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Michael Grimshaw

Biographic Data

ID3878469
NAMEMichael Grimshaw
GIVEN NAMESMichael
FAMILY NAMEGrimshaw
SIGNATUREGRIMSHAW M
AFFILIATIONSVictoria University of Wellington
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS4
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2002
H-INDEX2
  • Redneck religion and shitkickin' saviours

    Open Access•Michael Grimshaw•ARTICLE•Popular Music•2002•Cited by: 2•References: 2

    The country singer Gram Parsons (1946-73) has in the last decade been increasingly cited as a seminal influence upon the development of contemporary alt.country and the roots/americana revivial. This article critiques Parsons and his music within the realm of contextual theology, using him as a bridge to examine the wider issue of what a theology of country music might entail. Both Parsons and Country Music in general are strongly religious in la…

  • Seeing through God

    Michael Grimshaw•ARTICLE•Journal for the Study of Religion…•2001

    Although often viewed as an aberration in theology, the application of deconstructionist thought provides a way of approaching the theological task that enables issues of context to be debated in a new way. By applying notions of inter-textuality to the basis provided by the liminal / of Mark C. Taylor’s a/theology, it is possible to trace a path from land/scape to in/scape to a theo/scape. By in turn deconstructing Taylor’s a/theology, an eco a/…

  • Tourist, Traveler, or Exile

    Michael Grimshaw•ARTICLE•The Journal of Religion•2001•Cited by: 2

  • I Can't Believe my Eyes

    Michael Grimshaw•ARTICLE•Implicit Religion•2000

    .

  • Sexless Piety or a Man's Man? Notes on the cinematic representation of Jesus

    Michael Grimshaw•ARTICLE•Journal of Beliefs and Values•1999

    The cinematic representation of Jesus reflects issues current in both popular piety and contemporary theology. However most critiques fail to engage with the portrait of Jesus that arises if one considers and takes seriously the notion of Jesus as ‘leading man’. This article seeks to engage with three issues that arose out of teaching a ‘Jesus at the Movies’ course: What does the choice of ‘Jesus actor’ signify? Does he succeed as a traditional ‘…

  • Redneck religion and shitkickin' saviours

    Open Access•Michael Grimshaw•ARTICLE•Popular Music•2002•Cited by: 2•References: 2

    The country singer Gram Parsons (1946-73) has in the last decade been increasingly cited as a seminal influence upon the development of contemporary alt.country and the roots/americana revivial. This article critiques Parsons and his music within the realm of contextual theology, using him as a bridge to examine the wider issue of what a theology of country music might entail. Both Parsons and Country Music in general are strongly religious in la…

  • Tourist, Traveler, or Exile

    Michael Grimshaw•ARTICLE•The Journal of Religion•2001•Cited by: 2

  • Sexless Piety or a Man's Man? Notes on the cinematic representation of Jesus

    Michael Grimshaw•ARTICLE•Journal of Beliefs and Values•1999

    The cinematic representation of Jesus reflects issues current in both popular piety and contemporary theology. However most critiques fail to engage with the portrait of Jesus that arises if one considers and takes seriously the notion of Jesus as ‘leading man’. This article seeks to engage with three issues that arose out of teaching a ‘Jesus at the Movies’ course: What does the choice of ‘Jesus actor’ signify? Does he succeed as a traditional ‘…

  • I Can't Believe my Eyes

    Michael Grimshaw•ARTICLE•Implicit Religion•2000

    .

  • Seeing through God

    Michael Grimshaw•ARTICLE•Journal for the Study of Religion…•2001

    Although often viewed as an aberration in theology, the application of deconstructionist thought provides a way of approaching the theological task that enables issues of context to be debated in a new way. By applying notions of inter-textuality to the basis provided by the liminal / of Mark C. Taylor’s a/theology, it is possible to trace a path from land/scape to in/scape to a theo/scape. By in turn deconstructing Taylor’s a/theology, an eco a/…

  • Tourist, Traveler, or Exile

    Michael Grimshaw•ARTICLE•The Journal of Religion•2001•Cited by: 2

  • Redneck religion and shitkickin' saviours

    Open Access•Michael Grimshaw•ARTICLE•Popular Music•2002•Cited by: 2•References: 2

    The country singer Gram Parsons (1946-73) has in the last decade been increasingly cited as a seminal influence upon the development of contemporary alt.country and the roots/americana revivial. This article critiques Parsons and his music within the realm of contextual theology, using him as a bridge to examine the wider issue of what a theology of country music might entail. Both Parsons and Country Music in general are strongly religious in la…

Philosophy (5 works) · Theology (4 works) · Aesthetics (3 works) · History (3 works) · Computer Science (2 works) · History (2 works) · Liminality (2 works) · Linguistics (2 works) · Pentecostalism and Christianity Studies (2 works) · Philosophy (2 works)

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