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Mark Tucker

Biographic Data

ID3878396
NAMEMark Tucker
GIVEN NAMESMark
FAMILY NAMETucker
SIGNATURETUCKER M
AFFILIATIONSThe Ohio State University
ORCID0000-0002-8968-3412
VERIFIEDYes
TOTAL WORKS25
TOTAL CITATIONS28
AUTHOR COUNT25
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2020
H-INDEX3
  • Jazz

    Mark Tucker, Travis A Jackson•CHAPTER•The new Grove dictionary of music…•2020

  • Pastor, Tony

    Mark Tucker•CHAPTER•The new Grove dictionary of music…•2015

  • Participatory choral music as a means of engagement in a veterans' mental health and addiction treatment setting

    Marian Liebowitz, Mark Tucker et al.•ARTICLE•Arts & Health•2015•Cited by: 3•References: 5

    Background: the purpose of this study was to investigate how participation in a music-based performance and instruction program influenced the sense of engagement experienced by participants at a residential setting for at-risk veterans. Methods: semi-structured interviews were conducted with participants in a veterans' choir program conducted at the facility. Results: prominent themes that emerged from the interview included (1) the veterans' pe…

  • Allen, Steve

    Mark Tucker•CHAPTER•The new Grove dictionary of music…•2013

  • Framing The Gross Clinic: Conservators and Exhibitions

    Mark Tucker, Mark S Tucker•ARTICLE•American Art•2012

  • Awareness and Concern about Large-Scale Livestock and Poultry: Results from a Statewide Survey of Ohioans

    Open Access•Jeff S Sharp, Mark Tucker•ARTICLE•Rural Sociology•2005•Cited by: 16•References: 27

    The development of large-scale livestock facilities has become a controversial issue in many regions of the U.S in recent years. In this research, rural-urban differences in familiarity and concern about large-scale livestock facilities among Ohioans is examined as well as the relationship of social distance from agriculture and trust in risk managers to concern about large-scale livestock facilities. Findings from a survey of Ohio residents reve…

  • Allen, Steve (jazz)

    Mark Tucker, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Severinsen, Doc

    Mark Tucker, Mark Thomas Tucker et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Transcription (ii)

    Mark Tucker, Mark L Tucker et al.•CHAPTER•The new Grove dictionary of music…•2003

  • "The Genesis of "Black, Brown and Beige

    Mark Tucker•ARTICLE•Black Music Research Journal•2002

    Ellington's descriptions of the creative process often emphasized speed and efficiency. Like a reporter trained to work under deadline, he knew how to compose under pressure--usually for his orchestra's next recording date or concert appearance--and took pride in this ability. Ellington filled his memoirs, Music Is My Mistress, with anecdotes showing him swiftly, even effortlessly, turning out new pieces, often at the last minute. He claimed to h…

  • Jazz

    Mark Tucker, Travis A Jackson•CHAPTER•The new Grove dictionary of music…•2001

  • Determinants of perceived agricultural chemical risk in three watersheds in the Midwestern United States

    Open Access•Mark Tucker, Ted L Napier•ARTICLE•Journal of Rural Studies•2001•Cited by: 4•References: 3

  • Mainstreaming Monk: The Ellington Album

    Mark Tucker•ARTICLE•Black Music Research Journal•1999•References: 1

    He is, think, major jazz composer, the first since Duke Ellington. --Martin Williams (1963, 33) Monk took much of his style from Ellington and he would like to have been an accomplished pianist who could have articulated in the fashion of Ellington. --Clark Terry (quoted in Voce 1985) Ellington defined 101 arranging concepts and focused on sound. sound was the important thing. Thelonious did the same thing. --Larry Ridley (quoted in Gourse 1997, …

  • Of Men and Mountains: Ives in the Adirondacks

    Open Access•Mark Tucker•CHAPTER•Charles Ives and His World•1996

  • Dick Hyman Plays Duke Ellington

    Mark Tucker, Dick Hyman•ARTICLE•American Music•1996

  • In Search of Will Vodery

    Mark Tucker•ARTICLE•Black Music Research Journal•1996•Cited by: 3

    Musical arrangers ply their trade behind the scenes, out of the spotlight's glare and away from the sound of applause. Though they make indispensable contributions to theater, radio, film, television, and recordings, most labor in obscurity, their faces unrecognizable and names unknown. Viewed as industrious artisans than creative artists, arrangers have received far less attention and acclaim than their colleagues who compose, play, and sing for…

  • Beyond Category: The Life and Genius of Duke Ellington

    Frank Tirro, John Edward Hasse et al.•ARTICLE•American Music•1995

  • Jazz from the Beginning

    Jeffrey Magee, Garvin Bushell et al.•ARTICLE•American Music•1993

  • "The Genesis of "Black, Brown and Beige

    Mark Tucker•ARTICLE•Black Music Research Journal•1993•Cited by: 1

  • Ellington: The Early Years

    R H Jackson, Reuben Jackson et al.•ARTICLE•American Music•1992

  • Sidney Bechet: The Wizard of Jazz

    Mark Tucker, John Chilton•ARTICLE•American Music•1991

    Mark Tucker, American Music, Vol. 9, No. 3, Special Issue: Four Pioneers William Billings (1746-1800); Scott Joplin (1868-1917); Carl Ruggles (1876-1971); Martha Graham (1894-1991) (Autumn, 1991), pp. 320-325

