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Neta Alexander

Biographic Data

ID3889805
NAMENeta Alexander
GIVEN NAMESNeta
FAMILY NAMEAlexander
SIGNATUREALEXANDER N
AFFILIATIONSColgate University
ORCID0000-0002-6370-3112
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Technics

    Anna Rogers, Iain Christie et al.•BOOK•Technics•2024•References: 28

    The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…

  • Raiva contra a máquina

    Open Access•Neta Alexander, Júlio Bezerra•ARTICLE•Rebeca - Revista Brasileira de…•2023

    Buffering, ou seja, a necessidade de pré-carregar dados antes de transmitir um arquivo de vídeo ou áudio, resume as rupturas e interrupções frequentemente ignoradas do engajamento digital. Considerando que o buffer é frequentemente lido como "ruído" ou como um incômodo técnico aguardando uma solução, um olhar mais atento pode nos levar a desafiar nossa noção de mediação, imersão e controle. Ao contextualizar o estudo do buffering dentro de uma ri…

  • Scores

    Mara Mills, Neta Alexander•ARTICLE•Film Quarterly•2022

    A prominent voice in the New Disability Arts movement, Carolyn Lazard is a multidisciplinary artist rethinking captioning and other access techniques as tools for composition. Reading several of Lazard’s works and collaborations, this essay theorizes the style of captions that functions as “scores”—open-ended scripts inviting audience members to activate the work, their bodies, and each other. As performance scores, these captions instruct or oth…

  • From Spectatorship to “Survivorship” in Five Critical Propositions

    Neta Alexander•ARTICLE•Film Quarterly•2021

    Often theorized through the negative framework of addiction or passivity, binge-watching has been transformed into a civic duty and a mode of survival during the COVID-19 pandemic. Exploring this recent plot-twist in bingeing scholarship, this article proposes five new ways to study the most dominant spectatorial mode under corona-capitalism. These propositions include studying how the pandemic turned bingeing into an antidote to “languishing,” a…

  • Paper, glass, algorithm

    Open Access•Neta Alexander, Tali Keren•ARTICLE•Journal of Visual Culture•2021

    The teleprompter, invented in 1948 as a memory aid for show business, has become a ubiquitous technology in modern politics. Yet, the hidden ways in which this device shapes our understanding of performance, newscasting, and political rhetoric are rarely studied by media scholars. Recognizing this lacuna, this article traces the evolution of the teleprompter from a cumbersome, human-operated device to an invisible system of screens designed to co…

  • A Body in Every Cellar

    Neta Alexander•ARTICLE•Jewish Film & New Media An…•2016•Cited by: 1

    Defined by an ongoing conflict with the Palestinians, a constant tension between religion and democracy, and an ever-growing economic inequality, contemporary Israeli existence germinates "perpetual violence"—the notion that violence can never be fully eliminated or controlled. This endless loop of anxiety and fear can be traced in a new cinematic movement consisting of more than ten Israeli features made between 2010 and 2015. Influenced by the …

  • A Body in Every Cellar

    Neta Alexander•ARTICLE•Jewish Film & New Media An…•2016•Cited by: 1

    Defined by an ongoing conflict with the Palestinians, a constant tension between religion and democracy, and an ever-growing economic inequality, contemporary Israeli existence germinates "perpetual violence"—the notion that violence can never be fully eliminated or controlled. This endless loop of anxiety and fear can be traced in a new cinematic movement consisting of more than ten Israeli features made between 2010 and 2015. Influenced by the …

  • A Body in Every Cellar

    Neta Alexander•ARTICLE•Jewish Film & New Media An…•2016•Cited by: 1

    Defined by an ongoing conflict with the Palestinians, a constant tension between religion and democracy, and an ever-growing economic inequality, contemporary Israeli existence germinates "perpetual violence"—the notion that violence can never be fully eliminated or controlled. This endless loop of anxiety and fear can be traced in a new cinematic movement consisting of more than ten Israeli features made between 2010 and 2015. Influenced by the …

  • From Spectatorship to “Survivorship” in Five Critical Propositions

    Neta Alexander•ARTICLE•Film Quarterly•2021

    Often theorized through the negative framework of addiction or passivity, binge-watching has been transformed into a civic duty and a mode of survival during the COVID-19 pandemic. Exploring this recent plot-twist in bingeing scholarship, this article proposes five new ways to study the most dominant spectatorial mode under corona-capitalism. These propositions include studying how the pandemic turned bingeing into an antidote to “languishing,” a…

  • Paper, glass, algorithm

    Open Access•Neta Alexander, Tali Keren•ARTICLE•Journal of Visual Culture•2021

    The teleprompter, invented in 1948 as a memory aid for show business, has become a ubiquitous technology in modern politics. Yet, the hidden ways in which this device shapes our understanding of performance, newscasting, and political rhetoric are rarely studied by media scholars. Recognizing this lacuna, this article traces the evolution of the teleprompter from a cumbersome, human-operated device to an invisible system of screens designed to co…

  • Scores

    Mara Mills, Neta Alexander•ARTICLE•Film Quarterly•2022

    A prominent voice in the New Disability Arts movement, Carolyn Lazard is a multidisciplinary artist rethinking captioning and other access techniques as tools for composition. Reading several of Lazard’s works and collaborations, this essay theorizes the style of captions that functions as “scores”—open-ended scripts inviting audience members to activate the work, their bodies, and each other. As performance scores, these captions instruct or oth…

  • Raiva contra a máquina

    Open Access•Neta Alexander, Júlio Bezerra•ARTICLE•Rebeca - Revista Brasileira de…•2023

    Buffering, ou seja, a necessidade de pré-carregar dados antes de transmitir um arquivo de vídeo ou áudio, resume as rupturas e interrupções frequentemente ignoradas do engajamento digital. Considerando que o buffer é frequentemente lido como "ruído" ou como um incômodo técnico aguardando uma solução, um olhar mais atento pode nos levar a desafiar nossa noção de mediação, imersão e controle. Ao contextualizar o estudo do buffering dentro de uma ri…

  • Technics

    Anna Rogers, Iain Christie et al.•BOOK•Technics•2024•References: 28

    The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…

Art (5 works) · Aesthetics (4 works) · Cinema and Media Studies (4 works) · Sociology (4 works) · Computer Science (3 works) · Political science (3 works) · Cybernetics and Technology in Society (2 works) · History (2 works) · Law (2 works) · Linguistics (2 works)

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