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Alessandra Petrina

Biographic Data

ID3899159
NAMEAlessandra Petrina
GIVEN NAMESAlessandra
FAMILY NAMEPetrina
SIGNATUREPETRINA A
AFFILIATIONSUniversity of Padua
ORCID0000-0001-5717-312X
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS2
AUTHOR COUNT15
EDITOR COUNT1
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Tudor Networks of Power

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Quarterly•2025

    This is a review of the volume Tudor Networks of Power

  • Shakespeare's Italian place-myths: The Padua–Verona–Mantua nexus

    Open Access•Keir Elam, Alessandra Petrina•ARTICLE•Cahiers Élisabéthains A Journal…•2023

    This article aims to explore Shakespeare's poetics of Italian places and place names, with particular regard to the nexus between Padua, Verona, and Mantua. The primary text of reference is The Taming of the Shrew , especially in relation to John Florio's bilingual conversation manual, Second frutes (1590). While Padua, in this and other plays, is represented as a cultural hub, Mantua, by contrast, is often figured as a spatial elsewhere, a heter…

  • Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland , by Katherine H. Terrell

    Open Access•Alessandra Petrina•ARTICLE•The English Historical Review•2023

    This is a review of Katherine H. Terrell's book Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland

  • Ariosto in Scotland by way of France. John Stewart of Baldynneis’ Roland Furious

    Open Access•Alessandra Petrina•ARTICLE•Journal of Early Modern Studies•2022

    The article discusses John Stewart of Baldynneis’ version of Ludovico Ariosto’s Orlando Furioso as a case study for early modern indirect translation. Written in the 1580s, this translation precedes John Harington’s, and was composed at the court of James VI of Scotland. The young king had promoted a vernacular revival through a group of poets, translators and musicians; he himself translated a number of works by Guillaume de Salluste Du Bartas, …

  • London, 1584: Translation and Cultural Politics

    Open Access•Alessandra Petrina•ARTICLE•Revista Ideação•2021

    London, in the year 1584, was a crossroads of cultural exchange, philosophical elaboration, religious dissent. The present contribution focuses on this year considering the circulation of people - especially foreign intellectuals - and books: it looks at the cultural circle established in the household of the French ambassador, Michel de Castelnau; at works such as Giordano Bruno's his Cena de le ceneri and John Florio's First Fruites; at a cultu…

  • Translating Machiavelli's Prince in Early Modern England: New Manuscript Evidence

    Open Access•Alessandra Petrina•ARTICLE•Manuscript Studies: A Journal of…•2018

    ‘All Estates and signiories wich haue had and doe beare rule ouer men, haue either byn and are Comon weales or Monarchies’: thus begins Sion MS L40.2/E24, preserved in Lambeth Palace Library, London. Written in clear anglicana, it offers a translation of Machiavelli’s Prince. It is a welcome addition to the already known English manuscript translations preceding Dacres’s printed version. The codex shows how the scribe paid attention to historical…

  • Robert Thornton and His Books: Essays on the Lincoln and London Thornton Manuscripts

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Literature and Religion in Late Medieval and Early Modern Scotland. Essays in Honour of Alasdair A. MacDonald

    Alessandra Petrina•ARTICLE•English Studies•2014

    This is a review of a collection of essays on late medieval and early modern Scottish literature

  • Representations of Elizabeth I in Early Modern Culture

    Alessandra Petrina, Laura Tosi•BOOK•Representations of Elizabeth I in…•2011

  • Walter Scott of Buccleuch, Italian poet: Walter Scott of Buccleuch, Italian poet

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Studies•2010

    Though never recognized any literary status, the name of Walter Scott of Buccleuch (1565–1611) looms large in the papers of one of the most intriguing intellectuals of late sixteenth-century Scotland, William Fowler. As can be surmised in the extant manuscripts, now in the National Library of Scotland, Fowler intended to dedicate to Buccleuch his translation of Niccolò Machiavelli's Il Principe; and the two Scots appear to have enrolled together …

  • Writing Under Tyranny: English Literature and the Henrician Reformation

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Quarterly•2006

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • La grande festa del linguaggio. Shakespeare e la lingua inglese

    Remo Ceserani, Keir Elam et al.•ARTICLE•Poetics Today•1987

  • Shakespeare's Universe of Discourse: Language-Games in the Comedies

    Keir Elam, Alessandra Petrina•ARTICLE•Poetics Today•1985

  • The Case of Cummings

    Marcello Pagnini, Keir Elam et al.•ARTICLE•Poetics Today•1985

    References to E.E. Cummings's relationship with the early twentiethcentury avant-garde are usually rather hurried, and limited to suggesting that the poet felt the influence of Symbolist techniques (absolute metaphor), of Ezra Pound's Rispostes (1912), and perhaps of the linguistic experimentalism of Gertrude Stein's Tender Buttons (1914); or alternatively, that he owed much to the Dada and Surrealist movements; or again that he was influenced by…

  • The Semiotics of Theatre and Drama

    Anthony Graham-White, Anthony Graham‐white et al.•ARTICLE•Theatre Journal•1982

  • Toward a Segmentation of the Dramatic Text

    Alessandro Serpieri, Keir Elam et al.•ARTICLE•Poetics Today•1981•Cited by: 2

    Alessandro Serpieri, Keir Elam, , Tomaso Kemeny, Romana Rutelli, Toward a Segmentation of the Dramatic Text, Poetics Today, Vol. 2, No. 3, Drama, Theater, Performance: A Semiotic Perspective (Spring, 1981), pp. 163-200

