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Ernest B Gilman

Biographic Data

ID389754
NAMEErnest B Gilman
GIVEN NAMESErnest B
FAMILY NAMEGilman
SIGNATUREGILMAN E B
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS7
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Mikhl Likht's Yiddish Modernism

    Ernest B Gilman•ARTICLE•Jewish Studies Quarterly•2019

    In his day Yiddishist Mikhl Likht (1893-1953) was regarded an outlier, and today his work appears in no current anthology of Yiddish literature in translation. Yet he was gifted and passionate, both as a poet and as a translator. With his poetry he introduced new kinds of expression into the Yiddish language, and with his translations he aimed to make the works of American authors accessible to contemporary Yiddish speakers. His goal was to enric…

  • Samuel K. Cohn, Jr, Cultures of Plague: Medical Thinking at the End of the Renaissance

    Ernest B Gilman•ARTICLE•Social History of Medicine•2011

    Rooted in more than 300 primary documents—many hitherto sunk deep in the archives or never examined in detail—Cultures of the Plague offers an exhaustive and meticulous survey of plague writing in Renaissance Italy. The work covers the cinquecento but focuses on the plague years of 1575–8, which witnessed the heroic endeavours of Carlo Borromeo, Archbishop of Milan and soon-to-be plague saint, and which produced half the plague texts published in…

  • Shakespeare's Spiral: Tracing the Snail in King Lear and Renaissance Painting

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2011

    François-Xavier Gleyzon. Shakespeare's Spiral: Tracing the Snail in King Lear and Renaissance Painting. Lanham: University Press of America, Inc., 2010. xxiii + 254 pp. index. illus. tbls. bibl. $40. ISBN: 978–0–7618–4137–1. - Volume 64 Issue 1

  • The Subject of the Plague

    Ernest B Gilman•ARTICLE•Journal for Early Modern Cultural…•2010

    This essay brackets the history of the modern subject between the moment of its formation in the seventeenth century and that of its postmodern demise in the latter part of the century just past. These brackets also mark two ages of the plague: bubonic in the first, and (among others, present and pending) the "plague" of AIDS in the second. Can we understand the relation between these two histories as more than a chronological coincidence? Person…

  • Plague Writing in Early Modern England

    Ernest B Gilman•BOOK•Plague Writing in Early Modern…•2009

  • Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Performing Quacks . Studies in Performance and Early Modern Drama

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2008

    M. A. Peg Katritzky. Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama. Aldershot: Ashgate Publishing Company, 2007. xvi + 367 pp. index. illus. bibl. $99.95. ISBN: 978-0-7546-5084-3. - Volume 61 Issue 2

  • Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2005

    Jonathan Gil Harris. Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. Philadelphia : University of Pennsylvania Press, 2004. 264 pp. index. bibl. $49.95. ISBN: 0-8122-3773-0. - Volume 58 Issue 2

  • The Scandal of Images: Iconoclasm, Eroticism, and Painting in Early Modern English Drama

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2005

    Marguerite A. Tassi. The Scandal of Images: Iconoclasm, Eroticism, and Painting in Early Modern English Drama. The Apple-Zimmerman Series in Early Modern Culture. Cranbury, NJ: Susquehanna University Press/AUP, 2005. 259 pp. index. illus. bibl. $49.50. ISBN: 1-57591-085-3. - Volume 58 Issue 4

  • Renaissance Realism: Narrative Image in Literature and Art

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2004

    Alastair Fowler. Renaissance Realism: Narrative Image in Literature and Art. Oxford and New York: Oxford University Press, 2003. xvii + 220 pp. + 121 b/w pls. index, illus. tbls. gloss, bibl. $85. ISBN: 0-19-925958-5. - Volume 57 Issue 3

  • Funeral Monuments in Post-Reformation England

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Art and Decoration in Elizabethan and Jacobean England: The Influence of Continental Prints, 1558-1625