  • You Must Remember This

    Mark Tucker, James Lewis et al.•ARTICLE•American Music•1991

  • On Toodle-oo, Todalo, and Jenny's Toe

    Mark Tucker•ARTICLE•American Music•1988

  • Count Basie and the piano that swings the band

    Open Access•Mark Tucker•ARTICLE•Popular Music•1985•Cited by: 1

    In late 1932, after a run of hard luck on tour - jobs that evaporated, buses that broke down, and money that ran out - the Kansas City orchestra of Bennie Moten headed for Camden, New Jersey to record for Victor. The session produced ten sides, among them a piece bearing the leader's name: 'Moten Swing'. Guitarist and trombonist Eddie Durham had come up with the arrangement in Philadelphia not long before, constructing a series of brass and reed …

  • Utilization and price analysis: Prospects for avoiding higher program costs in health care

    Mark Tucker•ARTICLE•American Journal of Public Health…•1969

    Utilization and price analysis: prospects for avoiding higher program costs in health care. M TuckerCopyRight https://doi.org/10.2105/AJPH.59.7.1226 Published Online: August 29, 2011

  • Awareness and Concern about Large-Scale Livestock and Poultry: Results from a Statewide Survey of Ohioans

    Open Access•Jeff S Sharp, Mark Tucker•ARTICLE•Rural Sociology•2005•Cited by: 16•References: 27

    The development of large-scale livestock facilities has become a controversial issue in many regions of the U.S in recent years. In this research, rural-urban differences in familiarity and concern about large-scale livestock facilities among Ohioans is examined as well as the relationship of social distance from agriculture and trust in risk managers to concern about large-scale livestock facilities. Findings from a survey of Ohio residents reve…

  • Determinants of perceived agricultural chemical risk in three watersheds in the Midwestern United States

    Open Access•Mark Tucker, Ted L Napier•ARTICLE•Journal of Rural Studies•2001•Cited by: 4•References: 3

  • Participatory choral music as a means of engagement in a veterans' mental health and addiction treatment setting

    Marian Liebowitz, Mark Tucker et al.•ARTICLE•Arts & Health•2015•Cited by: 3•References: 5

    Background: the purpose of this study was to investigate how participation in a music-based performance and instruction program influenced the sense of engagement experienced by participants at a residential setting for at-risk veterans. Methods: semi-structured interviews were conducted with participants in a veterans' choir program conducted at the facility. Results: prominent themes that emerged from the interview included (1) the veterans' pe…

  • In Search of Will Vodery

    Mark Tucker•ARTICLE•Black Music Research Journal•1996•Cited by: 3

    Musical arrangers ply their trade behind the scenes, out of the spotlight's glare and away from the sound of applause. Though they make indispensable contributions to theater, radio, film, television, and recordings, most labor in obscurity, their faces unrecognizable and names unknown. Viewed as industrious artisans than creative artists, arrangers have received far less attention and acclaim than their colleagues who compose, play, and sing for…

  • "The Genesis of "Black, Brown and Beige

    Mark Tucker•ARTICLE•Black Music Research Journal•1993•Cited by: 1

  • Count Basie and the piano that swings the band

    Open Access•Mark Tucker•ARTICLE•Popular Music•1985•Cited by: 1

    In late 1932, after a run of hard luck on tour - jobs that evaporated, buses that broke down, and money that ran out - the Kansas City orchestra of Bennie Moten headed for Camden, New Jersey to record for Victor. The session produced ten sides, among them a piece bearing the leader's name: 'Moten Swing'. Guitarist and trombonist Eddie Durham had come up with the arrangement in Philadelphia not long before, constructing a series of brass and reed …

  • Utilization and price analysis: Prospects for avoiding higher program costs in health care

    Mark Tucker•ARTICLE•American Journal of Public Health…•1969

    Utilization and price analysis: prospects for avoiding higher program costs in health care. M TuckerCopyRight https://doi.org/10.2105/AJPH.59.7.1226 Published Online: August 29, 2011

  • Count Basie and the piano that swings the band

    Open Access•Mark Tucker•ARTICLE•Popular Music•1985•Cited by: 1

    In late 1932, after a run of hard luck on tour - jobs that evaporated, buses that broke down, and money that ran out - the Kansas City orchestra of Bennie Moten headed for Camden, New Jersey to record for Victor. The session produced ten sides, among them a piece bearing the leader's name: 'Moten Swing'. Guitarist and trombonist Eddie Durham had come up with the arrangement in Philadelphia not long before, constructing a series of brass and reed …

  • On Toodle-oo, Todalo, and Jenny's Toe

    Mark Tucker•ARTICLE•American Music•1988

  • Sidney Bechet: The Wizard of Jazz

    Mark Tucker, John Chilton•ARTICLE•American Music•1991

    Mark Tucker, American Music, Vol. 9, No. 3, Special Issue: Four Pioneers William Billings (1746-1800); Scott Joplin (1868-1917); Carl Ruggles (1876-1971); Martha Graham (1894-1991) (Autumn, 1991), pp. 320-325

