Dale Chapman
Biographic Data
| ID | 3878373 |
|---|---|
| NAME | Dale Chapman |
| GIVEN NAMES | Dale |
| FAMILY NAME | Chapman |
| SIGNATURE | CHAPMAN D |
| AFFILIATIONS | Bates College |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1936 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Private Equity Blues
Since the 1980s, the Nonesuch label, a longstanding subsidiary of the Warner Music Group (WMG), has become noteworthy for its steady market performance during a period of volatility for media multinationals. Nonesuch Records, having once been an adventurous boutique classical label under Teresa Sterne, has developed over the last three decades as a creatively idiosyncratic and commercially successful “adult” imprint under Robert Hurwitz, the erst…
"One Musician at a Time"
Dale Chapman discusses the important work that the Jazz Foundation of America is doing during the pandemic, assisting jazz musicians with housing costs, medical expenses, and emergency financial support, and argues for the pandemic as an opportune moment to organize on behalf of policies that ensure the universal reach of economic and social security
The 'one-man band' and entrepreneurial selfhood in neoliberal culture
This article proposes that the recent history of the live solo multi-instrumentalist, more conventionally known as the 'one-man band', might serve as a useful window onto broader transformations in postmodern culture. If the one-person band has historically been understood as a humorous, culturally devalued phenomenon, with its practitioners occupying marginal race and class positions, the recent visibility of solo multi-instrumentalism in indie …
The Rock Shelter at Cap Blanc (Plates I-IV)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The 'one-man band' and entrepreneurial selfhood in neoliberal culture
This article proposes that the recent history of the live solo multi-instrumentalist, more conventionally known as the 'one-man band', might serve as a useful window onto broader transformations in postmodern culture. If the one-person band has historically been understood as a humorous, culturally devalued phenomenon, with its practitioners occupying marginal race and class positions, the recent visibility of solo multi-instrumentalism in indie …
The Rock Shelter at Cap Blanc (Plates I-IV)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The 'one-man band' and entrepreneurial selfhood in neoliberal culture
This article proposes that the recent history of the live solo multi-instrumentalist, more conventionally known as the 'one-man band', might serve as a useful window onto broader transformations in postmodern culture. If the one-person band has historically been understood as a humorous, culturally devalued phenomenon, with its practitioners occupying marginal race and class positions, the recent visibility of solo multi-instrumentalism in indie …
"One Musician at a Time"
Dale Chapman discusses the important work that the Jazz Foundation of America is doing during the pandemic, assisting jazz musicians with housing costs, medical expenses, and emergency financial support, and argues for the pandemic as an opportune moment to organize on behalf of policies that ensure the universal reach of economic and social security
Private Equity Blues
Since the 1980s, the Nonesuch label, a longstanding subsidiary of the Warner Music Group (WMG), has become noteworthy for its steady market performance during a period of volatility for media multinationals. Nonesuch Records, having once been an adventurous boutique classical label under Teresa Sterne, has developed over the last three decades as a creatively idiosyncratic and commercially successful “adult” imprint under Robert Hurwitz, the erst…
Cultural Industries and Urban Development (3 works) · History (3 works) · Art (2 works) · Art history (2 works) · Business (2 works) · Engineering (2 works) · Finance (2 works) · Jazz (2 works) · Law (2 works) · Music History and Culture (2 works)