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Amber Ward

Biographic Data

ID3887691
NAMEAmber Ward
GIVEN NAMESAmber
FAMILY NAMEWard
SIGNATUREWARD A
AFFILIATIONSCalifornia State University, Monterey Bay
ORCID0000-0001-9263-9474
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS24
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Chasing Charms as Concept

    Open Access•Amber Ward•ARTICLE•Qualitative Inquiry•2023

    This lived approach to inquiry is situated in transcendental empiricism through, what Deleuze called, a sensibility of creating and becoming; the inquiry also chases charms as concept. I have invented the concept charms to help re-orient thought through a relational journey at the threshold of apprehension when naming it a concept. Nearly a dozen letters addressed to a Critical Studies scholar grapple with and question charms as concept—oftentime…

  • I Am Not Your Negro Movie Review

    Vanessa Lopez-Littleton, Vanessa Lopez‐littleton et al.•ARTICLE•Public Integrity•2021•Cited by: 1•References: 3

    This article reviews I Am Not Your Negro, a documentary film based on Remember this House, an unfinished manuscript written by James Baldwin. I Am Not Your Negro is a critical film for any public service professional who impacts the lives and livelihoods of Black people in the United States. The critical nature of this film rests in the tragedy of lives lost in a quest for justice for Black people in the US. Baldwin’s conceptualization of “the Ne…

  • (Re)encountering A Thousand Plateaus

    Open Access•Rebecca C Christ, C R Kuby et al.•ARTICLE•Arts and Humanities in Higher…•2021•Cited by: 1•References: 8

    We, now colleagues, look to our “first” collective encounter with Deleuze and Guattari that took place in a university course on poststructuralism, where one of us was the teacher and three were students. This encounter still disturbs us. And new and different encounters happen each time we reread A Thousand Plateaus, revisit our previous conversations, and/or rewrite this manuscript. Each encounter produces a new trail(ing). We follow some of th…

  • Withdrawn

    Open Access•Amber Ward•ARTICLE•Culture Studies ↔ Critical…•2021•References: 1

    Ward, A. (2020). Braiding as a Feminist Methodology: Tensions and Possibilities of Weaving Together. Cultural Studies ↔ Critical Methodologies, 21(1), 3-15. https://doi.org/10.1177/1532708620953200. This article was withdrawn after publication

  • Teaching, Troubling, Transgressing

    Open Access•C R Kuby, Rebecca C Aguayo et al.•ARTICLE•Qualitative Inquiry•2016•Cited by: 22•References: 24

    The authors (teacher and doctoral students) seek to illuminate the transgressive experiences of teaching ↔ learning in a poststructural (PS) theory and research methods course. They aim to (a) illustrate teaching practices that open spaces for students (and faculty) to rethink, critique, unlearn, and ultimately un-inhabit dominant concepts and principles of qualitative research (QR) and the theory/method divide across research disciplines more br…

  • Teaching, Troubling, Transgressing

    Open Access•C R Kuby, Rebecca C Aguayo et al.•ARTICLE•Qualitative Inquiry•2016•Cited by: 22•References: 24

    The authors (teacher and doctoral students) seek to illuminate the transgressive experiences of teaching ↔ learning in a poststructural (PS) theory and research methods course. They aim to (a) illustrate teaching practices that open spaces for students (and faculty) to rethink, critique, unlearn, and ultimately un-inhabit dominant concepts and principles of qualitative research (QR) and the theory/method divide across research disciplines more br…

  • I Am Not Your Negro Movie Review

    Vanessa Lopez-Littleton, Vanessa Lopez‐littleton et al.•ARTICLE•Public Integrity•2021•Cited by: 1•References: 3

    This article reviews I Am Not Your Negro, a documentary film based on Remember this House, an unfinished manuscript written by James Baldwin. I Am Not Your Negro is a critical film for any public service professional who impacts the lives and livelihoods of Black people in the United States. The critical nature of this film rests in the tragedy of lives lost in a quest for justice for Black people in the US. Baldwin’s conceptualization of “the Ne…

  • (Re)encountering A Thousand Plateaus

    Open Access•Rebecca C Christ, C R Kuby et al.•ARTICLE•Arts and Humanities in Higher…•2021•Cited by: 1•References: 8

    We, now colleagues, look to our “first” collective encounter with Deleuze and Guattari that took place in a university course on poststructuralism, where one of us was the teacher and three were students. This encounter still disturbs us. And new and different encounters happen each time we reread A Thousand Plateaus, revisit our previous conversations, and/or rewrite this manuscript. Each encounter produces a new trail(ing). We follow some of th…

  • Teaching, Troubling, Transgressing

    Open Access•C R Kuby, Rebecca C Aguayo et al.•ARTICLE•Qualitative Inquiry•2016•Cited by: 22•References: 24

    The authors (teacher and doctoral students) seek to illuminate the transgressive experiences of teaching ↔ learning in a poststructural (PS) theory and research methods course. They aim to (a) illustrate teaching practices that open spaces for students (and faculty) to rethink, critique, unlearn, and ultimately un-inhabit dominant concepts and principles of qualitative research (QR) and the theory/method divide across research disciplines more br…

  • I Am Not Your Negro Movie Review

    Vanessa Lopez-Littleton, Vanessa Lopez‐littleton et al.•ARTICLE•Public Integrity•2021•Cited by: 1•References: 3

    This article reviews I Am Not Your Negro, a documentary film based on Remember this House, an unfinished manuscript written by James Baldwin. I Am Not Your Negro is a critical film for any public service professional who impacts the lives and livelihoods of Black people in the United States. The critical nature of this film rests in the tragedy of lives lost in a quest for justice for Black people in the US. Baldwin’s conceptualization of “the Ne…

  • (Re)encountering A Thousand Plateaus

    Open Access•Rebecca C Christ, C R Kuby et al.•ARTICLE•Arts and Humanities in Higher…•2021•Cited by: 1•References: 8

    We, now colleagues, look to our “first” collective encounter with Deleuze and Guattari that took place in a university course on poststructuralism, where one of us was the teacher and three were students. This encounter still disturbs us. And new and different encounters happen each time we reread A Thousand Plateaus, revisit our previous conversations, and/or rewrite this manuscript. Each encounter produces a new trail(ing). We follow some of th…

  • Withdrawn

    Open Access•Amber Ward•ARTICLE•Culture Studies ↔ Critical…•2021•References: 1

    Ward, A. (2020). Braiding as a Feminist Methodology: Tensions and Possibilities of Weaving Together. Cultural Studies ↔ Critical Methodologies, 21(1), 3-15. https://doi.org/10.1177/1532708620953200. This article was withdrawn after publication

  • Chasing Charms as Concept

    Open Access•Amber Ward•ARTICLE•Qualitative Inquiry•2023

    This lived approach to inquiry is situated in transcendental empiricism through, what Deleuze called, a sensibility of creating and becoming; the inquiry also chases charms as concept. I have invented the concept charms to help re-orient thought through a relational journey at the threshold of apprehension when naming it a concept. Nearly a dozen letters addressed to a Critical Studies scholar grapple with and question charms as concept—oftentime…

Sociology (5 works) · Psychology (3 works) · Epistemology (2 works) · Media studies (2 works) · Philosophy (2 works) · Posthumanist Ethics and Activism (2 works) · Psychoanalysis (2 works) · Active listening (1 work) · Aesthetics (1 work) · Apprehension (1 work)

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