Harold Weber
Biographic Data
| ID | 3920988 |
|---|---|
| NAME | Harold Weber |
| GIVEN NAMES | Harold |
| FAMILY NAME | Weber |
| SIGNATURE | WEBER H |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Production of English Renaissance Culture
What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.
Dead Man's Treasure: The Cult of Thomas More
“A Space for Narration”: Milton and the Politics of Collective Memory
My last chapter argues that much of the power of Cavendish’s Poems, and Fancies stems from the inaugural drama that it enacts between a fledgling poet and her audience. Throughout the volume, Cavendish’s self-presentation reveals both the pressures that attend her first public assumption of the mantle of authorship, and the ways in which she constructs her authorial self in order to engage her projected readers, who comprise the complex object of…
Memory, Print, and Gender in England, 1653–1759
Introduction: The Invention of Modern Memory 'Building Castles in the Air': Margaret Cavendish and the Anxieties of Monumentality 'A Space for Narration': Milton and the Politics of Collective Memory 'Oh grant an honest Fame, or grant me none!': The Ethics of Memorialization in Pope's Archives of Dullness 'Graven with an iron pen and lead in the book forever!': Paper and Permanence in Richardson's Clarissa Conclusion: From the 'Garbage Heap' of M…
The Restoration Rake Hero: Transformation in Sexual Understanding in Seventeenth-Century England
The Restoration Rake-Hero: Transformations in Sexual Understanding in Seventeenth-Century England
Three Augustan Women Play-Wrights
The Theatre of Praise: The Panegyric Tradition in Seventeenth-Century English Drama
The Poetics of Sexual Myth: Gender and Ideology in the Verse of Swift and Pope
Memory, Print, and Gender in England, 1653–1759
Introduction: The Invention of Modern Memory 'Building Castles in the Air': Margaret Cavendish and the Anxieties of Monumentality 'A Space for Narration': Milton and the Politics of Collective Memory 'Oh grant an honest Fame, or grant me none!': The Ethics of Memorialization in Pope's Archives of Dullness 'Graven with an iron pen and lead in the book forever!': Paper and Permanence in Richardson's Clarissa Conclusion: From the 'Garbage Heap' of M…
The Poetics of Sexual Myth: Gender and Ideology in the Verse of Swift and Pope
The Theatre of Praise: The Panegyric Tradition in Seventeenth-Century English Drama
The Restoration Rake Hero: Transformation in Sexual Understanding in Seventeenth-Century England
The Restoration Rake-Hero: Transformations in Sexual Understanding in Seventeenth-Century England
Three Augustan Women Play-Wrights
“A Space for Narration”: Milton and the Politics of Collective Memory
My last chapter argues that much of the power of Cavendish’s Poems, and Fancies stems from the inaugural drama that it enacts between a fledgling poet and her audience. Throughout the volume, Cavendish’s self-presentation reveals both the pressures that attend her first public assumption of the mantle of authorship, and the ways in which she constructs her authorial self in order to engage her projected readers, who comprise the complex object of…
Memory, Print, and Gender in England, 1653–1759
Introduction: The Invention of Modern Memory 'Building Castles in the Air': Margaret Cavendish and the Anxieties of Monumentality 'A Space for Narration': Milton and the Politics of Collective Memory 'Oh grant an honest Fame, or grant me none!': The Ethics of Memorialization in Pope's Archives of Dullness 'Graven with an iron pen and lead in the book forever!': Paper and Permanence in Richardson's Clarissa Conclusion: From the 'Garbage Heap' of M…
The Production of English Renaissance Culture
What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.
Dead Man's Treasure: The Cult of Thomas More
History (8 works) · Art (7 works) · Literature (5 works) · History (4 works) · Literature: history, themes, analysis (3 works) · Poetry (3 works) · Ancient history (2 works) · Art history (2 works) · Drama (2 works) · Engineering (2 works)