Cadence Kinsey
Biographic Data
| ID | 3921993 |
|---|---|
| NAME | Cadence Kinsey |
| GIVEN NAMES | Cadence |
| FAMILY NAME | Kinsey |
| SIGNATURE | KINSEY C |
| AFFILIATIONS | University of York |
| ORCID | 0000-0001-9025-524X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976–77)
In the 1959 publication Pictorial Weaving, Anni Albers set out the foundational imperative to "let threads be articulate".i Invoking an etymological relationship between text and textile, at its core is the idea that textiles can speak: that pattern can make meaning.This is evident in Ancient Writing (1936), an important early work by Albers made in cotton and rayon, which sets forth the textile as a form of non-verbal communication [figure 1].Ma…
Fluid Dynamics: On the Representation of Water and Discourses of the Digital
Water bottles, ripples, waves, storms, floods, pipes and oceans. In the last decade, water has featured as a major thematic or visual trope in artworks made with, for or about the Internet. From Helen Marten's Evian Disease (2012) to Hito Steyerl's Liquidity Inc . (2014), this essay considers why the image of water has provided such a powerful and provocative visual metaphor for new digital technologies. I analyse how the image of water has been …
Blind windows
This article analyses Camille Henrot’s 2013 film Grosse Fatigue in relation to the histories of hypermedia and modes of interaction with the World Wide Web. It considers the development of non-hierarchical systems for the organisation of information, and uses Grosse Fatigue to draw comparisons between the Web, the natural history museum and the archive. At stake in focusing on the way in which information is organised through hypermedia is the qu…
Matrices of Embodiment: Rethinking Binary and the Politics of Digital Representation
This article explores the critical art practice of Nell Tenhaaf, challenging the continued convention of theorizing the relationship between the body and digital representation technologies in terms of the real and the virtual and the perceived dematerialization of the body into code. Given the importance of histories of the body for so-called second-wave and constructivist feminists, it is perhaps unsurprising that much of the debate regarding t…
No prominent works on this page.
Matrices of Embodiment: Rethinking Binary and the Politics of Digital Representation
This article explores the critical art practice of Nell Tenhaaf, challenging the continued convention of theorizing the relationship between the body and digital representation technologies in terms of the real and the virtual and the perceived dematerialization of the body into code. Given the importance of histories of the body for so-called second-wave and constructivist feminists, it is perhaps unsurprising that much of the debate regarding t…
Blind windows
This article analyses Camille Henrot’s 2013 film Grosse Fatigue in relation to the histories of hypermedia and modes of interaction with the World Wide Web. It considers the development of non-hierarchical systems for the organisation of information, and uses Grosse Fatigue to draw comparisons between the Web, the natural history museum and the archive. At stake in focusing on the way in which information is organised through hypermedia is the qu…
Fluid Dynamics: On the Representation of Water and Discourses of the Digital
Water bottles, ripples, waves, storms, floods, pipes and oceans. In the last decade, water has featured as a major thematic or visual trope in artworks made with, for or about the Internet. From Helen Marten's Evian Disease (2012) to Hito Steyerl's Liquidity Inc . (2014), this essay considers why the image of water has provided such a powerful and provocative visual metaphor for new digital technologies. I analyse how the image of water has been …
In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976–77)
In the 1959 publication Pictorial Weaving, Anni Albers set out the foundational imperative to "let threads be articulate".i Invoking an etymological relationship between text and textile, at its core is the idea that textiles can speak: that pattern can make meaning.This is evident in Ancient Writing (1936), an important early work by Albers made in cotton and rayon, which sets forth the textile as a form of non-verbal communication [figure 1].Ma…
Aesthetics (3 works) · Art (3 works) · Computer Science (3 works) · Law (3 works) · Philosophy (3 works) · Sociology (3 works) · Epistemology (2 works) · History (2 works) · Political science (2 works) · Politics (2 works)