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Herta Schmid

Biographic Data

ID3920538
NAMEHerta Schmid
GIVEN NAMESHerta
FAMILY NAMESchmid
SIGNATURESCHMID H
AFFILIATIONS1University of Munich
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2008
H-INDEX1
  • A historical outlook on theatrical ostension and its links with other terms of the semiotics of drama and theatre

    Open Access•Herta Schmid•ARTICLE•Semiotica•2008

    The first part of the article sketches the history of the term ostension from St. Augustine to Osolsobě. Ostension is explained as the fundament of the theatrical art by comparing it with the older theory of transubstantiation and the modern discussion of iconicity. The second part draws a parallel between ostension and Mukařovský's discovery of the ‘thingness’ of every work of art. The aim is to show that within the Prague School, which initiate…

  • Rethinking the Foundations

    Lisbeth S Fried, L Mckenzie et al.•ARTICLE•Journal of the American Oriental…•2002

  • Das moderne polnische Drama

    Herta Schmid•CHAPTER•Die Literarische Moderne in…•1994

    Das polnische Drama des zwanzigsten Jahrhunderts ist überreich an herausragenden Werken. Polnische Literaturwissenschaftler verweisen immer wieder auf die Namen der ‘Großen Fünf’: Stanislaw Wyspianski, Stanislaw Ignacy Witkiewicz, Witold Gombrowicz, Slawomir Mrozek und Tadeusz Rözewicz. Im folgenden soll außer den ‘Großen Fünf’ auch ein minder bekannter Dramenautor besprochen werden, Stanislaw Przybyszewski. Dies mag überraschen, gilt doch Przyby…

  • Samuelbeckett's Play, Quad

    Herta Schmid, H Giles Schmid•ARTICLE•Canadian-American Slavic Studies•1988

  • Semiotics of Drama and Theatre

    Jean Alter, Herta Schmid et al.•ARTICLE•Poetics Today•1986

  • Das Verfahren des Illusionsbruchs in Bulgakovs Bagrovyj ostrov

    Herta Schmid•ARTICLE•Canadian-American Slavic Studies•1981

  • On the Theory of Descriptive Poetics

    Christine Saal Losq, Jan van der Eng et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Strukturalistische Dramentheorie

    Joseph L Conrad, Joseph Conrad et al.•ARTICLE•The Slavic and East European…•1974

  • On the Theory of Descriptive Poetics

    Christine Saal Losq, Jan van der Eng et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Strukturalistische Dramentheorie

    Joseph L Conrad, Joseph Conrad et al.•ARTICLE•The Slavic and East European…•1974

  • On the Theory of Descriptive Poetics

    Christine Saal Losq, Jan van der Eng et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Das Verfahren des Illusionsbruchs in Bulgakovs Bagrovyj ostrov

    Herta Schmid•ARTICLE•Canadian-American Slavic Studies•1981

  • Semiotics of Drama and Theatre

    Jean Alter, Herta Schmid et al.•ARTICLE•Poetics Today•1986

  • Samuelbeckett's Play, Quad

    Herta Schmid, H Giles Schmid•ARTICLE•Canadian-American Slavic Studies•1988

  • Das moderne polnische Drama

    Herta Schmid•CHAPTER•Die Literarische Moderne in…•1994

    Das polnische Drama des zwanzigsten Jahrhunderts ist überreich an herausragenden Werken. Polnische Literaturwissenschaftler verweisen immer wieder auf die Namen der ‘Großen Fünf’: Stanislaw Wyspianski, Stanislaw Ignacy Witkiewicz, Witold Gombrowicz, Slawomir Mrozek und Tadeusz Rözewicz. Im folgenden soll außer den ‘Großen Fünf’ auch ein minder bekannter Dramenautor besprochen werden, Stanislaw Przybyszewski. Dies mag überraschen, gilt doch Przyby…

  • Rethinking the Foundations

    Lisbeth S Fried, L Mckenzie et al.•ARTICLE•Journal of the American Oriental…•2002

  • A historical outlook on theatrical ostension and its links with other terms of the semiotics of drama and theatre

    Open Access•Herta Schmid•ARTICLE•Semiotica•2008

    The first part of the article sketches the history of the term ostension from St. Augustine to Osolsobě. Ostension is explained as the fundament of the theatrical art by comparing it with the older theory of transubstantiation and the modern discussion of iconicity. The second part draws a parallel between ostension and Mukařovský's discovery of the ‘thingness’ of every work of art. The aim is to show that within the Prague School, which initiate…

Art (6 works) · Philosophy (6 works) · Literature (5 works) · Drama (3 works) · History (2 works) · Linguistics (2 works) · Semiotics (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works) · Aesthetics (1 work)

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