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Gina Bloom

Biographic Data

ID3920940
NAMEGina Bloom
GIVEN NAMESGina
FAMILY NAMEBloom
SIGNATUREBLOOM G
AFFILIATIONSUniversity of California, Davis
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2025
H-INDEX1
  • What Can Scholars Do

    Open Access•E B Hunter, Ewan Hunter et al.•ARTICLE•ASAP/journal•2025

    The notion of spending a day

  • Shakespeare, Technicity, Theatre

    Open Access•Gina Bloom•ARTICLE•Renaissance Quarterly•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Gaming the Stage

    Open Access•Gina Bloom•BOOK•Gaming the Stage•2018

    Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not j…

  • Ophelia's Intertheatricality, or, How Performance Is History

    Gina Bloom, Anston Bosman et al.•ARTICLE•Theatre Journal•2013•Cited by: 3•References: 2

    Much recent scholarship on performance has treated it as a disappearing act or "missed event," overlooking how performance overflows any one historical context and mobilizes across time. In contrast, taking the performance of Ophelia as an example, this essay describes performance as a nonlinear and recursive dispensation of time that draws on a shared repertoire of actions and styles, which it calls "intertheatricality." Rather than presenting a…

  • My Feet See Better Than My Eyes”

    Open Access•Gina Bloom•ARTICLE•Theatre Survey•2012•References: 8

    Although the long-awaited murder of Arden in the anonymous Arden of Faversham (ca. 1592) takes place during a game of tables, or what we call backgammon, 1 critics have been quick to overlook the choice of game in this climactic scene, underestimating its importance to the play's central concerns and even mistakenly calling it a game of dice or cards. 2 These games do share some common features—backgammon, for instance, involves the use of dice—b…

  • Ophelia's Intertheatricality, or, How Performance Is History

    Gina Bloom, Anston Bosman et al.•ARTICLE•Theatre Journal•2013•Cited by: 3•References: 2

    Much recent scholarship on performance has treated it as a disappearing act or "missed event," overlooking how performance overflows any one historical context and mobilizes across time. In contrast, taking the performance of Ophelia as an example, this essay describes performance as a nonlinear and recursive dispensation of time that draws on a shared repertoire of actions and styles, which it calls "intertheatricality." Rather than presenting a…

  • My Feet See Better Than My Eyes”

    Open Access•Gina Bloom•ARTICLE•Theatre Survey•2012•References: 8

    Although the long-awaited murder of Arden in the anonymous Arden of Faversham (ca. 1592) takes place during a game of tables, or what we call backgammon, 1 critics have been quick to overlook the choice of game in this climactic scene, underestimating its importance to the play's central concerns and even mistakenly calling it a game of dice or cards. 2 These games do share some common features—backgammon, for instance, involves the use of dice—b…

  • Ophelia's Intertheatricality, or, How Performance Is History

    Gina Bloom, Anston Bosman et al.•ARTICLE•Theatre Journal•2013•Cited by: 3•References: 2

    Much recent scholarship on performance has treated it as a disappearing act or "missed event," overlooking how performance overflows any one historical context and mobilizes across time. In contrast, taking the performance of Ophelia as an example, this essay describes performance as a nonlinear and recursive dispensation of time that draws on a shared repertoire of actions and styles, which it calls "intertheatricality." Rather than presenting a…

  • Gaming the Stage

    Open Access•Gina Bloom•BOOK•Gaming the Stage•2018

    Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not j…

  • Shakespeare, Technicity, Theatre

    Open Access•Gina Bloom•ARTICLE•Renaissance Quarterly•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • What Can Scholars Do

    Open Access•E B Hunter, Ewan Hunter et al.•ARTICLE•ASAP/journal•2025

    The notion of spending a day

Art (3 works) · Computer Science (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works) · Contrast (vision (2 works) · Historical Art and Culture Studies (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works)

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