Timothy Hogue
Biographic Data
| ID | 3891982 |
|---|---|
| NAME | Timothy Hogue |
| GIVEN NAMES | Timothy |
| FAMILY NAME | Hogue |
| SIGNATURE | HOGUE T |
| AFFILIATIONS | University of the Sciences |
| ORCID | 0000-0001-5663-3008 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
From Zaphon to Zion
Since the discovery of an alternate version of Ps 20 in Papyrus Amherst 63 XII, 11–19, the psalm has been the subject of multiple redaction-critical studies and historical reconstructions. Recent scholarship has used these two texts to reconstruct a northern Israelite hymn underlying them both. In this article, I use methods derived from inner-biblical discourse and ideological redaction criticism to shift focus from what was original to the poem…
Texts, Architecture, and Ritual in the Iron II Levant
Studies of ancient Israelite religion have long assumed that texts played some role in its public expression. This role is often reconstructed using depictions in the Hebrew Bible and ritual texts from neighboring regions or the Bronze Age Levant. However, no such ritual texts have been uncovered in the Iron Age Levant. Nevertheless, an analysis of architecturally embedded texts alongside their associated assemblages makes it possible to reconstr…
Bulls on Parade
1 Kgs 12:25-33 is composed of two significant layers – an earlier stratum that may be based on an Israelite royal inscription and a later, likely Judahite redaction. These can be disentangled based on a redaction critical approach rooted in studies of compilational and editorial practices attested in biblical and Cuneiform sources. Though the final text is often analyzed as an idol polemic, the Israelite strata suggest that Jeroboam is not depict…
For god, king and country
In the 9th century BC, Levantine polities performatively expressed territoriality by strategically utilizing the spatial discourse of royal monuments. Specifically, Levantine rulers erected complementary monuments in both their core cities and frontier cities to transmit a central praxis and perspective to the periphery. This practice drew on earlier Levantine traditions of using monuments to demarcate ceremonial theatres that functioned as zones…
With Apologies to Hazael
The Tel Dan Stele is an essential piece of evidence for reconstructing Iron Age Levantine monumentality. Not only can we reasonably reconstruct the circumstances of the stele's production, the circumstances of its discovery also provide important clues as to its later reception. In particular, it is clear from the stele's broken state and reuse at Dan that it was utilized in counter-monumental practice. The stele was intentionally destroyed when …
Thinking Through Monuments
This study proposes that monuments are technologies through which communities think. I draw on conceptual blending theory as articulated by Mark Turner and Gilles Fauconnier to argue that monuments are material anchors for conceptual integration networks. The network model highlights that monuments are embedded in specific spatial and socio-historical contexts while also emphasizing that they function relationally by engaging the imaginations of …
Abracadabra , or “I Create as I Speak”
Previous translations of the Katumuwa Inscription have either rendered the first verbal phrase (qnt ly) “I commissioned for myself,” or “I acquired for myself.” No scholars have yet defended the possibility that it simply means “I made.” In fact, this is likely the case given the typical monumental rhetoric of Northwest Semitic and Hieroglyphic Luwian monumental inscriptions. In particular, a comparison with verbs of monumenting in Hieroglyphic L…
I Am”
Thinking Through Monuments
This study proposes that monuments are technologies through which communities think. I draw on conceptual blending theory as articulated by Mark Turner and Gilles Fauconnier to argue that monuments are material anchors for conceptual integration networks. The network model highlights that monuments are embedded in specific spatial and socio-historical contexts while also emphasizing that they function relationally by engaging the imaginations of …
I Am”
Abracadabra , or “I Create as I Speak”
Previous translations of the Katumuwa Inscription have either rendered the first verbal phrase (qnt ly) “I commissioned for myself,” or “I acquired for myself.” No scholars have yet defended the possibility that it simply means “I made.” In fact, this is likely the case given the typical monumental rhetoric of Northwest Semitic and Hieroglyphic Luwian monumental inscriptions. In particular, a comparison with verbs of monumenting in Hieroglyphic L…
I Am”
With Apologies to Hazael
The Tel Dan Stele is an essential piece of evidence for reconstructing Iron Age Levantine monumentality. Not only can we reasonably reconstruct the circumstances of the stele's production, the circumstances of its discovery also provide important clues as to its later reception. In particular, it is clear from the stele's broken state and reuse at Dan that it was utilized in counter-monumental practice. The stele was intentionally destroyed when …
Thinking Through Monuments
This study proposes that monuments are technologies through which communities think. I draw on conceptual blending theory as articulated by Mark Turner and Gilles Fauconnier to argue that monuments are material anchors for conceptual integration networks. The network model highlights that monuments are embedded in specific spatial and socio-historical contexts while also emphasizing that they function relationally by engaging the imaginations of …
For god, king and country
In the 9th century BC, Levantine polities performatively expressed territoriality by strategically utilizing the spatial discourse of royal monuments. Specifically, Levantine rulers erected complementary monuments in both their core cities and frontier cities to transmit a central praxis and perspective to the periphery. This practice drew on earlier Levantine traditions of using monuments to demarcate ceremonial theatres that functioned as zones…
Bulls on Parade
1 Kgs 12:25-33 is composed of two significant layers – an earlier stratum that may be based on an Israelite royal inscription and a later, likely Judahite redaction. These can be disentangled based on a redaction critical approach rooted in studies of compilational and editorial practices attested in biblical and Cuneiform sources. Though the final text is often analyzed as an idol polemic, the Israelite strata suggest that Jeroboam is not depict…
From Zaphon to Zion
Since the discovery of an alternate version of Ps 20 in Papyrus Amherst 63 XII, 11–19, the psalm has been the subject of multiple redaction-critical studies and historical reconstructions. Recent scholarship has used these two texts to reconstruct a northern Israelite hymn underlying them both. In this article, I use methods derived from inner-biblical discourse and ideological redaction criticism to shift focus from what was original to the poem…
Texts, Architecture, and Ritual in the Iron II Levant
Studies of ancient Israelite religion have long assumed that texts played some role in its public expression. This role is often reconstructed using depictions in the Hebrew Bible and ritual texts from neighboring regions or the Bronze Age Levant. However, no such ritual texts have been uncovered in the Iron Age Levant. Nevertheless, an analysis of architecturally embedded texts alongside their associated assemblages makes it possible to reconstr…
Archaeology and Historical Studies (6 works) · Ancient Near East History (5 works) · History (5 works) · Ancient history (4 works) · Art (4 works) · Philosophy (4 works) · Ancient Egypt and Archaeology (3 works) · Biblical Studies and Interpretation (3 works) · Cult (2 works) · Linguistics (2 works)