Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Frederick Neumann

Biographic Data

ID3910275
NAMEFrederick Neumann
GIVEN NAMESFrederick
FAMILY NAMENeumann
SIGNATURENEUMANN F
AFFILIATIONSUniversity of Richmond
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS1
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J. S. Bach

    Frederick Neumann•BOOK•Ornamentation in Baroque and…•2020

  • Ornamentation and Improvisation in Mozart

    Frederick Neumann•BOOK•Ornamentation and Improvisation…•2019

  • Performance Practice in Mozart

    Frederick Neumann•ARTICLE•Music and Letters•1994

    Journal Article PERFORMANCE PRACTICE IN MOZART Get access FREDERICK NEUMANN FREDERICK NEUMANN 4102 West Franklin Street, Richmond, Virginia 23221, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 143–144, https://doi.org/10.1093/ml/75.1.143 Published: 01 February 1994

  • Performance Practice in Mozart

    Frederick Neumann•ARTICLE•Music and Letters•1993

  • Communications

    Frederick Neumann, Erich Schwandt et al.•ARTICLE•Performance Practice Review•1991

  • The Vibrato Controversy

    Frederick Neumann•ARTICLE•Performance Practice Review•1991

    Today's early music specialists either ban the use of vibrato or restrict it drastically. This position suffers from three principal weaknesses: the failure to understand the nature of a well-produced vibrato in which the so-called impurities of pitch become inaudible above a certain threshold of speed, through a mysterious brain function (comparable to that involved in stereophonic sound or stereoscopic vision); a misinterpretation of sources; a…

  • Interpretation Problems of Ornament Symbols and Two Recent Case Histories

    Frederick Neumann•ARTICLE•Performance Practice Review•1988

    The reliance on 17th- and 18th-c. ornament tables in 'authentic' performance often leads to rigid interpretations. A monograph by Hans Klotz (RILM 1984-05515-bm) and a review by Faye Ferguson perpetuate a rigid view of how 18th-c. ornaments should be interpreted

  • Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

    Frederick Neumann•BOOK•Ornamentation in Baroque and…•1978

    Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he ar…

  • Couperin and the Downbeat Doctrine for Appoggiaturas

    Frederick Neumann•ARTICLE•Acta Musicologica•1969

  • French Over-Dotting

    Frederick Neumann•ARTICLE•Music and Letters•1969

    Journal Article FRENCH OVER-DOTTING Get access FREDERICK NEUMANN FREDERICK NEUMANN University of RichmondVirginia 23173 Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume L, Issue 3, July 1969, Pages 430–431, https://doi.org/10.1093/ml/L.3.430 Published: 01 July 1969

  • The Use of Baroque Treatises on Musical Performance

    Frederick Neumann•ARTICLE•Music and Letters•1967

  • Baroque Ornamentation

    Frederick Neumann•ARTICLE•Music and Letters•1966

    Journal Article BAROQUE ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Music Department, University of RichmondVirginia Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 2, April 1966, Pages 186-b–187, https://doi.org/10.1093/ml/47.2.186-b Published: 01 April 1966

  • The History of Violin Playing From its Origins to 1761 and Its Relationship to the Violin and Violin Music

    Open Access•Frederick Neumann•ARTICLE•Journal of Research in Music…•1966

  • A New Look at Bach's Ornamentation

    Frederick Neumann•ARTICLE•Music and Letters•1965

    A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 1, January 1965, Pages 4–15, https://doi.org/10.1093/ml/XLVI.1.4 Published: 01 January 1965

  • A New Look at Bach's Ornamentation

    Frederick Neumann•ARTICLE•Music and Letters•1965

    A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 2, April 1965, Pages 126–133, https://doi.org/10.1093/ml/XLVI.2.126 Published: 01 April 1965

  • "La note pointee et la soi - disant "maniere francaise

    Frederick Neumann•ARTICLE•Revue de musicologie•1965

  • Misconceptions About the French Trill in the 17th and 18th Centuries

    Frederick Neumann•ARTICLE•The Musical Quarterly•1964•Cited by: 1

    Journal Article MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume L, Issue 2, April 1964, Pages 188–206, https://doi.org/10.1093/mq/L.2.188 Published: 01 April 1964

  • Misconceptions About the French Trill in the 17th and 18th Centuries

    Frederick Neumann•ARTICLE•The Musical Quarterly•1964•Cited by: 1

    Journal Article MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume L, Issue 2, April 1964, Pages 188–206, https://doi.org/10.1093/mq/L.2.188 Published: 01 April 1964

