Jane Landman
Biographic Data
| ID | 3880995 |
|---|---|
| NAME | Jane Landman |
| GIVEN NAMES | Jane |
| FAMILY NAME | Landman |
| SIGNATURE | LANDMAN J |
| AFFILIATIONS | Victoria School of Management |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1940 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Decolonizing settler-colonial and Pacific screens
(2013). Decolonizing settler-colonial and Pacific screens. Studies in Australasian Cinema: Vol. 7, No. 2-3, pp. 95-100
Ran
RAN: Remote Area Nurse is a six-part mini-series first broadcast on the Australian Special Broadcasting Service (SBS) in 2006. Described by co-producer Penny Chapman as 'the first screen fiction set in Torres Strait islander [sic] culture', the series is loosely based on the work of the health centre on Masig, a tiny island in the central group of Torres Strait Islands. This article traces the working modes of the largely non-Islander production …
At home with our colonial work
In 1958–1959 the Australian Commonwealth Film Unit made a series of documentaries on Papua and New Guinea for ABC Television, for the most part compiled from re-purposed material shot for documentaries that the Unit was producing for the Department of Territories at the time. This article examines ‘transcoding’ and domestic address in the New Look at New Guinea documentary series. It focuses on the modes of civic address deployed in early public …
An Ocean of Images
In introducing a collection of papers deriving from a workshop dedicated to Pacific film and history, this article takes the opportunity to broadly map the disciplinary and textual terrain of professional historians' engagement with the cinema. The papers introduced by this essay were selected from the first workshop dedicated to the topic of film and history in the Pacific, held in Canberra in 2007, which brought together film-makers and scholar…
Visualising the Subject of Development
This paper examines a significant body of government documentaries made in Papua and New Guinea, focusing on those works produced in the late 1950s and 1960s that visually report on those policies and practices of development that were part of Australia's trust responsibilities. It traces the political, institutional and administrative negotiations that determined the semantics and rhetoric of the visual and aural modes deployed to represent the …
Borders of the national family in King of the Coral Sea (1954)
This article examines the genial 1950s matinee-styled adventure, King of the Coral Sea, a film set on Thursday Island. With Chips Rafferty playing pearling lugger captain Ted King, the film extends Rafferty's previous iconic national repertoire of digger, drover and bushman in an unprecedented (in entertainment cinema) imaginative ‘nationalization’ of the Torres Strait. The article proposes that the narrative – concerning the protection of the na…
Visual pedagogies of the colonial archive
Neighbours
See the girl, watch that scene
Documents Concerning German-Polish Relations and the Outbreak of Hostilities between Great Britain and Germany on September 3, 1939 . Urkunden zur letzten Phase der deutsch-polnischen Krise
Peaceful Change, Procedures, Population, Raw Materials, Colonies
An Ocean of Images
In introducing a collection of papers deriving from a workshop dedicated to Pacific film and history, this article takes the opportunity to broadly map the disciplinary and textual terrain of professional historians' engagement with the cinema. The papers introduced by this essay were selected from the first workshop dedicated to the topic of film and history in the Pacific, held in Canberra in 2007, which brought together film-makers and scholar…
Visualising the Subject of Development
This paper examines a significant body of government documentaries made in Papua and New Guinea, focusing on those works produced in the late 1950s and 1960s that visually report on those policies and practices of development that were part of Australia's trust responsibilities. It traces the political, institutional and administrative negotiations that determined the semantics and rhetoric of the visual and aural modes deployed to represent the …
See the girl, watch that scene
Documents Concerning German-Polish Relations and the Outbreak of Hostilities between Great Britain and Germany on September 3, 1939 . Urkunden zur letzten Phase der deutsch-polnischen Krise
Peaceful Change, Procedures, Population, Raw Materials, Colonies
See the girl, watch that scene
Neighbours
Borders of the national family in King of the Coral Sea (1954)
This article examines the genial 1950s matinee-styled adventure, King of the Coral Sea, a film set on Thursday Island. With Chips Rafferty playing pearling lugger captain Ted King, the film extends Rafferty's previous iconic national repertoire of digger, drover and bushman in an unprecedented (in entertainment cinema) imaginative ‘nationalization’ of the Torres Strait. The article proposes that the narrative – concerning the protection of the na…
Visual pedagogies of the colonial archive
At home with our colonial work
In 1958–1959 the Australian Commonwealth Film Unit made a series of documentaries on Papua and New Guinea for ABC Television, for the most part compiled from re-purposed material shot for documentaries that the Unit was producing for the Department of Territories at the time. This article examines ‘transcoding’ and domestic address in the New Look at New Guinea documentary series. It focuses on the modes of civic address deployed in early public …
An Ocean of Images
In introducing a collection of papers deriving from a workshop dedicated to Pacific film and history, this article takes the opportunity to broadly map the disciplinary and textual terrain of professional historians' engagement with the cinema. The papers introduced by this essay were selected from the first workshop dedicated to the topic of film and history in the Pacific, held in Canberra in 2007, which brought together film-makers and scholar…
Visualising the Subject of Development
This paper examines a significant body of government documentaries made in Papua and New Guinea, focusing on those works produced in the late 1950s and 1960s that visually report on those policies and practices of development that were part of Australia's trust responsibilities. It traces the political, institutional and administrative negotiations that determined the semantics and rhetoric of the visual and aural modes deployed to represent the …
Decolonizing settler-colonial and Pacific screens
(2013). Decolonizing settler-colonial and Pacific screens. Studies in Australasian Cinema: Vol. 7, No. 2-3, pp. 95-100
Ran
RAN: Remote Area Nurse is a six-part mini-series first broadcast on the Australian Special Broadcasting Service (SBS) in 2006. Described by co-producer Penny Chapman as 'the first screen fiction set in Torres Strait islander [sic] culture', the series is loosely based on the work of the health centre on Masig, a tiny island in the central group of Torres Strait Islands. This article traces the working modes of the largely non-Islander production …
History (7 works) · Political science (7 works) · Sociology (6 works) · Archaeology (5 works) · Art history (4 works) · Australian History and Society (4 works) · Colonialism (4 works) · Art (3 works) · Cinema and Media Studies (3 works) · Law (3 works)