathan…1963