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1998

    Anthony Wells-Cole. Art and Decoration in Elizabethan and Jacobean England: The Influence of Continental Prints, 1558-1625. New Haven and London: Yale University Press, 1997. xii + 344 pp. $75. ISBN 0-300-06651-1. - Volume 51 Issue 4

  • The Literature of Classical Act. Vol. 1: The Painting of the Ancients: De Pictura Veterum. Vol. 2: A Lexicon of Artists and Their Works: Catalogus Architectorum

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1994

    Franciscus Junius. The Literature oj Classical Art. Vol. 1: The Painting of the Ancients: De Pictura Veterum. Ed. Keith Aldrich, Philipp Fehl, and Raina Fehl. 25 pls. + lxxxiii + 418 pp. Vol. 2: A Lexicon of Artists and Their Works: Catalogus Architectorum ... Ed. and trans. Keith Aldrich, Philipp Fehl, and Raina Fehl. viii + 611 pp. (California Studies in the History of Art, 22.) Berkeley, Los Angeles and Oxford: University of California Press, …

  • Renaissance Perspectives in Literature and the Visual Arts

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Fountain of Living Waters: The Typology of the Waters of Life in Herbert, Vaughan, and Traherne

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1989

    Donald R. Dickson. The Fountain of Living Waters: The Typology of the Waters of Life in Herbert, Vaughan, and Traherne. Columbia, Missouri: University of Missouri Press, 1987. x + 218 pp. $26. - Volume 42 Issue 3

  • Interart Studies and the "Imperialism" of Language

    Ernest B Gilman•ARTICLE•Poetics Today•1989•Cited by: 4

    Speaking Pictures? At a recent professional forum on possibility of an art(s) discourse for 1980s, one prominent art historian suggested criticism of visual arts had, if anything, already too much to do with discourse. Why is it, he asked, that art history has resisted, more than study of other, non-visual arts, most evident in literary criticism? (Kuspit 1986: 1). The virtue of resistance is implied in question, for behind peaceful overtures of …

  • Seeing Through Words: The Scope of Late Renaissance Poetry

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1987

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespearean Politics: Government and Misgovernment in the Great Histories

    Ernest B Gilman•ARTICLE•Renaissance Quarterly•1984

  • All eyes: Prospero's Inverted Masque

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1980•Cited by: 1

    For Theatre audiences the central moment in The Tempest is more likely to be Prospero's revels than the "revels" speech long anthologized for readers as one of the beauties of Shakespeare. In performance die nuptial masque for Ferdinand and Miranda, suddenly resplendent and suddenly dissolved, displays Shakespeare's most elaborate stage spectacle, and it is on the force of that moment that the more famous speech reflects

  • Word and Image in Quarles' 'Emblemes

    Ernest B Gilman•ARTICLE•Critical Inquiry•1980•Cited by: 2

  • Israel and the Iranian oil Embargo: The search for alternative sources of energy

    Ernest B Gilman, Ernest Gilman•ARTICLE•The Round Table•1979

  • Iconoclasm and Poetry in the English Reformation: Down Went Dagon

    Ernest B Gilman, Douglas H Parker•ARTICLE•Renaissance and Reformation•1969

  • The Korean Decision

    Ernest B Gilman, Ernest Gilman et al.•ARTICLE•Pacific Affairs•1968

  • Canadian Naval Operations in Korean Waters 1950-1955

    Ernest B Gilman, Ernest Gilman et al.•ARTICLE•Pacific Affairs•1968

  • Interart Studies and the "Imperialism" of Language

    Ernest B Gilman•ARTICLE•Poetics Today•1989•Cited by: 4

    Speaking Pictures? At a recent professional forum on possibility of an art(s) discourse for 1980s, one prominent art historian suggested criticism of visual arts had, if anything, already too much to do with discourse. Why is it, he asked, that art history has resisted, more than study of other, non-visual arts, most evident in literary criticism? (Kuspit 1986: 1). The virtue of resistance is implied in question, for behind peaceful overtures of …

