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Sara Tafakori

Biographic Data

ID388041
NAMESara Tafakori
GIVEN NAMESSara
FAMILY NAMETafakori
SIGNATURETAFAKORI S
AFFILIATIONSUniversity of Leeds
ORCID0000-0002-3670-7193
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS20
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The intimate public as a decolonial lens

    Open Access•Sara Tafakori•ARTICLE•Review of International Studies•2023

    This article brings an intimate perspective to bear upon the violence of economic sanctions, shifting attention away from an exclusive focus on state actors, in order to examine how “‘wounds” enter politics’. 1 In this research, I ‘stretch’ Berlant’s notion of the intimate public, reconfiguring it as a decolonial analytic lens on subaltern suffering in conditions of endemic imperial violence. I focus on the Facebook page of the Iranian chief nego…

  • Wild Intimacies

    Open Access•Sara Tafakori•ARTICLE•European Journal of Cultural…•2022•Cited by: 4•References: 10

    This article analyses the mediated affective practices of the network of #justice-seeking mothers in Iran, who campaign for justice for their children’s deaths at the hands of the state. I situate their melancholic performance of maternal mourning as central to the mediation of a ‘wild’ public intimacy, which contests the state’s attempts to limit and foreclose the spaces of political appearance. This intimate public, I argue, draws on the afford…

  • Haunting juxtapositions

    Sara Tafakori•ARTICLE•Feminist Media Studies•2021•Cited by: 1•References: 2

    Feminist scholarship on the Middle East has often critiqued binaristic framings of gender rights which draw on Western-centric tropes of cosmopolitan modernity versus local backwardness. What I argue, through examining visual mediations of Covid-19 on Iranian social media, is that gender is reconfigured in this context as part of a nationalism that is both modernising and conservative. I particularly focus on how montage—a modernist visual genre—…

  • Digital Feminism beyond Nativism and Empire

    Sara Tafakori•ARTICLE•Signs: Journal of Women in…•2021•Cited by: 13•References: 14

    There has been a growing affective intensity on Farsi social media around Iranian women's rights protests, particularly mobilizations against the compulsory hijab. This intensity has crystallized into a variety of emotions: the anger, joy, and defiance of Iranian women protesting against the hijab inside the country; the outrage at the injustice these actions communicate; and the anger and anxiety of Iranian critics on both the Right and the Left…

  • Transnational mediation of state gendered violence

    G Seddighi, Sara Tafakori•ARTICLE•Feminist Media Studies•2016•Cited by: 2•References: 1

  • Digital Feminism beyond Nativism and Empire

    Sara Tafakori•ARTICLE•Signs: Journal of Women in…•2021•Cited by: 13•References: 14

    There has been a growing affective intensity on Farsi social media around Iranian women's rights protests, particularly mobilizations against the compulsory hijab. This intensity has crystallized into a variety of emotions: the anger, joy, and defiance of Iranian women protesting against the hijab inside the country; the outrage at the injustice these actions communicate; and the anger and anxiety of Iranian critics on both the Right and the Left…

  • Wild Intimacies

    Open Access•Sara Tafakori•ARTICLE•European Journal of Cultural…•2022•Cited by: 4•References: 10

    This article analyses the mediated affective practices of the network of #justice-seeking mothers in Iran, who campaign for justice for their children’s deaths at the hands of the state. I situate their melancholic performance of maternal mourning as central to the mediation of a ‘wild’ public intimacy, which contests the state’s attempts to limit and foreclose the spaces of political appearance. This intimate public, I argue, draws on the afford…

  • Transnational mediation of state gendered violence

    G Seddighi, Sara Tafakori•ARTICLE•Feminist Media Studies•2016•Cited by: 2•References: 1

  • Haunting juxtapositions

    Sara Tafakori•ARTICLE•Feminist Media Studies•2021•Cited by: 1•References: 2

    Feminist scholarship on the Middle East has often critiqued binaristic framings of gender rights which draw on Western-centric tropes of cosmopolitan modernity versus local backwardness. What I argue, through examining visual mediations of Covid-19 on Iranian social media, is that gender is reconfigured in this context as part of a nationalism that is both modernising and conservative. I particularly focus on how montage—a modernist visual genre—…

  • Transnational mediation of state gendered violence

    G Seddighi, Sara Tafakori•ARTICLE•Feminist Media Studies•2016•Cited by: 2•References: 1

  • Haunting juxtapositions

    Sara Tafakori•ARTICLE•Feminist Media Studies•2021•Cited by: 1•References: 2

    Feminist scholarship on the Middle East has often critiqued binaristic framings of gender rights which draw on Western-centric tropes of cosmopolitan modernity versus local backwardness. What I argue, through examining visual mediations of Covid-19 on Iranian social media, is that gender is reconfigured in this context as part of a nationalism that is both modernising and conservative. I particularly focus on how montage—a modernist visual genre—…

  • Digital Feminism beyond Nativism and Empire

    Sara Tafakori•ARTICLE•Signs: Journal of Women in…•2021•Cited by: 13•References: 14

    There has been a growing affective intensity on Farsi social media around Iranian women's rights protests, particularly mobilizations against the compulsory hijab. This intensity has crystallized into a variety of emotions: the anger, joy, and defiance of Iranian women protesting against the hijab inside the country; the outrage at the injustice these actions communicate; and the anger and anxiety of Iranian critics on both the Right and the Left…

  • Wild Intimacies

    Open Access•Sara Tafakori•ARTICLE•European Journal of Cultural…•2022•Cited by: 4•References: 10

    This article analyses the mediated affective practices of the network of #justice-seeking mothers in Iran, who campaign for justice for their children’s deaths at the hands of the state. I situate their melancholic performance of maternal mourning as central to the mediation of a ‘wild’ public intimacy, which contests the state’s attempts to limit and foreclose the spaces of political appearance. This intimate public, I argue, draws on the afford…

  • The intimate public as a decolonial lens

    Open Access•Sara Tafakori•ARTICLE•Review of International Studies•2023

    This article brings an intimate perspective to bear upon the violence of economic sanctions, shifting attention away from an exclusive focus on state actors, in order to examine how “‘wounds” enter politics’. 1 In this research, I ‘stretch’ Berlant’s notion of the intimate public, reconfiguring it as a decolonial analytic lens on subaltern suffering in conditions of endemic imperial violence. I focus on the Facebook page of the Iranian chief nego…

Law (5 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · Gender Studies (4 works) · Gender Studies (4 works) · Criminology (3 works) · Gender, Security, and Conflict (3 works) · Politics (3 works) · State (computer science (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae