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Andrew Horton

Biographic Data

ID3922120
NAMEAndrew Horton
GIVEN NAMESAndrew
FAMILY NAMEHorton
SIGNATUREHORTON A
AFFILIATIONSUniversity of New Orleans
ORCID0000-0001-6067-8778
VERIFIEDYes
TOTAL WORKS24
TOTAL CITATIONS7
WORKS AS AUTHOR19
WORKS AS EDITOR5
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Zero Hour

    Andrew Horton, Michael Brashinsky•BOOK•Zero Hour•2021

  • Diaries of Exile

    Andrew Horton•ARTICLE•World Literature Today•2013

    74 worldliteraturetoday.org reviews Yannis Ritsos. Diaries of Exile. Karen Emmerich & Edmund Keeley, tr. Brooklyn, New York. Archipelago. 2013. isbn 9781935744580 Yannis Ritsos (1909–1990) was one of the most respected twentieth-century Greek poets, “whose writing life is entwined with the contemporary history of his homeland,” as these talented translators of his work, Karen Emmerich and Edmund Keeley, note in the introduction to Diaries of Exil…

  • A Companion to Film Comedy

    Open Access•Andrew Horton, Joanna E Rapf•EDITOR•BOOK•Companion to Film Comedy•2012

  • Companion to Film Comedy

    Andrew Horton, Joanna E Rapf•BOOK•Companion to Film Comedy•2012

  • Inside Soviet Film Satire

    Andrew Horton•EDITOR•BOOK•Inside Soviet Film Satire•2009

  • Indigenous Stories Reaching out to the World

    Andrew Horton•ARTICLE•World Literature Today•2009

    Indigenous Stories Reaching Out to the World New Zealand Maori & Native American Cinemas Andrew Horton What future on thislittle cornerof land,once enough tosupport many butnow in these daysmerelyaworryand a trouble. ?Patricia Grace, "Transition," Waiariki and Other Stories above Keisha Castle-Hughes in the role of Pai (Whale Rider, 2002) Fade in:amother is rushed into thedelivery room and gives birth to twins, a son and a daughter, but themother…

  • Play It Again, Sam

    Andrew Horton, Stuart Y McDougal•EDITOR•BOOK•Play It Again, Sam•1998

    Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and …

  • The last modernist

    Andrew Horton•BOOK•The Last Modernist•1997

    Preface Introduction by Andrew Horton Modernism, Minimalism, Melancholy: Angelopoulos and Visual Style by David Bordwell Angelopoulos, Greek History and The Travelling Players by Dan Georgakas A Tour of the Graveyard of Greek Ideals: Voyage to Cythera by Vasilis Rafalidis Tessellations and Honeycombs: The Beekeeper by Gerald O'Grady Theo Angelopoulos: Landscapes, Players, Mist by Michael Wilmington The Empire of the Journey in Voyage to Cythera b…

  • The Films of Theo Angelopoulos

    Andrew Horton•BOOK•Films of Theo Angelopoulos•1997

    Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the conte…

  • High-flying acronyms

    Open Access•Andrew Horton•ARTICLE•English Today•1995

    ANDREW HORTON looks at the acronym both in English in general and how it has been used in the air and in space

  • Inside Soviet Film Satire

    Dina Iordanova, Andrew Horton•ARTICLE•The Slavic and East European…•1995

  • Russian Critics on the Cinema of Glasnost

    Dina Iordanova, Michael Brashinski et al.•ARTICLE•The Slavic and East European…•1995

  • Russian Critics on the Cinema of Glasnost

    Open Access•Michael Brashinsky, Andrew Horton•EDITOR•BOOK•Russian Critics on the Cinema of…•1994

    Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: as important…

  • The Zero Hour

    Ludmila Pruner, Andrew Horton et al.•ARTICLE•The Slavic and East European…•1994

  • Eisenstein, Cinema, and History

    Andrew Horton, James Goodwin•ARTICLE•The Russian Review•1994•Cited by: 4

  • The Zero Hour

    Josephine Woll, Andrew Horton et al.•ARTICLE•The Russian Review•1993•Cited by: 2

    Now faced with the zero hour created by a freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid chang…

  • The Zero Hour

    Open Access•Andrew Horton, Michael Brashinsky•BOOK•Zero Hour•1992

    Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid…

  • Piebald Dog Running along the Shore (Pegii pes, begushchii kraem moria, 1991). Dir. Karen Gevorkian

    Open Access•Andrew Horton•ARTICLE•Slavic Review•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Comedy/Cinema/Theory

    Andrew Horton•EDITOR•BOOK•Comedy/Cinema/Theory•1991

  • Oedipus Unresolved

    Andrew Horton•ARTICLE•Cinema Journal•1988•Cited by: 1

    The intense scrutiny of narrative theory in film and literary studies in recent years justifies claim of Wallace Martin that we have come to appreciate narrative, whatever medium, as of understanding past that has its own rationale.' I wish to consider in this article both context and text of an appealingly complex film that begins as a family portrait but by end finds pulse of nation.2 The film is Emir Kusturica's When Father Was Away on Busines…

  • Central Europe under cover

    Andrew Horton•ARTICLE•Quarterly Review of Film Studies•1985

    David W. Paul, ed. Politics, Art and Commitment in the East European Cinema. New York: St. Martin's Press, 1984. 314 pp. $22.50 cloth. Peter Hames. The Czechoslovak New Wave. Berkeley: University of California Press, 1985. 322 pp. $35.00 cloth. Daniel J. Goulding. Liberated Cinema: The Yugoslav Experience. Bloomington: Indiana University Press, 1985. 190 pp. $25.00 cloth

  • "A Discussion of "Winter in the Blood

    Peter G Beidler, A Lavonne Brown Ruoff et al.•ARTICLE•The American Indian Quarterly•1978

  • "The Bitter Humor of "Winter in the Blood

    Andrew Horton•ARTICLE•The American Indian Quarterly•1978

    American Indian narrator of James Welch's Winter in the Blood states that his father froze to death one winter evening on the way home after making the white men in a local bar laugh. bitter irony of this important event is the kind of harsh truth the narrator confronts in his effort to redeem himself. He is his father's son but he is determined not to die his father's death. Humor, bitter and ironic rather than funny in a pure comic sense, thus …

  • Ken Kesey, John Updike and the Lone Ranger

    Open Access•Andrew Horton, Andrew S Horton•ARTICLE•The Journal of Popular Culture•1974

  • Eisenstein, Cinema, and History

    Andrew Horton, James Goodwin•ARTICLE•The Russian Review•1994•Cited by: 4

  • The Zero Hour

    Josephine Woll, Andrew Horton et al.•ARTICLE•The Russian Review•1993•Cited by: 2

    Now faced with the zero hour created by a freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid chang…

  • Oedipus Unresolved

    Andrew Horton•ARTICLE•Cinema Journal•1988•Cited by: 1

    The intense scrutiny of narrative theory in film and literary studies in recent years justifies claim of Wallace Martin that we have come to appreciate narrative, whatever medium, as of understanding past that has its own rationale.' I wish to consider in this article both context and text of an appealingly complex film that begins as a family portrait but by end finds pulse of nation.2 The film is Emir Kusturica's When Father Was Away on Busines…

  • Ken Kesey, John Updike and the Lone Ranger

    Open Access•Andrew Horton, Andrew S Horton•ARTICLE•The Journal of Popular Culture•1974

  • "A Discussion of "Winter in the Blood

    Peter G Beidler, A Lavonne Brown Ruoff et al.•ARTICLE•The American Indian Quarterly•1978

  • "The Bitter Humor of "Winter in the Blood

    Andrew Horton•ARTICLE•The American Indian Quarterly•1978

    American Indian narrator of James Welch's Winter in the Blood states that his father froze to death one winter evening on the way home after making the white men in a local bar laugh. bitter irony of this important event is the kind of harsh truth the narrator confronts in his effort to redeem himself. He is his father's son but he is determined not to die his father's death. Humor, bitter and ironic rather than funny in a pure comic sense, thus …

  • Central Europe under cover

    Andrew Horton•ARTICLE•Quarterly Review of Film Studies•1985

    David W. Paul, ed. Politics, Art and Commitment in the East European Cinema. New York: St. Martin's Press, 1984. 314 pp. $22.50 cloth. Peter Hames. The Czechoslovak New Wave. Berkeley: University of California Press, 1985. 322 pp. $35.00 cloth. Daniel J. Goulding. Liberated Cinema: The Yugoslav Experience. Bloomington: Indiana University Press, 1985. 190 pp. $25.00 cloth

  • Oedipus Unresolved

    Andrew Horton•ARTICLE•Cinema Journal•1988•Cited by: 1

    The intense scrutiny of narrative theory in film and literary studies in recent years justifies claim of Wallace Martin that we have come to appreciate narrative, whatever medium, as of understanding past that has its own rationale.' I wish to consider in this article both context and text of an appealingly complex film that begins as a family portrait but by end finds pulse of nation.2 The film is Emir Kusturica's When Father Was Away on Busines…

  • Comedy/Cinema/Theory

    Andrew Horton•EDITOR•BOOK•Comedy/Cinema/Theory•1991

  • The Zero Hour

    Open Access•Andrew Horton, Michael Brashinsky•BOOK•Zero Hour•1992

    Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid…

  • Piebald Dog Running along the Shore (Pegii pes, begushchii kraem moria, 1991). Dir. Karen Gevorkian

    Open Access•Andrew Horton•ARTICLE•Slavic Review•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Zero Hour

    Josephine Woll, Andrew Horton et al.•ARTICLE•The Russian Review•1993•Cited by: 2

    Now faced with the zero hour created by a freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid chang…

  • Russian Critics on the Cinema of Glasnost

    Open Access•Michael Brashinsky, Andrew Horton•EDITOR•BOOK•Russian Critics on the Cinema of…•1994

    Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: as important…

  • The Zero Hour

    Ludmila Pruner, Andrew Horton et al.•ARTICLE•The Slavic and East European…•1994

  • Eisenstein, Cinema, and History

    Andrew Horton, James Goodwin•ARTICLE•The Russian Review•1994•Cited by: 4

  • High-flying acronyms

    Open Access•Andrew Horton•ARTICLE•English Today•1995

    ANDREW HORTON looks at the acronym both in English in general and how it has been used in the air and in space

  • Inside Soviet Film Satire

    Dina Iordanova, Andrew Horton•ARTICLE•The Slavic and East European…•1995

  • Russian Critics on the Cinema of Glasnost

    Dina Iordanova, Michael Brashinski et al.•ARTICLE•The Slavic and East European…•1995

  • The last modernist

    Andrew Horton•BOOK•The Last Modernist•1997

    Preface Introduction by Andrew Horton Modernism, Minimalism, Melancholy: Angelopoulos and Visual Style by David Bordwell Angelopoulos, Greek History and The Travelling Players by Dan Georgakas A Tour of the Graveyard of Greek Ideals: Voyage to Cythera by Vasilis Rafalidis Tessellations and Honeycombs: The Beekeeper by Gerald O'Grady Theo Angelopoulos: Landscapes, Players, Mist by Michael Wilmington The Empire of the Journey in Voyage to Cythera b…

  • The Films of Theo Angelopoulos

    Andrew Horton•BOOK•Films of Theo Angelopoulos•1997

    Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the conte…

  • Play It Again, Sam

    Andrew Horton, Stuart Y McDougal•EDITOR•BOOK•Play It Again, Sam•1998

    Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and …

  • Inside Soviet Film Satire

    Andrew Horton•EDITOR•BOOK•Inside Soviet Film Satire•2009

  • Indigenous Stories Reaching out to the World

    Andrew Horton•ARTICLE•World Literature Today•2009

    Indigenous Stories Reaching Out to the World New Zealand Maori & Native American Cinemas Andrew Horton What future on thislittle cornerof land,once enough tosupport many butnow in these daysmerelyaworryand a trouble. ?Patricia Grace, "Transition," Waiariki and Other Stories above Keisha Castle-Hughes in the role of Pai (Whale Rider, 2002) Fade in:amother is rushed into thedelivery room and gives birth to twins, a son and a daughter, but themother…

  • A Companion to Film Comedy

    Open Access•Andrew Horton, Joanna E Rapf•EDITOR•BOOK•Companion to Film Comedy•2012

  • Companion to Film Comedy

    Andrew Horton, Joanna E Rapf•BOOK•Companion to Film Comedy•2012

  • Diaries of Exile

    Andrew Horton•ARTICLE•World Literature Today•2013

    74 worldliteraturetoday.org reviews Yannis Ritsos. Diaries of Exile. Karen Emmerich & Edmund Keeley, tr. Brooklyn, New York. Archipelago. 2013. isbn 9781935744580 Yannis Ritsos (1909–1990) was one of the most respected twentieth-century Greek poets, “whose writing life is entwined with the contemporary history of his homeland,” as these talented translators of his work, Karen Emmerich and Edmund Keeley, note in the introduction to Diaries of Exil…

  • Zero Hour

    Andrew Horton, Michael Brashinsky•BOOK•Zero Hour•2021

Art (14 works) · History (12 works) · Literature (11 works) · Movie theater (10 works) · Art history (7 works) · Eastern European Communism and Reforms (6 works) · Motion pictures (6 works) · Philosophy (6 works) · Cinema and Media Studies (5 works) · Linguistics (5 works)

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