  • Word and Image in Quarles' 'Emblemes

    Ernest B Gilman•ARTICLE•Critical Inquiry•1980•Cited by: 2

  • All eyes: Prospero's Inverted Masque

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1980•Cited by: 1

    For Theatre audiences the central moment in The Tempest is more likely to be Prospero's revels than the "revels" speech long anthologized for readers as one of the beauties of Shakespeare. In performance die nuptial masque for Ferdinand and Miranda, suddenly resplendent and suddenly dissolved, displays Shakespeare's most elaborate stage spectacle, and it is on the force of that moment that the more famous speech reflects

  • The Korean Decision

    Ernest B Gilman, Ernest Gilman et al.•ARTICLE•Pacific Affairs•1968

  • Canadian Naval Operations in Korean Waters 1950-1955

    Ernest B Gilman, Ernest Gilman et al.•ARTICLE•Pacific Affairs•1968

  • Iconoclasm and Poetry in the English Reformation: Down Went Dagon

    Ernest B Gilman, Douglas H Parker•ARTICLE•Renaissance and Reformation•1969

  • Israel and the Iranian oil Embargo: The search for alternative sources of energy

    Ernest B Gilman, Ernest Gilman•ARTICLE•The Round Table•1979

  • All eyes: Prospero's Inverted Masque

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1980•Cited by: 1

    For Theatre audiences the central moment in The Tempest is more likely to be Prospero's revels than the "revels" speech long anthologized for readers as one of the beauties of Shakespeare. In performance die nuptial masque for Ferdinand and Miranda, suddenly resplendent and suddenly dissolved, displays Shakespeare's most elaborate stage spectacle, and it is on the force of that moment that the more famous speech reflects

  • Word and Image in Quarles' 'Emblemes

    Ernest B Gilman•ARTICLE•Critical Inquiry•1980•Cited by: 2

  • Shakespearean Politics: Government and Misgovernment in the Great Histories

    Ernest B Gilman•ARTICLE•Renaissance Quarterly•1984

  • Seeing Through Words: The Scope of Late Renaissance Poetry

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1987

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Renaissance Perspectives in Literature and the Visual Arts

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Fountain of Living Waters: The Typology of the Waters of Life in Herbert, Vaughan, and Traherne

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1989

    Donald R. Dickson. The Fountain of Living Waters: The Typology of the Waters of Life in Herbert, Vaughan, and Traherne. Columbia, Missouri: University of Missouri Press, 1987. x + 218 pp. $26. - Volume 42 Issue 3

  • Interart Studies and the "Imperialism" of Language

    Ernest B Gilman•ARTICLE•Poetics Today•1989•Cited by: 4

    Speaking Pictures? At a recent professional forum on possibility of an art(s) discourse for 1980s, one prominent art historian suggested criticism of visual arts had, if anything, already too much to do with discourse. Why is it, he asked, that art history has resisted, more than study of other, non-visual arts, most evident in literary criticism? (Kuspit 1986: 1). The virtue of resistance is implied in question, for behind peaceful overtures of …

  • The Literature of Classical Act. Vol. 1: The Painting of the Ancients: De Pictura Veterum. Vol. 2: A Lexicon of Artists and Their Works: Catalogus Architectorum

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1994

    Franciscus Junius. The Literature oj Classical Art. Vol. 1: The Painting of the Ancients: De Pictura Veterum. Ed. Keith Aldrich, Philipp Fehl, and Raina Fehl. 25 pls. + lxxxiii + 418 pp. Vol. 2: A Lexicon of Artists and Their Works: Catalogus Architectorum ... Ed. and trans. Keith Aldrich, Philipp Fehl, and Raina Fehl. viii + 611 pp. (California Studies in the History of Art, 22.) Berkeley, Los Angeles and Oxford: University of California Press, …

  • Art and Decoration in Elizabethan and Jacobean England: The Influence of Continental Prints, 1558-1625

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•1998

    Anthony Wells-Cole. Art and Decoration in Elizabethan and Jacobean England: The Influence of Continental Prints, 1558-1625. New Haven and London: Yale University Press, 1997. xii + 344 pp. $75. ISBN 0-300-06651-1. - Volume 51 Issue 4

