Roger Parker
Biographic Data
| ID | 3910202 |
|---|---|
| NAME | Roger Parker |
| GIVEN NAMES | Roger |
| FAMILY NAME | Parker |
| SIGNATURE | PARKER R |
| AFFILIATIONS | King's College London |
| ORCID | 0000-0003-1682-5667 |
| VERIFIED | Yes |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 4 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Music and the Urban: London in the 1830s
After centuries in which music history has been routinely parcelled according to genre and/or national schools, the idea of “urban music,” of music in and of the city, has suddenly become a compelling category. The sense of escape, of liberation from previous, constraining terms of reference, whether from ideologies of “the music itself,” or from contentious divisions between “popular” and “serious,” or from vague sounding-articulations of the na…
Analyzing Opera: Verdi and Wagner
Rossini after Rossini: Musical and Social Legacy . Ed. by Arnold Jacobshagen
Deriving from a conference in Lucca in 2018 and now published in the series Studies on [sic] Italian Music, this large-format book, with a price some way north of £100, is not easy to review. Its title invites expectations of the broadest aspects of what most of us would call Rossini reception and is divided into four sections: ‘Literary Reception’; ‘Rossini on the International Stage’; ‘Rossinian Influence on Other Musicians’; and the so-called …
‘Opera and …’: The Pleasures and Perils of Amalgamation
We might start with the Index, often a good indicator of a book's flavour, its local habitation. First up is ‘Abbate, acoustics, acting, Adler, Adorno’, a reassuring miscellany; later on, the German-speaking collective of ‘Schopenhauer, Schreker, Schubart, Schumann-Heink’ awakens memories of time past. ‘Ventilation systems, Verdi, vitalism’, however, turns on the landing lights for a distinctly new approach, while ‘hygiene [both mental and moral]…
Music in the Theater: Essays on Verdi and Other Composers
Reading Opera
Verdi politico: A wounded cliché regroups
The article sums up recent and not-so-recent debates about Giuseppe Verdi and the Risorgimento. It first discusses the image of Verdi's early (pre-1848) operas as ‘political’ works, one largely created in the later nineteenth century, as the newlyformed Italian state searched for national monuments. Except for a brief period in the immediate build-up and aftermath of 1848 (when many operatic events were caught up in the revolutionary cause), Verd…
Story of Giuseppe Verdi: Oberto to un Ballo in Maschera
Aida
Editing (opera)
Verdi, Giuseppe (opera)
Verdi, Giuseppe
Opera (i)
Th century Opera
Reading critics reading: Opera and ballet criticism in France from the Revolution to 1848
Round Table II: Literary Studies: Caught up in the Web of Words
Music in the Theatre: Essays on Verdi and Other Composers
County of Lancaster Asylum, Rainhill: 100 Years Ago and Now
Analyzing Opera
Analyzing Opera: Verdi and Wagner explores the latest developments in opera analysis by considering, side by side, the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new, comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses,…
Libretto Study
Of Related Interest
The Dramatic Structure of 'Il trovatore
II trovatore consistently remains one of the three or four most popular operas in the Verdian repertoire; but it has never thoroughly pleased the critics.' Even in the nineteenth century, when, to use Verdi's own words, it would be heard 'in the heart of Africa or the Indies',2 Abramo Basevi, one of the composer's first and most perceptive commentators, voiced certain reservations. Having at an earlier stage divided Verdi's output into two 'manne…
The Story of Giuseppe Verdi: Oberto to Un Ballo in Maschera
Abitare la battaglia, Gabriele Baldini's study of the operas of Verdi from Oberto to Un ballo in maschera, has, since its posthumous publication in 1970, received much critical acclaim both in Italy and elsewhere. Its lack of technical language makes it easily accessible to the general music lover, but its original and sometimes controversial ideas have stimulated a great deal of discussion among Verdi specialists. The book's central concern is t…
La composition d'Attila: Étude de quelques variantes
Verdi politico: A wounded cliché regroups
