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Haewon Kim

Biographic Data

ID3892637
NAMEHaewon Kim
GIVEN NAMESHaewon
FAMILY NAMEKim
SIGNATUREKIM H
AFFILIATIONSGyeongju National Museum
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2020
H-INDEX1
  • An Icon in Motion: Rethinking the Iconography of Itinerant Monk Paintings from Dunhuang

    Open Access•Haewon Kim, Hae Won Kim•ARTICLE•Religions•2020•Cited by: 2•References: 14

    This essay reconsiders the iconography of the group of paintings from Dunhuang commonly referred to as "itinerant monk paintings." In an effort to acknowledge the paintings as a tradition unto themselves and highlight their visual language, this study focuses on the issues surrounding Baosheng Buddha and the unique feature of depicting the main icon in motion. The first matter is discussed in relation to the religious and artistic contexts of the…

  • The Studies of Central Asian Art in Korea- State-of-the-field Article (1996-2015)

    Open Access•Haewon Kim, Haewon Kim Haewon Kim•ARTICLE•CENTRAL ASIAN STUDIES•2015

  • An Icon in Motion: Rethinking the Iconography of Itinerant Monk Paintings from Dunhuang

    Open Access•Haewon Kim, Hae Won Kim•ARTICLE•Religions•2020•Cited by: 2•References: 14

    This essay reconsiders the iconography of the group of paintings from Dunhuang commonly referred to as "itinerant monk paintings." In an effort to acknowledge the paintings as a tradition unto themselves and highlight their visual language, this study focuses on the issues surrounding Baosheng Buddha and the unique feature of depicting the main icon in motion. The first matter is discussed in relation to the religious and artistic contexts of the…

  • The Studies of Central Asian Art in Korea- State-of-the-field Article (1996-2015)

    Open Access•Haewon Kim, Haewon Kim Haewon Kim•ARTICLE•CENTRAL ASIAN STUDIES•2015

  • An Icon in Motion: Rethinking the Iconography of Itinerant Monk Paintings from Dunhuang

    Open Access•Haewon Kim, Hae Won Kim•ARTICLE•Religions•2020•Cited by: 2•References: 14

    This essay reconsiders the iconography of the group of paintings from Dunhuang commonly referred to as "itinerant monk paintings." In an effort to acknowledge the paintings as a tradition unto themselves and highlight their visual language, this study focuses on the issues surrounding Baosheng Buddha and the unique feature of depicting the main icon in motion. The first matter is discussed in relation to the religious and artistic contexts of the…

Chinese history and philosophy (2 works) · Computer Science (2 works) · History (2 works) · Aesthetics (1 works) · Algorithm (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works) · Asian Culture and Media Studies (1 works) · Buddhism (1 works)

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