Lila Moore
Biographic Data
| ID | 3892239 |
|---|---|
| NAME | Lila Moore |
| GIVEN NAMES | Lila |
| FAMILY NAME | Moore |
| SIGNATURE | MOORE L |
| AFFILIATIONS | Zefat Academic College |
| ORCID | 0000-0001-9725-1831 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Know Thy Other
This article examines dialogic presence as articulated by Martin Buber and explores its continued relevance within contemporary technoetic and AI-mediated new media art. Drawing on Buber’s early writings on art, theatre, and dance—particularly Daniel (1913)—the article first analyses the dialogic relations between artist, art form, and viewer, with attention to the aesthetic principles of distance, unity, and presence that structure the I–Thou en…
Studying spirituality and the arts
In March 2022, the International Network for the Study of Spirituality (INSS) launched a new Special Interest Group: Spirituality and the Arts (SASIG). This initiative, co-chaired by Lila Moore, June Boyce-Tillman and Annalisa Burello, aims to bring together artists, scholars, health practitioners and anyone with an interest in spirituality and the arts in order to explore and investigate the interconnections between these apparently distinct rea…
Three Religious-Cultural Worldviews in Noah (2014)—Hedonism, Fundamentalism, and Ecofeminism
The article proposes an interpretative study of Darren Aronofsky’s film Noah. The film draws inspiration from various spiritual traditions ranging from shamanism to Buddhism, whilst relying heavily on Jewish midrash, and adds a layer of innovation. Our main assertion is that the film attempts to present three viewpoints on issues of religion, humanity, nature, and God—while negating two of them and preferring one. Each of the various characters a…
"Not Your Grandmother's Bible"-A Comparative Study of the Biblical Deluge Myth in Film
The biblical story of the Flood, which portrays a humanity worthy of annihilation, is the fundamental myth used by generations of interpreters as they radically criticized the society and culture in which they lived. Accordingly, the Deluge myth's various versions and interpretations over the years mirror ever-changing cultural dilemmas and values. Our comparative-historic study observes this mirror and how changes in modern Western culture are r…
Robert Penn Warren and History
No prominent works on this page.
Robert Penn Warren and History
"Not Your Grandmother's Bible"-A Comparative Study of the Biblical Deluge Myth in Film
The biblical story of the Flood, which portrays a humanity worthy of annihilation, is the fundamental myth used by generations of interpreters as they radically criticized the society and culture in which they lived. Accordingly, the Deluge myth's various versions and interpretations over the years mirror ever-changing cultural dilemmas and values. Our comparative-historic study observes this mirror and how changes in modern Western culture are r…
Three Religious-Cultural Worldviews in Noah (2014)—Hedonism, Fundamentalism, and Ecofeminism
The article proposes an interpretative study of Darren Aronofsky’s film Noah. The film draws inspiration from various spiritual traditions ranging from shamanism to Buddhism, whilst relying heavily on Jewish midrash, and adds a layer of innovation. Our main assertion is that the film attempts to present three viewpoints on issues of religion, humanity, nature, and God—while negating two of them and preferring one. Each of the various characters a…
Studying spirituality and the arts
In March 2022, the International Network for the Study of Spirituality (INSS) launched a new Special Interest Group: Spirituality and the Arts (SASIG). This initiative, co-chaired by Lila Moore, June Boyce-Tillman and Annalisa Burello, aims to bring together artists, scholars, health practitioners and anyone with an interest in spirituality and the arts in order to explore and investigate the interconnections between these apparently distinct rea…
Know Thy Other
This article examines dialogic presence as articulated by Martin Buber and explores its continued relevance within contemporary technoetic and AI-mediated new media art. Drawing on Buber’s early writings on art, theatre, and dance—particularly Daniel (1913)—the article first analyses the dialogic relations between artist, art form, and viewer, with attention to the aesthetic principles of distance, unity, and presence that structure the I–Thou en…
Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Environmental ethics (2 works) · History (2 works) · Philosophy (2 works) · Spirituality (2 works) · Theology (2 works)