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Maroula Joannou

Biographic Data

ID391764
NAMEMaroula Joannou
GIVEN NAMESMaroula
FAMILY NAMEJoannou
SIGNATUREJOANNOU M
AFFILIATIONSAnglia Ruskin University
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS4
WORKS AS AUTHOR17
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Afterword

    Maroula Joannou•ARTICLE•Women a Cultural Review•2020

    (2020). Afterword: The Best of Times, the Worst of Times: Some Personal Reflections on Researching the Literature of the 1930s. Women: a cultural review: Vol. 31, THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan, pp. 469-481

  • ‘Waiting for No Man … ’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2019

  • Lucid Abnormality’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2015

    This is the original version of a book review published by Taylor & Francis in Women: A Cultural Review on 16/07/2015, available online: http://www.tandfonline.com/doi/abs/10.1080/09574042.2015.1035077

  • Our Time”

    Open Access•Maroula Joannou•ARTICLE•Literature Compass•2014•References: 1

    This essay addresses the convergence of ideas and altered priorities of Sylvia Towsend Warner and Virginia Woolf in the Second World War with close attention to Woolf's posthumously published Between the Acts (1941) and Warner's The Corner That Held Them (1948). It considers some of Warner's short fiction. I discuss the literature of the war and how Warner and Woolf are situated in relation to ‘late’ modernism

  • Womenâ s Writing, Englishness and National and Cultural Identity

    Open Access•Maroula Joannou•BOOK•Women's Writing, Englishness and…•2012

    An original mapping of women's writing in the 1940s and 1950s, this book looks at Englishness and national identity in women's writing and includes writing from Scotland, Wales, Ireland the Indian sub

  • All right, I'll do anything for good clothes’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2012•Cited by: 1•References: 2

    This essay establishes the cultural, intellectual and historical contexts of Jean Rhys's engagement with sartorial fashion and addresses her characters’ fascination with the sartorial in relation to modernism's refusal of the stable, unitary self. The author analyses the ways in which the thinking of the avant-garde in art and literature and the avant-garde in fashion converged in the 1920s and 1930s. Attention is paid to Virginia Woolf and to th…

  • A Life of Elizabeth Taylor

    Maroula Joannou•ARTICLE•Women a Cultural Review•2010

  • Homework

    Maroula Joannou•ARTICLE•Women a Cultural Review•2007

  • Rereading Angela Carter

    Maroula Joannou•ARTICLE•Women a Cultural Review•2007

    Sarah Gamble, Angela Carter: A Literary Life, Basingstoke and New York: Palgrave Macmillan, 2005, £45 hbk. Angela carter was among the most inventive, exuberant and original English writers of the

  • Three Centuries of European Women's History

    Maroula Joannou•ARTICLE•Women a Cultural Review•2006

    Book review of Deborah Simonton (ed.), The Routledge History of Women in Europe Since 1700

  • Historical Fictions

    Maroula Joannou•ARTICLE•Women a Cultural Review•2006

  • Mary augusta ward (mrs humphry) and the opposition to women's suffrage [1]

    Maroula Joannou•ARTICLE•Women s History Review•2005•References: 1

    This article analyses the tensions and contradictions in the work of the conservative writer and social reformer, Mary Augusta Ward and her role in the development of a constructive anti-suffragism designated as the ‘forward policy’. Ward's representation of the suffragette in her novel, Delia Blanchflower (1915), is discussed. Concentrating on Ward's principled support for women and her reforming imagination, the article shows how she shared muc…

  • Nancy Cunard's English Journey

    Open Access•Maroula Joannou•ARTICLE•Feminist Review•2004•Cited by: 1•References: 1

    This essay analyses Nancy Cunard's contribution to the struggle for racial justice in England and her work with the black communities in Liverpool and London (whose histories and experiences differ radically from their counterparts in the United States) in the 1940s. It chronicles for the first time her campaign to safeguard the African collections in the Liverpool Museum and her specific contribution to the archive of black British history. This…

  • The angel of freedom [1]

    Maroula Joannou•ARTICLE•Women s History Review•2002•Cited by: 2•References: 13

    The article discusses the suffrage periodical press and shows how the disjunction between ‘the public face of suffrage’ and the aspirations of feminist dissidents led to the publication of a new feminist paper, The Freewoman, edited by two disenchanted suffragettes, Dora Marsden and Mary Gawthorpe. The Freewoman and its successor, The New Freewoman, had a symbiotic relationship to the women's suffrage movement. But Marsden's literary interests an…

  • The Woman on the Postage Stamp

    Maroula Joannou•ARTICLE•Women a Cultural Review•2001

  • Naomi Mitchison at one hundred

    Maroula Joannou•ARTICLE•Women a Cultural Review•1998

  • To defend the oppressed, to fight for the defenceless, not counting the cost’

    Open Access•Maroula Joannou•ARTICLE•Gender & History•1998

  • The angel of freedom [1]

    Maroula Joannou•ARTICLE•Women s History Review•2002•Cited by: 2•References: 13

    The article discusses the suffrage periodical press and shows how the disjunction between ‘the public face of suffrage’ and the aspirations of feminist dissidents led to the publication of a new feminist paper, The Freewoman, edited by two disenchanted suffragettes, Dora Marsden and Mary Gawthorpe. The Freewoman and its successor, The New Freewoman, had a symbiotic relationship to the women's suffrage movement. But Marsden's literary interests an…

  • All right, I'll do anything for good clothes’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2012•Cited by: 1•References: 2

