George Corbett
Biographic Data
| ID | 3892729 |
|---|---|
| NAME | George Corbett |
| GIVEN NAMES | George |
| FAMILY NAME | Corbett |
| SIGNATURE | CORBETT G |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Dante's Christian Ethics
TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music
This article presents the methodology and research underpinning the TheoArtistry Composers' Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-2017). The article assesses the implications of such collaboration for future work at the interface between theology and music, and between theology and the arts more generally
Peraldus and Aquinas
OF THE TWO DOMINICANS William Peraldus (ca. 1200-1271) and Thomas Aquinas (1225-74), Peraldus is now barely known whereas Aquinas, canonized and a doctor of the Church, is one of the most persistent influences on Catholic philosophy and theology. During their lives, it was a different story. A decree required that every Dominican convent hold a copy of Peraldus’s Summa de vitiis et virtutibus in its library, and this work—as the number of extant …
No prominent works on this page.
Peraldus and Aquinas
OF THE TWO DOMINICANS William Peraldus (ca. 1200-1271) and Thomas Aquinas (1225-74), Peraldus is now barely known whereas Aquinas, canonized and a doctor of the Church, is one of the most persistent influences on Catholic philosophy and theology. During their lives, it was a different story. A decree required that every Dominican convent hold a copy of Peraldus’s Summa de vitiis et virtutibus in its library, and this work—as the number of extant …
TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music
This article presents the methodology and research underpinning the TheoArtistry Composers' Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-2017). The article assesses the implications of such collaboration for future work at the interface between theology and music, and between theology and the arts more generally
Dante's Christian Ethics
Philosophy (3 works) · Theology (3 works) · Art (2 works) · Aesthetics (1 work) · Argument (complex analysis) (1 work) · Art history (1 work) · Byzantine Studies and History (1 work) · Choir (1 work) · Christian ethics in literature (1 work) · Christliche Ethik (1 work)