Shujen Wang
Biographic Data
| ID | 3885684 |
|---|---|
| NAME | Shujen Wang |
| GIVEN NAMES | Shujen |
| FAMILY NAME | Wang |
| SIGNATURE | WANG S |
| AFFILIATIONS | Westfield State University |
| ORCID | 0000-0003-2300-9035 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 28 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 3 |
Platformization, pan-entertainment and piracy: What the fast-changing Chinese mediasphere tells us about technology, policy and the state
The recent rise of media platforms in China is in line with China’s ‘going out’ policy of the past two decades, as well as with the Internet Plus and other state sponsored national information technology-related initiatives. The intellectual property-centred pan entertainment strategy further signals a change in the platforms’ content production, distribution and reception. The spin-off driven, derivative platform culture means content, and intel…
The cloud, online piracy and global copyright governance
Piracy is taking on an entirely new character in the age of media in the cloud. Global technology and business models are evolving rapidly, while regulators and lawmakers are catching up in attempts to work out a new set of rules of engagement. In this article, I explore the divergent developments between a retrograde global copyright governance regime and cloud-based media distribution that focuses on connectivity and access. I also examine atte…
My Films Reflect My Living Situation”: An Interview with Tsai Ming-Liang on Film Spaces, Audiences, and Distribution
Research Article| February 01 2006 “My Films Reflect My Living Situation”: An Interview with Tsai Ming-Liang on Film Spaces, Audiences, and Distribution Shujen Wang; Shujen Wang Search for other works by this author on: This Site Google Chris Fujiwara Chris Fujiwara Search for other works by this author on: This Site Google positions (2006) 14 (1): 219–242. https://doi.org/10.1215/10679847-14-1-219 Cite Icon Cite Share Icon Share Facebook Twitter…
Big Shot’s Funeral: China, Sony, and the WTO
Released on December 21, 2001, just days after China formally gained its WTO admittance on December 11, Big Shot’s Funeral (Da Wan’r) was not only the most anticipated He Sui Pian (New Year’s Movie) of 2002 in China; it was also a highly reflexive film registering some of the mixed emotions in China toward the long-awaited admittance and its implications. In addition, the film is the first Sino-American co-production1 released after the WTO acces…
Mapping Film Piracy in China
This article examines one of the most crucial yet often-overlooked links in global film processes: piracy. It does so within the context of a changing digital media environment that calls for a reassessment of key dimensions: networks, globalization, technology, space and the state. More specifically, it focuses on the operation of film piracy networks in Greater China that includes the Mainland, Hong Kong and Taiwan. By zooming in on 'Greater Ch…
From the Field
Other| May 01 2002 from the field Danny Hoffman Danny Hoffman Search for other works by this author on: This Site Google Public Culture (2002) 14 (2): 429–430. https://doi.org/10.1215/08992363-14-2-429 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Danny Hoffman; from the field. Public Culture 1 May 2002; 14 (2): 429–430. doi: https://doi.org/10.1215/08992363-14-2-429 Download citation file: Zotero Reference Manager Easy…
Regendering the Nation: Women and the Nationalist Discourse in Taiwan
Drawing on recent theories of nation and feminism, the author explores the relations between nationalist movements and women's politics in Taiwan. A critical analysis of Taiwan's recent political/nationalist movement and television political advertising campaigns was undertaken. The advertisements are analyzed with an aim to examine how the questions of women are used by the contending political parties in their construction and articulation of n…
In the name of the father: Gender politics inthe wedding banquet
The New York Times' construction of the post-cold war Russia: "More "false endings
A discourse analysis of the New York Times' coverage of the Russian Parliament crisis of 1993 and the failed Soviet coup of 1991 shows that the construction of the post- Cold War Russia has not changed much from that of the Soviet Union during the Cold-War era. Through linguistic choices, these events were presented as rivalry between hard-core communists and reformers, and between state-controlled and free market economy
Factors influencing cross-national news treatment of a critical national event: A comparative study of six countries' media coverage of the 1989 Chinese student demonstrations
This study is designed to assess four factors which may account for differences in the six countries/areas' media coverage of the 1989 Chinese student demonstrations. Four major findings emerge from the analysis: (1) political ideology played an important role in the direction, but not necessarily the extent, of the coverage of the events; (2) diplomatic sensitivity played an important role in the direction of coverage, especially for official or…
Mapping Film Piracy in China
This article examines one of the most crucial yet often-overlooked links in global film processes: piracy. It does so within the context of a changing digital media environment that calls for a reassessment of key dimensions: networks, globalization, technology, space and the state. More specifically, it focuses on the operation of film piracy networks in Greater China that includes the Mainland, Hong Kong and Taiwan. By zooming in on 'Greater Ch…
Factors influencing cross-national news treatment of a critical national event: A comparative study of six countries' media coverage of the 1989 Chinese student demonstrations
This study is designed to assess four factors which may account for differences in the six countries/areas' media coverage of the 1989 Chinese student demonstrations. Four major findings emerge from the analysis: (1) political ideology played an important role in the direction, but not necessarily the extent, of the coverage of the events; (2) diplomatic sensitivity played an important role in the direction of coverage, especially for official or…
The cloud, online piracy and global copyright governance
