Frederick Neumann
Biographic Data
| ID | 3910275 |
|---|---|
| NAME | Frederick Neumann |
| GIVEN NAMES | Frederick |
| FAMILY NAME | Neumann |
| SIGNATURE | NEUMANN F |
| AFFILIATIONS | University of Richmond |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 17 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1964 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J. S. Bach
Ornamentation and Improvisation in Mozart
Performance Practice in Mozart
Journal Article PERFORMANCE PRACTICE IN MOZART Get access FREDERICK NEUMANN FREDERICK NEUMANN 4102 West Franklin Street, Richmond, Virginia 23221, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 143–144, https://doi.org/10.1093/ml/75.1.143 Published: 01 February 1994
Performance Practice in Mozart
Communications
The Vibrato Controversy
Today's early music specialists either ban the use of vibrato or restrict it drastically. This position suffers from three principal weaknesses: the failure to understand the nature of a well-produced vibrato in which the so-called impurities of pitch become inaudible above a certain threshold of speed, through a mysterious brain function (comparable to that involved in stereophonic sound or stereoscopic vision); a misinterpretation of sources; a…
Interpretation Problems of Ornament Symbols and Two Recent Case Histories
The reliance on 17th- and 18th-c. ornament tables in 'authentic' performance often leads to rigid interpretations. A monograph by Hans Klotz (RILM 1984-05515-bm) and a review by Faye Ferguson perpetuate a rigid view of how 18th-c. ornaments should be interpreted
Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he ar…
Couperin and the Downbeat Doctrine for Appoggiaturas
French Over-Dotting
Journal Article FRENCH OVER-DOTTING Get access FREDERICK NEUMANN FREDERICK NEUMANN University of RichmondVirginia 23173 Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume L, Issue 3, July 1969, Pages 430–431, https://doi.org/10.1093/ml/L.3.430 Published: 01 July 1969
The Use of Baroque Treatises on Musical Performance
Baroque Ornamentation
Journal Article BAROQUE ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Music Department, University of RichmondVirginia Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 2, April 1966, Pages 186-b–187, https://doi.org/10.1093/ml/47.2.186-b Published: 01 April 1966
The History of Violin Playing From its Origins to 1761 and Its Relationship to the Violin and Violin Music
A New Look at Bach's Ornamentation
A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 1, January 1965, Pages 4–15, https://doi.org/10.1093/ml/XLVI.1.4 Published: 01 January 1965
A New Look at Bach's Ornamentation
A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 2, April 1965, Pages 126–133, https://doi.org/10.1093/ml/XLVI.2.126 Published: 01 April 1965
"La note pointee et la soi - disant "maniere francaise
Misconceptions About the French Trill in the 17th and 18th Centuries
Journal Article MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume L, Issue 2, April 1964, Pages 188–206, https://doi.org/10.1093/mq/L.2.188 Published: 01 April 1964
Misconceptions About the French Trill in the 17th and 18th Centuries
Journal Article MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume L, Issue 2, April 1964, Pages 188–206, https://doi.org/10.1093/mq/L.2.188 Published: 01 April 1964
Misconceptions About the French Trill in the 17th and 18th Centuries
Journal Article MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume L, Issue 2, April 1964, Pages 188–206, https://doi.org/10.1093/mq/L.2.188 Published: 01 April 1964
A New Look at Bach's Ornamentation
A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 1, January 1965, Pages 4–15, https://doi.org/10.1093/ml/XLVI.1.4 Published: 01 January 1965
A New Look at Bach's Ornamentation
A NEW LOOK AT BACH'S ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVI, Issue 2, April 1965, Pages 126–133, https://doi.org/10.1093/ml/XLVI.2.126 Published: 01 April 1965
"La note pointee et la soi - disant "maniere francaise
Baroque Ornamentation
Journal Article BAROQUE ORNAMENTATION Get access FREDERICK NEUMANN FREDERICK NEUMANN Music Department, University of RichmondVirginia Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 2, April 1966, Pages 186-b–187, https://doi.org/10.1093/ml/47.2.186-b Published: 01 April 1966
The History of Violin Playing From its Origins to 1761 and Its Relationship to the Violin and Violin Music
The Use of Baroque Treatises on Musical Performance
Couperin and the Downbeat Doctrine for Appoggiaturas
French Over-Dotting
Journal Article FRENCH OVER-DOTTING Get access FREDERICK NEUMANN FREDERICK NEUMANN University of RichmondVirginia 23173 Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume L, Issue 3, July 1969, Pages 430–431, https://doi.org/10.1093/ml/L.3.430 Published: 01 July 1969
Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he ar…
Interpretation Problems of Ornament Symbols and Two Recent Case Histories
The reliance on 17th- and 18th-c. ornament tables in 'authentic' performance often leads to rigid interpretations. A monograph by Hans Klotz (RILM 1984-05515-bm) and a review by Faye Ferguson perpetuate a rigid view of how 18th-c. ornaments should be interpreted
Communications
The Vibrato Controversy
Today's early music specialists either ban the use of vibrato or restrict it drastically. This position suffers from three principal weaknesses: the failure to understand the nature of a well-produced vibrato in which the so-called impurities of pitch become inaudible above a certain threshold of speed, through a mysterious brain function (comparable to that involved in stereophonic sound or stereoscopic vision); a misinterpretation of sources; a…
Performance Practice in Mozart
Performance Practice in Mozart
Journal Article PERFORMANCE PRACTICE IN MOZART Get access FREDERICK NEUMANN FREDERICK NEUMANN 4102 West Franklin Street, Richmond, Virginia 23221, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 1, February 1994, Pages 143–144, https://doi.org/10.1093/ml/75.1.143 Published: 01 February 1994
Ornamentation and Improvisation in Mozart
Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J. S. Bach
Art (15 works) · Musicology and Musical Analysis (9 works) · Art history (8 works) · History (6 works) · Literature (6 works) · Computer Science (4 works) · Diverse Musicological Studies (4 works) · MOZART (4 works) · Musical (4 works) · Poetry Analysis and Criticism (4 works)