  • Funeral Monuments in Post-Reformation England

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Renaissance Realism: Narrative Image in Literature and Art

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2004

    Alastair Fowler. Renaissance Realism: Narrative Image in Literature and Art. Oxford and New York: Oxford University Press, 2003. xvii + 220 pp. + 121 b/w pls. index, illus. tbls. gloss, bibl. $85. ISBN: 0-19-925958-5. - Volume 57 Issue 3

  • Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2005

    Jonathan Gil Harris. Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. Philadelphia : University of Pennsylvania Press, 2004. 264 pp. index. bibl. $49.95. ISBN: 0-8122-3773-0. - Volume 58 Issue 2

  • The Scandal of Images: Iconoclasm, Eroticism, and Painting in Early Modern English Drama

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2005

    Marguerite A. Tassi. The Scandal of Images: Iconoclasm, Eroticism, and Painting in Early Modern English Drama. The Apple-Zimmerman Series in Early Modern Culture. Cranbury, NJ: Susquehanna University Press/AUP, 2005. 259 pp. index. illus. bibl. $49.50. ISBN: 1-57591-085-3. - Volume 58 Issue 4

  • Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Performing Quacks . Studies in Performance and Early Modern Drama

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2008

    M. A. Peg Katritzky. Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama. Aldershot: Ashgate Publishing Company, 2007. xvi + 367 pp. index. illus. bibl. $99.95. ISBN: 978-0-7546-5084-3. - Volume 61 Issue 2

  • Plague Writing in Early Modern England

    Ernest B Gilman•BOOK•Plague Writing in Early Modern…•2009

  • The Subject of the Plague

    Ernest B Gilman•ARTICLE•Journal for Early Modern Cultural…•2010

    This essay brackets the history of the modern subject between the moment of its formation in the seventeenth century and that of its postmodern demise in the latter part of the century just past. These brackets also mark two ages of the plague: bubonic in the first, and (among others, present and pending) the "plague" of AIDS in the second. Can we understand the relation between these two histories as more than a chronological coincidence? Person…

  • Samuel K. Cohn, Jr, Cultures of Plague: Medical Thinking at the End of the Renaissance

    Ernest B Gilman•ARTICLE•Social History of Medicine•2011

    Rooted in more than 300 primary documents—many hitherto sunk deep in the archives or never examined in detail—Cultures of the Plague offers an exhaustive and meticulous survey of plague writing in Renaissance Italy. The work covers the cinquecento but focuses on the plague years of 1575–8, which witnessed the heroic endeavours of Carlo Borromeo, Archbishop of Milan and soon-to-be plague saint, and which produced half the plague texts published in…

  • Shakespeare's Spiral: Tracing the Snail in King Lear and Renaissance Painting

    Open Access•Ernest B Gilman•ARTICLE•Renaissance Quarterly•2011

    François-Xavier Gleyzon. Shakespeare's Spiral: Tracing the Snail in King Lear and Renaissance Painting. Lanham: University Press of America, Inc., 2010. xxiii + 254 pp. index. illus. tbls. bibl. $40. ISBN: 978–0–7618–4137–1. - Volume 64 Issue 1

  • Mikhl Likht's Yiddish Modernism

    Ernest B Gilman•ARTICLE•Jewish Studies Quarterly•2019

    In his day Yiddishist Mikhl Likht (1893-1953) was regarded an outlier, and today his work appears in no current anthology of Yiddish literature in translation. Yet he was gifted and passionate, both as a poet and as a translator. With his poetry he introduced new kinds of expression into the Yiddish language, and with his translations he aimed to make the works of American authors accessible to contemporary Yiddish speakers. His goal was to enric…

Art (15 works) · History (12 works) · Art history (10 works) · History (10 works) · Literature (10 works) · Philosophy (6 works) · Political science (6 works) · The Renaissance (5 works) · Computer Science (4 works) · Historical Art and Culture Studies (4 works)

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