Kiera Lindsey
Biographic Data
| ID | 3885731 |
|---|---|
| NAME | Kiera Lindsey |
| GIVEN NAMES | Kiera |
| FAMILY NAME | Lindsey |
| SIGNATURE | LINDSEY K |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Speculative Biography
While speculation has always been crucial to biography, it has often been neglected, denied or misunderstood. This edited collection brings together a group of international biographers to discuss how, and why, each uses speculation in their work; whether this is to conceptualise a project in its early stages, work with scanty or deliberately deceptive sources, or address issues associated with shy or stubborn subjects. After defining the role of…
Remember Aesi
In this article I draw upon a definition of 'dialogical memorial' offered by Brad West to offer an experimental artist's brief that outlines the various ways that a contemporary monument to the colonial artist, Adelaide Eliza Scott Ironside (1831-1867), could 'talk back' to the nineteenth-century statues of her contemporaries, and 'converse' with more recent acts of history making. In contrast to the familiar figure of the individual hero, which …
‘A Short Time Before Her Death’
This Creative Matters piece is inspired by five objects in the archives of the colonial artist, Adelaide Ironside (1831–1867), which relate to her dying and death. In addition to two letters, one of which was the last Adelaide wrote before she died; the other by her mother shortly afterwards, I have drawn inspiration from the trunk the Ironsides took with them to Europe and which returned to Australia after their deaths and remains in the possess…
‘Grave-Paved Stars’
Adelaide Ironside (1831–1867) is best known as the first Australian-born artist to train overseas. While her life offers a portal into Republican Sydney, Pre-Raphaelite London and Risorgimento Rome, the nature of her archive also highlights the limits of historical method and the need to employ what Virginia Woolf called ‘the biographer’s licence’ when researching and writing about subjects with problematic sources. In this article, I employ biog…
The Absolute Distress of Females
Between 1800 and 1850 the British newspapers published over 1,000 newspaper articles concerned with Irish abduction, offering a stark contrast to the little attention devoted to English cases during the same period. This article examines representations of Irish abduction in the British press and considers how this form of sexual spectacle contributed to British perceptions of Ireland during this period. Analysis of a number of particularly heino…
So Much Recklessness’
By contrasting a selection of abduction cases that occurred in the penal era with those that captured the attention of the newspapers during the 1840s and 1850s, this article considers the role of abduction trials during a period in New South Wales when the colony recognised that the procurement of greater political and economic autonomy was dependent upon transforming its reputation from a degraded penal outpost to a respectable British society.…
No prominent works on this page.
So Much Recklessness’
By contrasting a selection of abduction cases that occurred in the penal era with those that captured the attention of the newspapers during the 1840s and 1850s, this article considers the role of abduction trials during a period in New South Wales when the colony recognised that the procurement of greater political and economic autonomy was dependent upon transforming its reputation from a degraded penal outpost to a respectable British society.…
The Absolute Distress of Females
Between 1800 and 1850 the British newspapers published over 1,000 newspaper articles concerned with Irish abduction, offering a stark contrast to the little attention devoted to English cases during the same period. This article examines representations of Irish abduction in the British press and considers how this form of sexual spectacle contributed to British perceptions of Ireland during this period. Analysis of a number of particularly heino…
‘A Short Time Before Her Death’
This Creative Matters piece is inspired by five objects in the archives of the colonial artist, Adelaide Ironside (1831–1867), which relate to her dying and death. In addition to two letters, one of which was the last Adelaide wrote before she died; the other by her mother shortly afterwards, I have drawn inspiration from the trunk the Ironsides took with them to Europe and which returned to Australia after their deaths and remains in the possess…
‘Grave-Paved Stars’
Adelaide Ironside (1831–1867) is best known as the first Australian-born artist to train overseas. While her life offers a portal into Republican Sydney, Pre-Raphaelite London and Risorgimento Rome, the nature of her archive also highlights the limits of historical method and the need to employ what Virginia Woolf called ‘the biographer’s licence’ when researching and writing about subjects with problematic sources. In this article, I employ biog…
Speculative Biography
While speculation has always been crucial to biography, it has often been neglected, denied or misunderstood. This edited collection brings together a group of international biographers to discuss how, and why, each uses speculation in their work; whether this is to conceptualise a project in its early stages, work with scanty or deliberately deceptive sources, or address issues associated with shy or stubborn subjects. After defining the role of…
Remember Aesi
In this article I draw upon a definition of 'dialogical memorial' offered by Brad West to offer an experimental artist's brief that outlines the various ways that a contemporary monument to the colonial artist, Adelaide Eliza Scott Ironside (1831-1867), could 'talk back' to the nineteenth-century statues of her contemporaries, and 'converse' with more recent acts of history making. In contrast to the familiar figure of the individual hero, which …
History (6 works) · Australian History and Society (5 works) · Art history (4 works) · Art (3 works) · Law (3 works) · Archaeology (2 works) · Colonialism (2 works) · History (2 works) · Literature (2 works) · Newspaper (2 works)