The article sums up recent and not-so-recent debates about Giuseppe Verdi and the Risorgimento. It first discusses the image of Verdi's early (pre-1848) operas as ‘political’ works, one largely created in the later nineteenth century, as the newlyformed Italian state searched for national monuments. Except for a brief period in the immediate build-up and aftermath of 1848 (when many operatic events were caught up in the revolutionary cause), Verd…
La composition d'Attila: Étude de quelques variantes
The Story of Giuseppe Verdi: Oberto to Un Ballo in Maschera
Abitare la battaglia, Gabriele Baldini's study of the operas of Verdi from Oberto to Un ballo in maschera, has, since its posthumous publication in 1970, received much critical acclaim both in Italy and elsewhere. Its lack of technical language makes it easily accessible to the general music lover, but its original and sometimes controversial ideas have stimulated a great deal of discussion among Verdi specialists. The book's central concern is t…
The Dramatic Structure of 'Il trovatore
II trovatore consistently remains one of the three or four most popular operas in the Verdian repertoire; but it has never thoroughly pleased the critics.' Even in the nineteenth century, when, to use Verdi's own words, it would be heard 'in the heart of Africa or the Indies',2 Abramo Basevi, one of the composer's first and most perceptive commentators, voiced certain reservations. Having at an earlier stage divided Verdi's output into two 'manne…
Analyzing Opera
Analyzing Opera: Verdi and Wagner explores the latest developments in opera analysis by considering, side by side, the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new, comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses,…
Libretto Study
Of Related Interest
County of Lancaster Asylum, Rainhill: 100 Years Ago and Now
Music in the Theatre: Essays on Verdi and Other Composers
Round Table II: Literary Studies: Caught up in the Web of Words
Verdi, Giuseppe
Opera (i)
Th century Opera
Reading critics reading: Opera and ballet criticism in France from the Revolution to 1848
Aida
Editing (opera)
Verdi, Giuseppe (opera)
Story of Giuseppe Verdi: Oberto to un Ballo in Maschera
Verdi politico: A wounded cliché regroups
The article sums up recent and not-so-recent debates about Giuseppe Verdi and the Risorgimento. It first discusses the image of Verdi's early (pre-1848) operas as ‘political’ works, one largely created in the later nineteenth century, as the newlyformed Italian state searched for national monuments. Except for a brief period in the immediate build-up and aftermath of 1848 (when many operatic events were caught up in the revolutionary cause), Verd…
Music in the Theater: Essays on Verdi and Other Composers
Reading Opera
‘Opera and …’: The Pleasures and Perils of Amalgamation
We might start with the Index, often a good indicator of a book's flavour, its local habitation. First up is ‘Abbate, acoustics, acting, Adler, Adorno’, a reassuring miscellany; later on, the German-speaking collective of ‘Schopenhauer, Schreker, Schubart, Schumann-Heink’ awakens memories of time past. ‘Ventilation systems, Verdi, vitalism’, however, turns on the landing lights for a distinctly new approach, while ‘hygiene [both mental and moral]…
Rossini after Rossini: Musical and Social Legacy . Ed. by Arnold Jacobshagen
Deriving from a conference in Lucca in 2018 and now published in the series Studies on [sic] Italian Music, this large-format book, with a price some way north of £100, is not easy to review. Its title invites expectations of the broadest aspects of what most of us would call Rossini reception and is divided into four sections: ‘Literary Reception’; ‘Rossini on the International Stage’; ‘Rossinian Influence on Other Musicians’; and the so-called …
Analyzing Opera: Verdi and Wagner
Music and the Urban: London in the 1830s
After centuries in which music history has been routinely parcelled according to genre and/or national schools, the idea of “urban music,” of music in and of the city, has suddenly become a compelling category. The sense of escape, of liberation from previous, constraining terms of reference, whether from ideologies of “the music itself,” or from contentious divisions between “popular” and “serious,” or from vague sounding-articulations of the na…
Art (18 works) · Musicology and Musical Analysis (12 works) · Literature (10 works) · Computer Science (9 works) · Opera (9 works) · History (7 works) · Art history (6 works) · Aesthetics (5 works) · Visual arts (5 works) · Diverse Musicological Studies (4 works)