  • You Must Remember This

    Mark Tucker, James Lewis et al.•ARTICLE•American Music•1991

  • Ellington: The Early Years

    R H Jackson, Reuben Jackson et al.•ARTICLE•American Music•1992

  • Jazz from the Beginning

    Jeffrey Magee, Garvin Bushell et al.•ARTICLE•American Music•1993

  • "The Genesis of "Black, Brown and Beige

    Mark Tucker•ARTICLE•Black Music Research Journal•1993•Cited by: 1

  • Beyond Category: The Life and Genius of Duke Ellington

    Frank Tirro, John Edward Hasse et al.•ARTICLE•American Music•1995

  • Of Men and Mountains: Ives in the Adirondacks

    Open Access•Mark Tucker•CHAPTER•Charles Ives and His World•1996

  • Dick Hyman Plays Duke Ellington

    Mark Tucker, Dick Hyman•ARTICLE•American Music•1996

  • In Search of Will Vodery

    Mark Tucker•ARTICLE•Black Music Research Journal•1996•Cited by: 3

    Musical arrangers ply their trade behind the scenes, out of the spotlight's glare and away from the sound of applause. Though they make indispensable contributions to theater, radio, film, television, and recordings, most labor in obscurity, their faces unrecognizable and names unknown. Viewed as industrious artisans than creative artists, arrangers have received far less attention and acclaim than their colleagues who compose, play, and sing for…

  • Mainstreaming Monk: The Ellington Album

    Mark Tucker•ARTICLE•Black Music Research Journal•1999•References: 1

    He is, think, major jazz composer, the first since Duke Ellington. --Martin Williams (1963, 33) Monk took much of his style from Ellington and he would like to have been an accomplished pianist who could have articulated in the fashion of Ellington. --Clark Terry (quoted in Voce 1985) Ellington defined 101 arranging concepts and focused on sound. sound was the important thing. Thelonious did the same thing. --Larry Ridley (quoted in Gourse 1997, …

  • Jazz

    Mark Tucker, Travis A Jackson•CHAPTER•The new Grove dictionary of music…•2001

  • Determinants of perceived agricultural chemical risk in three watersheds in the Midwestern United States

    Open Access•Mark Tucker, Ted L Napier•ARTICLE•Journal of Rural Studies•2001•Cited by: 4•References: 3

  • "The Genesis of "Black, Brown and Beige

    Mark Tucker•ARTICLE•Black Music Research Journal•2002

    Ellington's descriptions of the creative process often emphasized speed and efficiency. Like a reporter trained to work under deadline, he knew how to compose under pressure--usually for his orchestra's next recording date or concert appearance--and took pride in this ability. Ellington filled his memoirs, Music Is My Mistress, with anecdotes showing him swiftly, even effortlessly, turning out new pieces, often at the last minute. He claimed to h…

  • Allen, Steve (jazz)

    Mark Tucker, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Severinsen, Doc

    Mark Tucker, Mark Thomas Tucker et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Transcription (ii)

    Mark Tucker, Mark L Tucker et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Awareness and Concern about Large-Scale Livestock and Poultry: Results from a Statewide Survey of Ohioans

    Open Access•Jeff S Sharp, Mark Tucker•ARTICLE•Rural Sociology•2005•Cited by: 16•References: 27

    The development of large-scale livestock facilities has become a controversial issue in many regions of the U.S in recent years. In this research, rural-urban differences in familiarity and concern about large-scale livestock facilities among Ohioans is examined as well as the relationship of social distance from agriculture and trust in risk managers to concern about large-scale livestock facilities. Findings from a survey of Ohio residents reve…

  • Framing The Gross Clinic: Conservators and Exhibitions

    Mark Tucker, Mark S Tucker•ARTICLE•American Art•2012

  • Allen, Steve

    Mark Tucker•CHAPTER•The new Grove dictionary of music…•2013

  • Pastor, Tony

    Mark Tucker•CHAPTER•The new Grove dictionary of music…•2015

  • Participatory choral music as a means of engagement in a veterans' mental health and addiction treatment setting

    Marian Liebowitz, Mark Tucker et al.•ARTICLE•Arts & Health•2015•Cited by: 3•References: 5

    Background: the purpose of this study was to investigate how participation in a music-based performance and instruction program influenced the sense of engagement experienced by participants at a residential setting for at-risk veterans. Methods: semi-structured interviews were conducted with participants in a veterans' choir program conducted at the facility. Results: prominent themes that emerged from the interview included (1) the veterans' pe…

  • Jazz

    Mark Tucker, Travis A Jackson•CHAPTER•The new Grove dictionary of music…•2020

Art (15 works) · Art history (13 works) · Musicology and Musical Analysis (9 works) · Music History and Culture (7 works) · Visual arts (7 works) · Computer Science (5 works) · History (5 works) · Jazz (5 works) · Business (3 works) · Economics (3 works)

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