  • Misconceptions About the French Trill in the 17th and 18th Centuries

    Frederick Neumann•ARTICLE•The Musical Quarterly•1964•Cited by: 1

    Journal Article MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume L, Issue 2, April 1964, Pages 188–206, https://doi.org/10.1093/mq/L.2.188 Published: 01 April 1964

  • A New Look at Bach's Ornamentation

    Frederick Neumann•ARTICLE•Music and Letters•1965

    A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 1, January 1965, Pages 4–15, https://doi.org/10.1093/ml/XLVI.1.4 Published: 01 January 1965

  • A New Look at Bach's Ornamentation

    Frederick Neumann•ARTICLE•Music and Letters•1965

    A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 2, April 1965, Pages 126–133, https://doi.org/10.1093/ml/XLVI.2.126 Published: 01 April 1965

  • "La note pointee et la soi - disant "maniere francaise

    Frederick Neumann•ARTICLE•Revue de musicologie•1965

  • Baroque Ornamentation

    Frederick Neumann•ARTICLE•Music and Letters•1966

    Journal Article BAROQUE ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Music Department, University of RichmondVirginia Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 2, April 1966, Pages 186-b–187, https://doi.org/10.1093/ml/47.2.186-b Published: 01 April 1966

  • The History of Violin Playing From its Origins to 1761 and Its Relationship to the Violin and Violin Music

    Open Access•Frederick Neumann•ARTICLE•Journal of Research in Music…•1966

  • The Use of Baroque Treatises on Musical Performance

    Frederick Neumann•ARTICLE•Music and Letters•1967

  • Couperin and the Downbeat Doctrine for Appoggiaturas

    Frederick Neumann•ARTICLE•Acta Musicologica•1969

  • French Over-Dotting

    Frederick Neumann•ARTICLE•Music and Letters•1969

    Journal Article FRENCH OVER-DOTTING Get access FREDERICK NEUMANN FREDERICK NEUMANN University of RichmondVirginia 23173 Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume L, Issue 3, July 1969, Pages 430–431, https://doi.org/10.1093/ml/L.3.430 Published: 01 July 1969

  • Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

    Frederick Neumann•BOOK•Ornamentation in Baroque and…•1978

    Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he ar…

  • Interpretation Problems of Ornament Symbols and Two Recent Case Histories

    Frederick Neumann•ARTICLE•Performance Practice Review•1988

    The reliance on 17th- and 18th-c. ornament tables in 'authentic' performance often leads to rigid interpretations. A monograph by Hans Klotz (RILM 1984-05515-bm) and a review by Faye Ferguson perpetuate a rigid view of how 18th-c. ornaments should be interpreted

  • Communications

    Frederick Neumann, Erich Schwandt et al.•ARTICLE•Performance Practice Review•1991

  • The Vibrato Controversy

    Frederick Neumann•ARTICLE•Performance Practice Review•1991

    Today's early music specialists either ban the use of vibrato or restrict it drastically. This position suffers from three principal weaknesses: the failure to understand the nature of a well-produced vibrato in which the so-called impurities of pitch become inaudible above a certain threshold of speed, through a mysterious brain function (comparable to that involved in stereophonic sound or stereoscopic vision); a misinterpretation of sources; a…

  • Performance Practice in Mozart

    Frederick Neumann•ARTICLE•Music and Letters•1993

  • Performance Practice in Mozart

    Frederick Neumann•ARTICLE•Music and Letters•1994

    Journal Article PERFORMANCE PRACTICE IN MOZART Get access FREDERICK NEUMANN FREDERICK NEUMANN 4102 West Franklin Street, Richmond, Virginia 23221, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 143–144, https://doi.org/10.1093/ml/75.1.143 Published: 01 February 1994

  • Ornamentation and Improvisation in Mozart

    Frederick Neumann•BOOK•Ornamentation and Improvisation…•2019

  • Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J. S. Bach

    Frederick Neumann•BOOK•Ornamentation in Baroque and…•2020

Art (15 works) · Musicology and Musical Analysis (9 works) · Art history (8 works) · History (6 works) · Literature (6 works) · Computer Science (4 works) · Diverse Musicological Studies (4 works) · MOZART (4 works) · Musical (4 works) · Poetry Analysis and Criticism (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae