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Harold Fromm

Biographic Data

ID391817
NAMEHarold Fromm
GIVEN NAMESHarold
FAMILY NAMEFromm
SIGNATUREFROMM H
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS29
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2005
H-INDEX3
  • "Muses, Spooks, Neurons, and the Rhetoric of "Freedom

    Harold Fromm•ARTICLE•New Literary History•2005

    Muses, Spooks, Neurons, and the Rhetoric of “Freedom” Harold Fromm (bio) For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception. . . . If anyone, upon serious and unprejudiced reflection, thinks he has a d…

  • The Ecocriticism Reader

    Marta He, Marta Hess et al.•ARTICLE•South Atlantic Review•1997•Cited by: 11

  • The ecocriticism reader

    Cheryll Glotfelty, Alison Byerly et al.•BOOK•The ecocriticism reader•1996•Cited by: 15

    The Ecocriticism Reader is the first collection of its kind, an anthology of classic and cutting-edge writings in the rapidly emerging field of literary ecology. Exploring the relationship between literature and the physical environment, literary ecology is the study of the ways that writing - from novels and folktales to U.S. government reports and corporate advertisements - both reflects and influences our interactions with the natural world. T…

  • Environmentalism and the Future of Progressive Politics

    Harold Fromm•ARTICLE•Environmental Ethics•1992

  • Real Life, Literary Criticism, and the Perils of Bourgeoisification

    Harold Fromm•ARTICLE•New Literary History•1988

    T IS HARD TO DOUBT that the vast majority of literary works were produced as expressions of passionate involvement with life rather than as aesthetic objects. The notion of a purely aesthetic artifact intended to be art is, in any case, a relatively recent one in the history of civilization, and the veneration of the artist as a unique individual soul-rather than as an agent of transcendence or the state-is a post-Enlightenment product. Ancient c…

  • The Hegemonic Form of Othering; Or, the Academic's Burden

    Harold Fromm•ARTICLE•Critical Inquiry•1986•Cited by: 3

  • The ecocriticism reader

    Cheryll Glotfelty, Alison Byerly et al.•BOOK•The ecocriticism reader•1996•Cited by: 15

    The Ecocriticism Reader is the first collection of its kind, an anthology of classic and cutting-edge writings in the rapidly emerging field of literary ecology. Exploring the relationship between literature and the physical environment, literary ecology is the study of the ways that writing - from novels and folktales to U.S. government reports and corporate advertisements - both reflects and influences our interactions with the natural world. T…

  • The Ecocriticism Reader

    Marta He, Marta Hess et al.•ARTICLE•South Atlantic Review•1997•Cited by: 11

  • The Hegemonic Form of Othering; Or, the Academic's Burden

    Harold Fromm•ARTICLE•Critical Inquiry•1986•Cited by: 3

  • The Hegemonic Form of Othering; Or, the Academic's Burden

    Harold Fromm•ARTICLE•Critical Inquiry•1986•Cited by: 3

  • Real Life, Literary Criticism, and the Perils of Bourgeoisification

    Harold Fromm•ARTICLE•New Literary History•1988

    T IS HARD TO DOUBT that the vast majority of literary works were produced as expressions of passionate involvement with life rather than as aesthetic objects. The notion of a purely aesthetic artifact intended to be art is, in any case, a relatively recent one in the history of civilization, and the veneration of the artist as a unique individual soul-rather than as an agent of transcendence or the state-is a post-Enlightenment product. Ancient c…

  • Environmentalism and the Future of Progressive Politics

    Harold Fromm•ARTICLE•Environmental Ethics•1992

  • The ecocriticism reader

    Cheryll Glotfelty, Alison Byerly et al.•BOOK•The ecocriticism reader•1996•Cited by: 15

    The Ecocriticism Reader is the first collection of its kind, an anthology of classic and cutting-edge writings in the rapidly emerging field of literary ecology. Exploring the relationship between literature and the physical environment, literary ecology is the study of the ways that writing - from novels and folktales to U.S. government reports and corporate advertisements - both reflects and influences our interactions with the natural world. T…

  • The Ecocriticism Reader

    Marta He, Marta Hess et al.•ARTICLE•South Atlantic Review•1997•Cited by: 11

  • "Muses, Spooks, Neurons, and the Rhetoric of "Freedom

    Harold Fromm•ARTICLE•New Literary History•2005

    Muses, Spooks, Neurons, and the Rhetoric of “Freedom” Harold Fromm (bio) For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception. . . . If anyone, upon serious and unprejudiced reflection, thinks he has a d…

Art (5 works) · Literature (4 works) · Law (3 works) · Philosophy (3 works) · Sociology (3 works) · Ecocriticism (2 works) · Ecocriticism and Environmental Literature (2 works) · Epistemology (2 works) · Literary criticism (2 works) · Political science (2 works)

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