  • Toward a Segmentation of the Dramatic Text

    Alessandro Serpieri, Keir Elam et al.•ARTICLE•Poetics Today•1981•Cited by: 2

    Alessandro Serpieri, Keir Elam, , Tomaso Kemeny, Romana Rutelli, Toward a Segmentation of the Dramatic Text, Poetics Today, Vol. 2, No. 3, Drama, Theater, Performance: A Semiotic Perspective (Spring, 1981), pp. 163-200

  • Toward a Segmentation of the Dramatic Text

    Alessandro Serpieri, Keir Elam et al.•ARTICLE•Poetics Today•1981•Cited by: 2

    Alessandro Serpieri, Keir Elam, , Tomaso Kemeny, Romana Rutelli, Toward a Segmentation of the Dramatic Text, Poetics Today, Vol. 2, No. 3, Drama, Theater, Performance: A Semiotic Perspective (Spring, 1981), pp. 163-200

  • The Semiotics of Theatre and Drama

    Anthony Graham-White, Anthony Graham‐white et al.•ARTICLE•Theatre Journal•1982

  • Shakespeare's Universe of Discourse: Language-Games in the Comedies

    Keir Elam, Alessandra Petrina•ARTICLE•Poetics Today•1985

  • The Case of Cummings

    Marcello Pagnini, Keir Elam et al.•ARTICLE•Poetics Today•1985

    References to E.E. Cummings's relationship with the early twentiethcentury avant-garde are usually rather hurried, and limited to suggesting that the poet felt the influence of Symbolist techniques (absolute metaphor), of Ezra Pound's Rispostes (1912), and perhaps of the linguistic experimentalism of Gertrude Stein's Tender Buttons (1914); or alternatively, that he owed much to the Dada and Surrealist movements; or again that he was influenced by…

  • La grande festa del linguaggio. Shakespeare e la lingua inglese

    Remo Ceserani, Keir Elam et al.•ARTICLE•Poetics Today•1987

  • Writing Under Tyranny: English Literature and the Henrician Reformation

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Quarterly•2006

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Walter Scott of Buccleuch, Italian poet: Walter Scott of Buccleuch, Italian poet

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Studies•2010

    Though never recognized any literary status, the name of Walter Scott of Buccleuch (1565–1611) looms large in the papers of one of the most intriguing intellectuals of late sixteenth-century Scotland, William Fowler. As can be surmised in the extant manuscripts, now in the National Library of Scotland, Fowler intended to dedicate to Buccleuch his translation of Niccolò Machiavelli's Il Principe; and the two Scots appear to have enrolled together …

  • Representations of Elizabeth I in Early Modern Culture

    Alessandra Petrina, Laura Tosi•BOOK•Representations of Elizabeth I in…•2011

  • Literature and Religion in Late Medieval and Early Modern Scotland. Essays in Honour of Alasdair A. MacDonald

    Alessandra Petrina•ARTICLE•English Studies•2014

    This is a review of a collection of essays on late medieval and early modern Scottish literature

  • Robert Thornton and His Books: Essays on the Lincoln and London Thornton Manuscripts

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Translating Machiavelli's Prince in Early Modern England: New Manuscript Evidence

    Open Access•Alessandra Petrina•ARTICLE•Manuscript Studies: A Journal of…•2018

    ‘All Estates and signiories wich haue had and doe beare rule ouer men, haue either byn and are Comon weales or Monarchies’: thus begins Sion MS L40.2/E24, preserved in Lambeth Palace Library, London. Written in clear anglicana, it offers a translation of Machiavelli’s Prince. It is a welcome addition to the already known English manuscript translations preceding Dacres’s printed version. The codex shows how the scribe paid attention to historical…

  • London, 1584: Translation and Cultural Politics

    Open Access•Alessandra Petrina•ARTICLE•Revista Ideação•2021

    London, in the year 1584, was a crossroads of cultural exchange, philosophical elaboration, religious dissent. The present contribution focuses on this year considering the circulation of people - especially foreign intellectuals - and books: it looks at the cultural circle established in the household of the French ambassador, Michel de Castelnau; at works such as Giordano Bruno's his Cena de le ceneri and John Florio's First Fruites; at a cultu…

  • Ariosto in Scotland by way of France. John Stewart of Baldynneis’ Roland Furious

    Open Access•Alessandra Petrina•ARTICLE•Journal of Early Modern Studies•2022

    The article discusses John Stewart of Baldynneis’ version of Ludovico Ariosto’s Orlando Furioso as a case study for early modern indirect translation. Written in the 1580s, this translation precedes John Harington’s, and was composed at the court of James VI of Scotland. The young king had promoted a vernacular revival through a group of poets, translators and musicians; he himself translated a number of works by Guillaume de Salluste Du Bartas, …

  • Shakespeare's Italian place-myths: The Padua–Verona–Mantua nexus

    Open Access•Keir Elam, Alessandra Petrina•ARTICLE•Cahiers Élisabéthains A Journal…•2023

    This article aims to explore Shakespeare's poetics of Italian places and place names, with particular regard to the nexus between Padua, Verona, and Mantua. The primary text of reference is The Taming of the Shrew , especially in relation to John Florio's bilingual conversation manual, Second frutes (1590). While Padua, in this and other plays, is represented as a cultural hub, Mantua, by contrast, is often figured as a spatial elsewhere, a heter…

  • Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland , by Katherine H. Terrell

    Open Access•Alessandra Petrina•ARTICLE•The English Historical Review•2023

    This is a review of Katherine H. Terrell's book Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland

  • Tudor Networks of Power

    Open Access•Alessandra Petrina•ARTICLE•Renaissance Quarterly•2025

    This is a review of the volume Tudor Networks of Power

Art (12 works) · History (9 works) · History (6 works) · Literature (6 works) · Classics (5 works) · Philosophy (5 works) · Classics (4 works) · Linguistics (4 works) · Poetry (4 works) · Scottish History and National Identity (4 works)

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