Shixiao Wang
Biographic Data
| ID | 3892770 |
|---|---|
| NAME | Shixiao Wang |
| GIVEN NAMES | Shixiao |
| FAMILY NAME | Wang |
| SIGNATURE | WANG S |
| AFFILIATIONS | Nanjing University of the Arts |
| ORCID | 0000-0001-7771-0754 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
On the Differences between Han Rhapsodies and Han Paintings in Their Portrayal of the Queen Mother of the West and Their Religious Significance
This paper argues that there exist two Queen Mothers of the West (Xiwangmu) in the Han era (206 BC-AD 220): one worshipped as a goddess of longevity and immortality by people from the upper class; the other worshipped by the ordinary people as a seemingly omnipotent deity with divine power over both the immortal world and the mortal world. This argument is based on a thorough comparative investigation of the surviving corpus of Han rhapsodies (fu…
Cooling effects of a mist-spraying system on ethylene tetrafluoroethylene cushion roofs in hot-humid areas
On the Differences between Han Rhapsodies and Han Paintings in Their Portrayal of the Queen Mother of the West and Their Religious Significance
This paper argues that there exist two Queen Mothers of the West (Xiwangmu) in the Han era (206 BC-AD 220): one worshipped as a goddess of longevity and immortality by people from the upper class; the other worshipped by the ordinary people as a seemingly omnipotent deity with divine power over both the immortal world and the mortal world. This argument is based on a thorough comparative investigation of the surviving corpus of Han rhapsodies (fu…
Cooling effects of a mist-spraying system on ethylene tetrafluoroethylene cushion roofs in hot-humid areas
On the Differences between Han Rhapsodies and Han Paintings in Their Portrayal of the Queen Mother of the West and Their Religious Significance
This paper argues that there exist two Queen Mothers of the West (Xiwangmu) in the Han era (206 BC-AD 220): one worshipped as a goddess of longevity and immortality by people from the upper class; the other worshipped by the ordinary people as a seemingly omnipotent deity with divine power over both the immortal world and the mortal world. This argument is based on a thorough comparative investigation of the surviving corpus of Han rhapsodies (fu…
Aesthetics (1 work) · Ancient history (1 work) · Art (1 work) · Art history (1 work) · Asian Culture and Media Studies (1 work) · Building Energy and Comfort Optimization (1 work) · Chinese history and philosophy (1 work) · Composite material (1 work) · Cult (1 work) · Cushion (1 work)