Clinton Hutton
Biographic Data
| ID | 3922300 |
|---|---|
| NAME | Clinton Hutton |
| GIVEN NAMES | Clinton |
| FAMILY NAME | Hutton |
| SIGNATURE | HUTTON C |
| AFFILIATIONS | Yahoo (United Kingdom) |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
Manuel Mendive
Postcolonial Roadways
Jamaica gained her independence from Britain in 1962, after 152 years of Spanish colonialism and 307 years of British colonial rule. The first independence government had to tackle the legacies of colonialism, which included more than 300 years of slavery. But the emerging political and economic elites almost immediately ran into a crisis in their approach to tackling these legacies in pursuit of development. This crisis expressed itself in sever…
The Gyalification of Man
(2014). The Gyalification of Man: The Expression of Male-Male Conflict in Jamaica and the Roots of Homoeroticism in the Political Ideology, Ontology and Praxis of White Supremacy. Caribbean Quarterly: Vol. 60, Caribbean Masculinities. Guest Editors: Michael A. Bucknor and Conrad James, pp. 21-45
The Haitian Revolution and the articulation of a modernist epistemology
The focus of this article is a critical look at the epistemological treatment of the Haitian Revolution by progressive 20th-century scholars such as C.L.R. James, Eugene Genovese, Robin Blackburn, David Geggus and Susan Buck-Morss. Their ideas and modes of thinking, knowing and constructing meaning, in respect of the cognitive and general epistemological basis of the Haitian Revolution, are examined in comparison to 19th-century black abolitionis…
Oh Rudie
2010). Oh Rudie: Jamaican Popular Music and the Narrative of Urban Badness in the Making of Postcolonial Society. Caribbean Quarterly: Vol. 56, Pioneering Icons of Jamaican Popular Music, Part II. Guest editor: Clinton Hutton, pp. 22-64
The Creative Ethos of the African Diaspora
The critical importance of the artist to the anti-slavery agency of the enslaved, is observable in one verse of a song by the enslaved in the USA: Got one mind for the boss to see; Got another mind for what I know is me. The Jamaican expression for this thought is “Plie fuul fi kech wiz”. The philosophy of praxis which these two examples denote, are rooted in an aestheticism in which performance became a critically important modus operandi for Bl…
Forging Identity And Community Through Aestheticism and Entertainment
There would be times when the records playing would, in my estimation, sound weak, so I'd put in some peps: chick-a-took, chick-a-took, chick-a-took. That created a sensation! So there were times when people went to the record shop and bought those records, took them home, and then b[r]ought them back, and say: ? want to hear the sound I hear at the dancehall last night!' They didn't realize that was Machuki's injection in the dancehall!2 Count M…
Don Drummond Series
The Creative Ethos of the African Diaspora
The critical importance of the artist to the anti-slavery agency of the enslaved, is observable in one verse of a song by the enslaved in the USA: Got one mind for the boss to see; Got another mind for what I know is me. The Jamaican expression for this thought is “Plie fuul fi kech wiz”. The philosophy of praxis which these two examples denote, are rooted in an aestheticism in which performance became a critically important modus operandi for Bl…
Oh Rudie
2010). Oh Rudie: Jamaican Popular Music and the Narrative of Urban Badness in the Making of Postcolonial Society. Caribbean Quarterly: Vol. 56, Pioneering Icons of Jamaican Popular Music, Part II. Guest editor: Clinton Hutton, pp. 22-64
Forging Identity And Community Through Aestheticism and Entertainment
There would be times when the records playing would, in my estimation, sound weak, so I'd put in some peps: chick-a-took, chick-a-took, chick-a-took. That created a sensation! So there were times when people went to the record shop and bought those records, took them home, and then b[r]ought them back, and say: ? want to hear the sound I hear at the dancehall last night!' They didn't realize that was Machuki's injection in the dancehall!2 Count M…
The Gyalification of Man
(2014). The Gyalification of Man: The Expression of Male-Male Conflict in Jamaica and the Roots of Homoeroticism in the Political Ideology, Ontology and Praxis of White Supremacy. Caribbean Quarterly: Vol. 60, Caribbean Masculinities. Guest Editors: Michael A. Bucknor and Conrad James, pp. 21-45
Don Drummond Series
The Creative Ethos of the African Diaspora
The critical importance of the artist to the anti-slavery agency of the enslaved, is observable in one verse of a song by the enslaved in the USA: Got one mind for the boss to see; Got another mind for what I know is me. The Jamaican expression for this thought is “Plie fuul fi kech wiz”. The philosophy of praxis which these two examples denote, are rooted in an aestheticism in which performance became a critically important modus operandi for Bl…
Forging Identity And Community Through Aestheticism and Entertainment
There would be times when the records playing would, in my estimation, sound weak, so I'd put in some peps: chick-a-took, chick-a-took, chick-a-took. That created a sensation! So there were times when people went to the record shop and bought those records, took them home, and then b[r]ought them back, and say: ? want to hear the sound I hear at the dancehall last night!' They didn't realize that was Machuki's injection in the dancehall!2 Count M…
Oh Rudie
2010). Oh Rudie: Jamaican Popular Music and the Narrative of Urban Badness in the Making of Postcolonial Society. Caribbean Quarterly: Vol. 56, Pioneering Icons of Jamaican Popular Music, Part II. Guest editor: Clinton Hutton, pp. 22-64
The Haitian Revolution and the articulation of a modernist epistemology
The focus of this article is a critical look at the epistemological treatment of the Haitian Revolution by progressive 20th-century scholars such as C.L.R. James, Eugene Genovese, Robin Blackburn, David Geggus and Susan Buck-Morss. Their ideas and modes of thinking, knowing and constructing meaning, in respect of the cognitive and general epistemological basis of the Haitian Revolution, are examined in comparison to 19th-century black abolitionis…
The Gyalification of Man
(2014). The Gyalification of Man: The Expression of Male-Male Conflict in Jamaica and the Roots of Homoeroticism in the Political Ideology, Ontology and Praxis of White Supremacy. Caribbean Quarterly: Vol. 60, Caribbean Masculinities. Guest Editors: Michael A. Bucknor and Conrad James, pp. 21-45
Postcolonial Roadways
Jamaica gained her independence from Britain in 1962, after 152 years of Spanish colonialism and 307 years of British colonial rule. The first independence government had to tackle the legacies of colonialism, which included more than 300 years of slavery. But the emerging political and economic elites almost immediately ran into a crisis in their approach to tackling these legacies in pursuit of development. This crisis expressed itself in sever…
Manuel Mendive
Caribbean history, culture, and politics (5 works) · Sociology (5 works) · History (4 works) · History (4 works) · Law (4 works) · Law (4 works) · Politics (4 works) · Political science (3 works) · Agency (philosophy (2 works) · Art (2 works)