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Franco Fabbri

Biographic Data

ID3878356
NAMEFranco Fabbri
GIVEN NAMESFranco
FAMILY NAMEFabbri
SIGNATUREFABBRI F
AFFILIATIONSUniversity of Turin
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS12
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Philip Tagg (22 February 1944-9 May 2024)

    Open Access•Martin Cloonan, Jochen Eisentraut et al.•ARTICLE•Popular Music•2024•References: 1

  • Popular Music Studies in Italy

    Open Access•Franco Fabbri•ARTICLE•Załącznik Kulturoznawczy•2020

    Where to begin? When? Let me jot down a few schematic notes: later on, I will put them into a proper chronological order

  • Five easy pieces 1964–2006

    Open Access•Franco Fabbri•ARTICLE•Forum Italicum A Journal of…•2015•References: 1

    In five interconnected ‘pieces’ spanning almost half a century of Italian history, the author recollects the main critical junctures in the complex relationship between music and politics since the 1960s. The first piece recounts how the growth of the Italian folk revival centered around Nuovo Canzoniere Italiano, a group of progressive ethnomusicologists and folksingers who in the early 1960s helped break the musical establishment’s conservative…

  • Orchestral Manoeuvres in the 1970s

    Open Access•Franco Fabbri•ARTICLE•Popular Music•2007•Cited by: 3

    L'Orchestra, a cooperative established in 1974/75, based in Milan, Italy, was a unique organisation, involving musicians, sound and lighting engineers, music critics and teachers, and concert managers. It was started as a kind of artists' union, a federation of folk, rock, political song, jazz, avant-garde groups, but in a few months it became a concert agency and a record company; it held music courses for amateurs and published music tutorials;…

  • What kind of music

    Open Access•Franco Fabbri•ARTICLE•Popular Music•1982•Cited by: 9

    What kind of music?' This question has been put to me by hundreds of people, always for different reasons: by fellow train passengers who want to know what I do; by hi-fi dealers anxious to advise on the right type of speakers for listening to my record collection; in record shops when I enquire about the latest releases; by theatre managers when I have asked to hire their premises for a concert; by a young spectator while I am tuning up my '63 S…

  • What kind of music

    Open Access•Franco Fabbri•ARTICLE•Popular Music•1982•Cited by: 9

    What kind of music?' This question has been put to me by hundreds of people, always for different reasons: by fellow train passengers who want to know what I do; by hi-fi dealers anxious to advise on the right type of speakers for listening to my record collection; in record shops when I enquire about the latest releases; by theatre managers when I have asked to hire their premises for a concert; by a young spectator while I am tuning up my '63 S…

  • Orchestral Manoeuvres in the 1970s

    Open Access•Franco Fabbri•ARTICLE•Popular Music•2007•Cited by: 3

    L'Orchestra, a cooperative established in 1974/75, based in Milan, Italy, was a unique organisation, involving musicians, sound and lighting engineers, music critics and teachers, and concert managers. It was started as a kind of artists' union, a federation of folk, rock, political song, jazz, avant-garde groups, but in a few months it became a concert agency and a record company; it held music courses for amateurs and published music tutorials;…

  • What kind of music

    Open Access•Franco Fabbri•ARTICLE•Popular Music•1982•Cited by: 9

    What kind of music?' This question has been put to me by hundreds of people, always for different reasons: by fellow train passengers who want to know what I do; by hi-fi dealers anxious to advise on the right type of speakers for listening to my record collection; in record shops when I enquire about the latest releases; by theatre managers when I have asked to hire their premises for a concert; by a young spectator while I am tuning up my '63 S…

  • Orchestral Manoeuvres in the 1970s

    Open Access•Franco Fabbri•ARTICLE•Popular Music•2007•Cited by: 3

    L'Orchestra, a cooperative established in 1974/75, based in Milan, Italy, was a unique organisation, involving musicians, sound and lighting engineers, music critics and teachers, and concert managers. It was started as a kind of artists' union, a federation of folk, rock, political song, jazz, avant-garde groups, but in a few months it became a concert agency and a record company; it held music courses for amateurs and published music tutorials;…

  • Five easy pieces 1964–2006

    Open Access•Franco Fabbri•ARTICLE•Forum Italicum A Journal of…•2015•References: 1

    In five interconnected ‘pieces’ spanning almost half a century of Italian history, the author recollects the main critical junctures in the complex relationship between music and politics since the 1960s. The first piece recounts how the growth of the Italian folk revival centered around Nuovo Canzoniere Italiano, a group of progressive ethnomusicologists and folksingers who in the early 1960s helped break the musical establishment’s conservative…

  • Popular Music Studies in Italy

    Open Access•Franco Fabbri•ARTICLE•Załącznik Kulturoznawczy•2020

    Where to begin? When? Let me jot down a few schematic notes: later on, I will put them into a proper chronological order

  • Philip Tagg (22 February 1944-9 May 2024)

    Open Access•Martin Cloonan, Jochen Eisentraut et al.•ARTICLE•Popular Music•2024•References: 1

Art (4 works) · History (4 works) · Political science (4 works) · Diverse Musicological Studies (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Politics (3 works) · Visual arts (3 works) · Art history (2 works)

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