Piracy is taking on an entirely new character in the age of media in the cloud. Global technology and business models are evolving rapidly, while regulators and lawmakers are catching up in attempts to work out a new set of rules of engagement. In this article, I explore the divergent developments between a retrograde global copyright governance regime and cloud-based media distribution that focuses on connectivity and access. I also examine atte…
Big Shot’s Funeral: China, Sony, and the WTO
Released on December 21, 2001, just days after China formally gained its WTO admittance on December 11, Big Shot’s Funeral (Da Wan’r) was not only the most anticipated He Sui Pian (New Year’s Movie) of 2002 in China; it was also a highly reflexive film registering some of the mixed emotions in China toward the long-awaited admittance and its implications. In addition, the film is the first Sino-American co-production1 released after the WTO acces…
Platformization, pan-entertainment and piracy: What the fast-changing Chinese mediasphere tells us about technology, policy and the state
The recent rise of media platforms in China is in line with China’s ‘going out’ policy of the past two decades, as well as with the Internet Plus and other state sponsored national information technology-related initiatives. The intellectual property-centred pan entertainment strategy further signals a change in the platforms’ content production, distribution and reception. The spin-off driven, derivative platform culture means content, and intel…
Factors influencing cross-national news treatment of a critical national event: A comparative study of six countries' media coverage of the 1989 Chinese student demonstrations
This study is designed to assess four factors which may account for differences in the six countries/areas' media coverage of the 1989 Chinese student demonstrations. Four major findings emerge from the analysis: (1) political ideology played an important role in the direction, but not necessarily the extent, of the coverage of the events; (2) diplomatic sensitivity played an important role in the direction of coverage, especially for official or…
The New York Times' construction of the post-cold war Russia: "More "false endings
A discourse analysis of the New York Times' coverage of the Russian Parliament crisis of 1993 and the failed Soviet coup of 1991 shows that the construction of the post- Cold War Russia has not changed much from that of the Soviet Union during the Cold-War era. Through linguistic choices, these events were presented as rivalry between hard-core communists and reformers, and between state-controlled and free market economy
In the name of the father: Gender politics inthe wedding banquet
Regendering the Nation: Women and the Nationalist Discourse in Taiwan
Drawing on recent theories of nation and feminism, the author explores the relations between nationalist movements and women's politics in Taiwan. A critical analysis of Taiwan's recent political/nationalist movement and television political advertising campaigns was undertaken. The advertisements are analyzed with an aim to examine how the questions of women are used by the contending political parties in their construction and articulation of n…
From the Field
Other| May 01 2002 from the field Danny Hoffman Danny Hoffman Search for other works by this author on: This Site Google Public Culture (2002) 14 (2): 429–430. https://doi.org/10.1215/08992363-14-2-429 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Danny Hoffman; from the field. Public Culture 1 May 2002; 14 (2): 429–430. doi: https://doi.org/10.1215/08992363-14-2-429 Download citation file: Zotero Reference Manager Easy…
Big Shot’s Funeral: China, Sony, and the WTO
Released on December 21, 2001, just days after China formally gained its WTO admittance on December 11, Big Shot’s Funeral (Da Wan’r) was not only the most anticipated He Sui Pian (New Year’s Movie) of 2002 in China; it was also a highly reflexive film registering some of the mixed emotions in China toward the long-awaited admittance and its implications. In addition, the film is the first Sino-American co-production1 released after the WTO acces…
Mapping Film Piracy in China
This article examines one of the most crucial yet often-overlooked links in global film processes: piracy. It does so within the context of a changing digital media environment that calls for a reassessment of key dimensions: networks, globalization, technology, space and the state. More specifically, it focuses on the operation of film piracy networks in Greater China that includes the Mainland, Hong Kong and Taiwan. By zooming in on 'Greater Ch…
My Films Reflect My Living Situation”: An Interview with Tsai Ming-Liang on Film Spaces, Audiences, and Distribution
Research Article| February 01 2006 “My Films Reflect My Living Situation”: An Interview with Tsai Ming-Liang on Film Spaces, Audiences, and Distribution Shujen Wang; Shujen Wang Search for other works by this author on: This Site Google Chris Fujiwara Chris Fujiwara Search for other works by this author on: This Site Google positions (2006) 14 (1): 219–242. https://doi.org/10.1215/10679847-14-1-219 Cite Icon Cite Share Icon Share Facebook Twitter…
The cloud, online piracy and global copyright governance
Piracy is taking on an entirely new character in the age of media in the cloud. Global technology and business models are evolving rapidly, while regulators and lawmakers are catching up in attempts to work out a new set of rules of engagement. In this article, I explore the divergent developments between a retrograde global copyright governance regime and cloud-based media distribution that focuses on connectivity and access. I also examine atte…
Platformization, pan-entertainment and piracy: What the fast-changing Chinese mediasphere tells us about technology, policy and the state
The recent rise of media platforms in China is in line with China’s ‘going out’ policy of the past two decades, as well as with the Internet Plus and other state sponsored national information technology-related initiatives. The intellectual property-centred pan entertainment strategy further signals a change in the platforms’ content production, distribution and reception. The spin-off driven, derivative platform culture means content, and intel…
Political science (9 works) · Law (8 works) · Law (7 works) · Sociology (7 works) · Computer Science (5 works) · Asian Culture and Media Studies (4 works) · China (4 works) · Economics (4 works) · Media studies (4 works) · Politics (4 works)