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Alec Charles

Biographic Data

ID3919423
NAMEAlec Charles
GIVEN NAMESAlec
FAMILY NAMECharles
SIGNATURECHARLES A
AFFILIATIONSUniversity of Bedfordshire
ORCID0000-0003-1171-2188
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Une guerre sans fin ? L’utopie, la famille, et le monde post 11-Septembre dans Doctor Who de Russel T. Davies

    Open Access•Alec Charles, Simon Bréan•ARTICLE•ReS Futurae•2022

    Cet article étudie le positionnement idéologique de la réinvention de la série télévisée britannique de référence Doctor Who par Russell T. Davies. La série revue par Davies rend explicite de manière inhabituelle, par ses thèmes, ses cadres et ses allusions, son rapport à la politique contemporaine : plus précisément les conséquences des attaques d’Al-Qaïda le 11 septembre 2001. À l’instar des séries américaines Heroes et Battlestar Galactica, la…

  • We were queer first

    Alec Charles•ARTICLE•The Journal of Popular Television•2020

    This article investigates how three of the most popular and influential mainstream American situation comedies of the 1990s ( Seinfeld, Frasier and Friends ) explored and developed societal attitudes to sexual identities. None of these sitcoms feature gay male characters in leading roles, yet (the odd camp restaurant critic aside) they may be seen as pioneering popular televisual representations of attitudes towards male homosexuality. This artic…

  • Terrorists, rioters and crocodiles

    Open Access•Alec Charles•ARTICLE•British Politics•2013•References: 5

  • The Meta-Utopian Metatext

    Alec Charles•ARTICLE•Utopian Studies•2012

    Ulysses is a novel of immense and endless structuration, but one that resists structure itself, which eschews the closure and determinism of stereotypically Utopian mythologization. Joyce's work acknowledges that we continue to cling to our Utopian dreams, despite all the material evidence. Yet Joyce advances a mode of Utopianism that, in recognizing the tensions inherent to its relationship with the real, not only self-consciously deconstructs b…

  • The Electronic State

    Open Access•Alec Charles•ARTICLE•Journal of Contemporary European…•2009•References: 3

    This article examines the case of Estonia as one of Europe’s fastest growing informational economies, and asks whether its furious development of new media technologies, as industrial products, commercial resources and political instruments, has necessarily proven as beneficial to society at large as some domestic and international commentators have anticipated. After mapping Estonia’s unique development in embracing new technologies since the mi…

  • War without End

    Alec Charles•ARTICLE•Science Fiction Studies•2008•Cited by: 1

    This essay explores the ideological positioning of Russel T. Davies’s reinvention of the classic British TV series Doctor Who. Davies’s program has announced in its themes, settings, and allusions an unusually direct engagement with contemporary politics: specifically, the repercussions of the Al-Qaeda strikes of September 11, 2001. Like American television’s Heroes and Battlestar Galactica, the new Doctor Who argues against the totalizing strate…

  • War without End

    Alec Charles•ARTICLE•Science Fiction Studies•2008•Cited by: 1

    This essay explores the ideological positioning of Russel T. Davies’s reinvention of the classic British TV series Doctor Who. Davies’s program has announced in its themes, settings, and allusions an unusually direct engagement with contemporary politics: specifically, the repercussions of the Al-Qaeda strikes of September 11, 2001. Like American television’s Heroes and Battlestar Galactica, the new Doctor Who argues against the totalizing strate…

  • War without End

    Alec Charles•ARTICLE•Science Fiction Studies•2008•Cited by: 1

    This essay explores the ideological positioning of Russel T. Davies’s reinvention of the classic British TV series Doctor Who. Davies’s program has announced in its themes, settings, and allusions an unusually direct engagement with contemporary politics: specifically, the repercussions of the Al-Qaeda strikes of September 11, 2001. Like American television’s Heroes and Battlestar Galactica, the new Doctor Who argues against the totalizing strate…

  • The Electronic State

    Open Access•Alec Charles•ARTICLE•Journal of Contemporary European…•2009•References: 3

    This article examines the case of Estonia as one of Europe’s fastest growing informational economies, and asks whether its furious development of new media technologies, as industrial products, commercial resources and political instruments, has necessarily proven as beneficial to society at large as some domestic and international commentators have anticipated. After mapping Estonia’s unique development in embracing new technologies since the mi…

  • The Meta-Utopian Metatext

    Alec Charles•ARTICLE•Utopian Studies•2012

    Ulysses is a novel of immense and endless structuration, but one that resists structure itself, which eschews the closure and determinism of stereotypically Utopian mythologization. Joyce's work acknowledges that we continue to cling to our Utopian dreams, despite all the material evidence. Yet Joyce advances a mode of Utopianism that, in recognizing the tensions inherent to its relationship with the real, not only self-consciously deconstructs b…

  • Terrorists, rioters and crocodiles

    Open Access•Alec Charles•ARTICLE•British Politics•2013•References: 5

  • We were queer first

    Alec Charles•ARTICLE•The Journal of Popular Television•2020

    This article investigates how three of the most popular and influential mainstream American situation comedies of the 1990s ( Seinfeld, Frasier and Friends ) explored and developed societal attitudes to sexual identities. None of these sitcoms feature gay male characters in leading roles, yet (the odd camp restaurant critic aside) they may be seen as pioneering popular televisual representations of attitudes towards male homosexuality. This artic…

  • Une guerre sans fin ? L’utopie, la famille, et le monde post 11-Septembre dans Doctor Who de Russel T. Davies

    Open Access•Alec Charles, Simon Bréan•ARTICLE•ReS Futurae•2022

    Cet article étudie le positionnement idéologique de la réinvention de la série télévisée britannique de référence Doctor Who par Russell T. Davies. La série revue par Davies rend explicite de manière inhabituelle, par ses thèmes, ses cadres et ses allusions, son rapport à la politique contemporaine : plus précisément les conséquences des attaques d’Al-Qaïda le 11 septembre 2001. À l’instar des séries américaines Heroes et Battlestar Galactica, la…

Law (6 works) · Political science (5 works) · Politics (5 works) · Sociology (5 works) · Art (4 works) · Aesthetics (3 works) · Art history (3 works) · History (3 works) · Literature (3 works) · Contemporary Literature and Criticism (2 works)

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