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Seung Hee Oh

Biographic Data

ID3892315
NAMESeung Hee Oh
GIVEN NAMESSeung Hee
FAMILY NAMEOh
SIGNATUREOH S H
AFFILIATIONSHarvard University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Seeing as Worldmaking

    Open Access•Seung Hee Oh•ARTICLE•Religions•2022•References: 13

    This paper examines Wu Bin's (c. 1543-c. 1626) Ten Views of a Lingbi Rock (1610) from the perspective of Buddhist epistemological notions in seventeenth-century China. In studying a series of gazes focusing on a single object-a stone with a very complex surface-my discussion posits an act of excessive seeing as a process of making worlds. I take a theoretical cue from contemporaneous intellectual discourses, especially those that flourished with …

  • Korea

    Gina L Barnes, Gina Barnes et al.•CHAPTER•2003

  • Korea

    Gina L Barnes, Gina Barnes et al.•CHAPTER•2003

  • Korea

    Kyung-Ho Chang, Donghyun Kim et al.•CHAPTER•2003

  • Korea

    Hye-ri Oh, Seung Hee Oh•CHAPTER•2003

  • Gang [Kang] family

    Burglind Jungmann, Seung Hee Oh•CHAPTER•2003

  • Korea

    Kyung-Ho Chang, David Park et al.•CHAPTER•2003

  • Joseon dynasty

    Junghee Lee, Seung Hee Oh•CHAPTER•2003

No prominent works on this page.

  • Korea

    Gina L Barnes, Gina Barnes et al.•CHAPTER•2003

  • Korea

    Gina L Barnes, Gina Barnes et al.•CHAPTER•2003

  • Korea

    Kyung-Ho Chang, Donghyun Kim et al.•CHAPTER•2003

  • Korea

    Hye-ri Oh, Seung Hee Oh•CHAPTER•2003

  • Gang [Kang] family

    Burglind Jungmann, Seung Hee Oh•CHAPTER•2003

  • Korea

    Kyung-Ho Chang, David Park et al.•CHAPTER•2003

  • Joseon dynasty

    Junghee Lee, Seung Hee Oh•CHAPTER•2003

  • Seeing as Worldmaking

    Open Access•Seung Hee Oh•ARTICLE•Religions•2022•References: 13

    This paper examines Wu Bin's (c. 1543-c. 1626) Ten Views of a Lingbi Rock (1610) from the perspective of Buddhist epistemological notions in seventeenth-century China. In studying a series of gazes focusing on a single object-a stone with a very complex surface-my discussion posits an act of excessive seeing as a process of making worlds. I take a theoretical cue from contemporaneous intellectual discourses, especially those that flourished with …

Art (3 works) · Asian Culture and Media Studies (3 works) · Geography (3 works) · History (3 works) · Japanese History and Culture (3 works) · Visual arts (3 works) · Archaeology (2 works) · Chinese history and philosophy (2 works) · Computer Science (2 works) · Aesthetics (1 work)

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