Marianna Napolitano
Biographic Data
| ID | 3891572 |
|---|---|
| NAME | Marianna Napolitano |
| GIVEN NAMES | Marianna |
| FAMILY NAME | Napolitano |
| SIGNATURE | NAPOLITANO M |
| AFFILIATIONS | University of Modena and Reggio Emilia |
| ORCID | 0009-0005-1347-973X |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Screening Sanctity
This paper examines “film as a medium of religious experience and moral imagination” in contemporary Russia through the legal–moral politics of “insulting religious feelings.” Using the controversy over Aleksei Uchitel’s Matilda (2017) as a case study, it analyzes how the portrayal of Nicholas II’s premarital romance was construed as sacrilegious and mobilized by the Russian Orthodox Church (ROC) and State actors to police the boundaries of the s…
The Promotion of Traditional Values through Films and Television Programmes
On 26 May 2011, the Russian People's World Council issued a document entitled The Basic Values: The Fundaments of National Unity. The document, prepared by the Synodal Department for Church-Society Cooperation, provided a catalogue of 17 traditional values whose general framework was constituted by a combination of freedom, unity, patriotism, family, and devotion. At that time, the Moscow Patriarchate considered religious faith to be the foundati…
No prominent works on this page.
The Promotion of Traditional Values through Films and Television Programmes
On 26 May 2011, the Russian People's World Council issued a document entitled The Basic Values: The Fundaments of National Unity. The document, prepared by the Synodal Department for Church-Society Cooperation, provided a catalogue of 17 traditional values whose general framework was constituted by a combination of freedom, unity, patriotism, family, and devotion. At that time, the Moscow Patriarchate considered religious faith to be the foundati…
Screening Sanctity
This paper examines “film as a medium of religious experience and moral imagination” in contemporary Russia through the legal–moral politics of “insulting religious feelings.” Using the controversy over Aleksei Uchitel’s Matilda (2017) as a case study, it analyzes how the portrayal of Nicholas II’s premarital romance was construed as sacrilegious and mobilized by the Russian Orthodox Church (ROC) and State actors to police the boundaries of the s…
Politics (2 works) · Art (1 works) · Computer Science (1 works) · Encyclopedia (1 works) · First amendment (1 works) · Law (1 works) · Library science (1 works) · Media, Religion, Digital Communication (1 works) · Political Developments and Conflicts (1 works) · Political science (1 works)