    This essay establishes the cultural, intellectual and historical contexts of Jean Rhys's engagement with sartorial fashion and addresses her characters’ fascination with the sartorial in relation to modernism's refusal of the stable, unitary self. The author analyses the ways in which the thinking of the avant-garde in art and literature and the avant-garde in fashion converged in the 1920s and 1930s. Attention is paid to Virginia Woolf and to th…

  • Nancy Cunard's English Journey

    Open Access•Maroula Joannou•ARTICLE•Feminist Review•2004•Cited by: 1•References: 1

    This essay analyses Nancy Cunard's contribution to the struggle for racial justice in England and her work with the black communities in Liverpool and London (whose histories and experiences differ radically from their counterparts in the United States) in the 1940s. It chronicles for the first time her campaign to safeguard the African collections in the Liverpool Museum and her specific contribution to the archive of black British history. This…

  • Naomi Mitchison at one hundred

    Maroula Joannou•ARTICLE•Women a Cultural Review•1998

  • To defend the oppressed, to fight for the defenceless, not counting the cost’

    Open Access•Maroula Joannou•ARTICLE•Gender & History•1998

  • The Woman on the Postage Stamp

    Maroula Joannou•ARTICLE•Women a Cultural Review•2001

  • The angel of freedom [1]

    Maroula Joannou•ARTICLE•Women s History Review•2002•Cited by: 2•References: 13

    The article discusses the suffrage periodical press and shows how the disjunction between ‘the public face of suffrage’ and the aspirations of feminist dissidents led to the publication of a new feminist paper, The Freewoman, edited by two disenchanted suffragettes, Dora Marsden and Mary Gawthorpe. The Freewoman and its successor, The New Freewoman, had a symbiotic relationship to the women's suffrage movement. But Marsden's literary interests an…

  • Nancy Cunard's English Journey

    Open Access•Maroula Joannou•ARTICLE•Feminist Review•2004•Cited by: 1•References: 1

    This essay analyses Nancy Cunard's contribution to the struggle for racial justice in England and her work with the black communities in Liverpool and London (whose histories and experiences differ radically from their counterparts in the United States) in the 1940s. It chronicles for the first time her campaign to safeguard the African collections in the Liverpool Museum and her specific contribution to the archive of black British history. This…

  • Mary augusta ward (mrs humphry) and the opposition to women's suffrage [1]

    Maroula Joannou•ARTICLE•Women s History Review•2005•References: 1

    This article analyses the tensions and contradictions in the work of the conservative writer and social reformer, Mary Augusta Ward and her role in the development of a constructive anti-suffragism designated as the ‘forward policy’. Ward's representation of the suffragette in her novel, Delia Blanchflower (1915), is discussed. Concentrating on Ward's principled support for women and her reforming imagination, the article shows how she shared muc…

  • Three Centuries of European Women's History

    Maroula Joannou•ARTICLE•Women a Cultural Review•2006

    Book review of Deborah Simonton (ed.), The Routledge History of Women in Europe Since 1700

  • Historical Fictions

    Maroula Joannou•ARTICLE•Women a Cultural Review•2006

  • Homework

    Maroula Joannou•ARTICLE•Women a Cultural Review•2007

  • Rereading Angela Carter

    Maroula Joannou•ARTICLE•Women a Cultural Review•2007

    Sarah Gamble, Angela Carter: A Literary Life, Basingstoke and New York: Palgrave Macmillan, 2005, £45 hbk. Angela carter was among the most inventive, exuberant and original English writers of the

  • A Life of Elizabeth Taylor

    Maroula Joannou•ARTICLE•Women a Cultural Review•2010

  • Womenâ s Writing, Englishness and National and Cultural Identity

    Open Access•Maroula Joannou•BOOK•Women's Writing, Englishness and…•2012

    An original mapping of women's writing in the 1940s and 1950s, this book looks at Englishness and national identity in women's writing and includes writing from Scotland, Wales, Ireland the Indian sub

  • All right, I'll do anything for good clothes’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2012•Cited by: 1•References: 2

    This essay establishes the cultural, intellectual and historical contexts of Jean Rhys's engagement with sartorial fashion and addresses her characters’ fascination with the sartorial in relation to modernism's refusal of the stable, unitary self. The author analyses the ways in which the thinking of the avant-garde in art and literature and the avant-garde in fashion converged in the 1920s and 1930s. Attention is paid to Virginia Woolf and to th…

  • Our Time”

    Open Access•Maroula Joannou•ARTICLE•Literature Compass•2014•References: 1

    This essay addresses the convergence of ideas and altered priorities of Sylvia Towsend Warner and Virginia Woolf in the Second World War with close attention to Woolf's posthumously published Between the Acts (1941) and Warner's The Corner That Held Them (1948). It considers some of Warner's short fiction. I discuss the literature of the war and how Warner and Woolf are situated in relation to ‘late’ modernism

  • Lucid Abnormality’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2015

    This is the original version of a book review published by Taylor & Francis in Women: A Cultural Review on 16/07/2015, available online: http://www.tandfonline.com/doi/abs/10.1080/09574042.2015.1035077

  • ‘Waiting for No Man … ’

    Maroula Joannou•ARTICLE•Women a Cultural Review•2019

  • Afterword

    Maroula Joannou•ARTICLE•Women a Cultural Review•2020

    (2020). Afterword: The Best of Times, the Worst of Times: Some Personal Reflections on Researching the Literature of the 1930s. Women: a cultural review: Vol. 31, THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan, pp. 469-481

History (11 works) · Art (9 works) · Sociology (8 works) · History (7 works) · Aesthetics (5 works) · Gender Studies (5 works) · Law (5 works) · Political science (5 works) · Politics (5 works) · Psychology (5 works)

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