Betsy F Moeller-Sally
Biographic Data
| ID | 3922261 |
|---|---|
| NAME | Betsy F Moeller-Sally |
| GIVEN NAMES | Betsy F |
| FAMILY NAME | Moeller-Sally |
| SIGNATURE | MOELLER-SALLY B F |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 1 |
The Theater as Will and Representation: Artist and Audience in Russian Modernist Theater, 1904-1909
There is for us an inexplicable rapture when we feel ourselves a crowd, a unified crowd, moved by a single feeling. Let us leave it to the researches of scholars to ascertain from what elements of our distant prehistoric past this phenomenon is composed. Let us leave it to them to determine whether it sprang from half-bestial orgies or from half-divine cults. One thing is indubitable: a shock runs through us when we feel ourselves fused in a sing…
Masks of the Prophet in the Work of Velimir Khlebnikov: Pushkin and Nietzsche
The author is grateful to Monika Greenleaf, William Mills Todd, III, Annette Pein, and John Malmstad for their generous comments on earlier versions of this paper. Monika Greenleaf suggested important distinctions between Khlebnikov and those of his contemporaries who set out to define Moi Pushkin. John Malmstad deserves special thanks for his thorough readings of several drafts; this text owes much to his discerning critical eye. Once more, once…
Oscar Wilde and the Culture of Russian Modernism
The Theater as Will and Representation: Artist and Audience in Russian Modernist Theater, 1904-1909
There is for us an inexplicable rapture when we feel ourselves a crowd, a unified crowd, moved by a single feeling. Let us leave it to the researches of scholars to ascertain from what elements of our distant prehistoric past this phenomenon is composed. Let us leave it to them to determine whether it sprang from half-bestial orgies or from half-divine cults. One thing is indubitable: a shock runs through us when we feel ourselves fused in a sing…
Masks of the Prophet in the Work of Velimir Khlebnikov: Pushkin and Nietzsche
The author is grateful to Monika Greenleaf, William Mills Todd, III, Annette Pein, and John Malmstad for their generous comments on earlier versions of this paper. Monika Greenleaf suggested important distinctions between Khlebnikov and those of his contemporaries who set out to define Moi Pushkin. John Malmstad deserves special thanks for his thorough readings of several drafts; this text owes much to his discerning critical eye. Once more, once…
Oscar Wilde and the Culture of Russian Modernism
Masks of the Prophet in the Work of Velimir Khlebnikov: Pushkin and Nietzsche
The author is grateful to Monika Greenleaf, William Mills Todd, III, Annette Pein, and John Malmstad for their generous comments on earlier versions of this paper. Monika Greenleaf suggested important distinctions between Khlebnikov and those of his contemporaries who set out to define Moi Pushkin. John Malmstad deserves special thanks for his thorough readings of several drafts; this text owes much to his discerning critical eye. Once more, once…
The Theater as Will and Representation: Artist and Audience in Russian Modernist Theater, 1904-1909
There is for us an inexplicable rapture when we feel ourselves a crowd, a unified crowd, moved by a single feeling. Let us leave it to the researches of scholars to ascertain from what elements of our distant prehistoric past this phenomenon is composed. Let us leave it to them to determine whether it sprang from half-bestial orgies or from half-divine cults. One thing is indubitable: a shock runs through us when we feel ourselves fused in a sing…
Art (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Art history (1 works) · Borges, Kipling, and Jewish Identity (1 works) · Education, Literature, Philosophy Research (1 works) · Epistemology (1 works) · Feeling (1 works) · Folklore, Mythology, and Literature Studies (1 works)