Elizabeth Legge
Biographic Data
| ID | 3892913 |
|---|---|
| NAME | Elizabeth Legge |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Legge |
| SIGNATURE | LEGGE E |
| AFFILIATIONS | University of Toronto |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Pulling It Out of a Hat
The magician’s top hat, standardized handwriting, calligraphic flourish and ink blot of Man Ray’s cover for the new series of Littérature in 1922 open questions of style in both fashion and writing. The cover’s emblem-like visual components resonate not only with questions of style and cultural sophistication in such magazines as Monsieur and La Gazette du bon ton, but also with contemporary Dada squabbles with Cubism, and with a Paris Dada bugbe…
Striking sparks against our ruin
Invisible Hands and Unseen Worlds Photography as a Projected Shadow Writing Photography in the Second Degree Victorian Scrapping A Sense of Place Margaret Watkins Everything's a Memory
(2009). Invisible Hands and Unseen Worlds Photography as a Projected Shadow Writing Photography in the Second Degree Victorian Scrapping A Sense of Place Margaret Watkins Everything's a Memory. History of Photography: Vol. 33, No. 3, pp. 306-318
Faire De Son Histoire Une Boucle (Noire)
A close examination of pictorial and verbal portraits of Tzara, by both himself and others (Breton, Louis Aragon, Picabia, Germaine Everling, Man Ray, Hans Arp) – as filtered in the art and texts of the dadas and their critics through adaptations of cabbalism, Tao‐inflected Africanism, spirit photography and Maurice Barrès's ponderously mystical nationalism – yields a peculiar portrait of Paris dada, and of Tristan Tzara's ethical role within it.…
Snow, Michael
Reinventing Derivation
Research Article| July 01 2000 Reinventing Derivation: Roles, Stereotypes, and "Young British Art" Elizabeth Legge Elizabeth Legge Search for other works by this author on: This Site PubMed Google Scholar Representations (2000) 71: 1–23. https://doi.org/10.2307/2902923 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite…
Zeuxis's Grapes, Novalis's Fossils, Freud's Flowers
Posing Questions
No prominent works on this page.
Posing Questions
Zeuxis's Grapes, Novalis's Fossils, Freud's Flowers
Reinventing Derivation
Research Article| July 01 2000 Reinventing Derivation: Roles, Stereotypes, and "Young British Art" Elizabeth Legge Elizabeth Legge Search for other works by this author on: This Site PubMed Google Scholar Representations (2000) 71: 1–23. https://doi.org/10.2307/2902923 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite…
Snow, Michael
Invisible Hands and Unseen Worlds Photography as a Projected Shadow Writing Photography in the Second Degree Victorian Scrapping A Sense of Place Margaret Watkins Everything's a Memory
(2009). Invisible Hands and Unseen Worlds Photography as a Projected Shadow Writing Photography in the Second Degree Victorian Scrapping A Sense of Place Margaret Watkins Everything's a Memory. History of Photography: Vol. 33, No. 3, pp. 306-318
Faire De Son Histoire Une Boucle (Noire)
A close examination of pictorial and verbal portraits of Tzara, by both himself and others (Breton, Louis Aragon, Picabia, Germaine Everling, Man Ray, Hans Arp) – as filtered in the art and texts of the dadas and their critics through adaptations of cabbalism, Tao‐inflected Africanism, spirit photography and Maurice Barrès's ponderously mystical nationalism – yields a peculiar portrait of Paris dada, and of Tristan Tzara's ethical role within it.…
Striking sparks against our ruin
Pulling It Out of a Hat
The magician’s top hat, standardized handwriting, calligraphic flourish and ink blot of Man Ray’s cover for the new series of Littérature in 1922 open questions of style in both fashion and writing. The cover’s emblem-like visual components resonate not only with questions of style and cultural sophistication in such magazines as Monsieur and La Gazette du bon ton, but also with contemporary Dada squabbles with Cubism, and with a Paris Dada bugbe…
Art (7 works) · Art history (6 works) · History (5 works) · Art, Politics, and Modernism (3 works) · Citation (3 works) · Computer Science (3 works) · Library science (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Art History and Market Analysis (2 works)