Ziyun Liu
Biographic Data
| ID | 3892122 |
|---|---|
| NAME | Ziyun Liu |
| GIVEN NAMES | Ziyun |
| FAMILY NAME | Liu |
| SIGNATURE | LIU Z |
| AFFILIATIONS | Chinese Academy of Social Sciences |
| ORCID | 0000-0003-2992-7590 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Transforming Inner Alchemical Vision into Painting
This paper argues that the Yuan dynasty Daoist Huang Gongwang's 黃公望 (1269-1354) painting Clearing after Sudden Snow resonates with the principles of inner alchemy (neidan, 內丹), particularly the stage known as the resurgence of yang force. Within this painting, four prominent visual elements-the sun, the spirit room, the cliff, and the snowy mountains-come together to imbue the painting with a rich tapestry of inner alchemical connotations. They c…
Visualizing the Invisible Body
This paper addresses the "invisible body in shanshui paintings" by redefining the correlation between shanshui and the human body in the Daoist context. I argue that the human body is not invisible in shanshui painting-it is ever-present through the agency of the shanshui. The correlation will be unpacked in two aspects. Firstly, shanshui is ontologically connected and shares a "corporeal" affinity with the bodies of human beings. Secondly and mo…
Visualizing the Invisible Body
This paper addresses the "invisible body in shanshui paintings" by redefining the correlation between shanshui and the human body in the Daoist context. I argue that the human body is not invisible in shanshui painting-it is ever-present through the agency of the shanshui. The correlation will be unpacked in two aspects. Firstly, shanshui is ontologically connected and shares a "corporeal" affinity with the bodies of human beings. Secondly and mo…
Visualizing the Invisible Body
This paper addresses the "invisible body in shanshui paintings" by redefining the correlation between shanshui and the human body in the Daoist context. I argue that the human body is not invisible in shanshui painting-it is ever-present through the agency of the shanshui. The correlation will be unpacked in two aspects. Firstly, shanshui is ontologically connected and shares a "corporeal" affinity with the bodies of human beings. Secondly and mo…
Transforming Inner Alchemical Vision into Painting
This paper argues that the Yuan dynasty Daoist Huang Gongwang's 黃公望 (1269-1354) painting Clearing after Sudden Snow resonates with the principles of inner alchemy (neidan, 內丹), particularly the stage known as the resurgence of yang force. Within this painting, four prominent visual elements-the sun, the spirit room, the cliff, and the snowy mountains-come together to imbue the painting with a rich tapestry of inner alchemical connotations. They c…
Aesthetics (2 works) · Alchemy (2 works) · Art (2 works) · Chinese history and philosophy (2 works) · Epistemology (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Archaeology (1 works) · Art history (1 works)