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Katherine Bergeron

Biographic Data

ID3892918
NAMEKatherine Bergeron
GIVEN NAMESKatherine
FAMILY NAMEBergeron
SIGNATUREBERGERON K
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2010
H-INDEX1
  • Voice Lessons

    Katherine Bergeron•BOOK•Voice lessons•2010•Cited by: 3

    The sounds of the French language, the history of French education, the cultural politics of the Third Republic, and the performance of French verse come surprisingly together in Katherine Bergeron's book which is a study of the modern vocal art known as la mélodie française

  • A Bugle, A Bell, A Stroke of the Tongue

    Katherine Bergeron•ARTICLE•Representations•2004

    The synesthetic quality of timbre-referring to the "color" of an instrument or voice-held special appeal for French symbolist poets in the years before 1900. This essay explores the writings of Rimbaud and Mallarmé, as well as those of their younger disciples, to ponder the meaning of timbre, and what it might have to say about the "music" of French poetry. If the concept of timbre encourages us to hear a different kind of music in the poem, it a…

  • Baudelaire, Charles

    Katherine Bergeron•CHAPTER•The new Grove dictionary of music…•2001

  • So French

    Andrew Thomson, Michael Murray et al.•ARTICLE•The Musical Times•1999

  • Voice Lessons

    Katherine Bergeron•BOOK•Voice lessons•2010•Cited by: 3

    The sounds of the French language, the history of French education, the cultural politics of the Third Republic, and the performance of French verse come surprisingly together in Katherine Bergeron's book which is a study of the modern vocal art known as la mélodie française

  • So French

    Andrew Thomson, Michael Murray et al.•ARTICLE•The Musical Times•1999

  • Baudelaire, Charles

    Katherine Bergeron•CHAPTER•The new Grove dictionary of music…•2001

  • A Bugle, A Bell, A Stroke of the Tongue

    Katherine Bergeron•ARTICLE•Representations•2004

    The synesthetic quality of timbre-referring to the "color" of an instrument or voice-held special appeal for French symbolist poets in the years before 1900. This essay explores the writings of Rimbaud and Mallarmé, as well as those of their younger disciples, to ponder the meaning of timbre, and what it might have to say about the "music" of French poetry. If the concept of timbre encourages us to hear a different kind of music in the poem, it a…

  • Voice Lessons

    Katherine Bergeron•BOOK•Voice lessons•2010•Cited by: 3

    The sounds of the French language, the history of French education, the cultural politics of the Third Republic, and the performance of French verse come surprisingly together in Katherine Bergeron's book which is a study of the modern vocal art known as la mélodie française

Art (4 works) · French Literature and Poetry (3 works) · Literature (2 works) · Musical (2 works) · Philosophy (2 works) · Poetry (2 works) · 19th century (1 work) · 20th century (1 work) · Aesthetics (1 work) · Appeal (1 work)

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