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Monica Sassatelli

Biographic Data

ID3922745
NAMEMonica Sassatelli
GIVEN NAMESMonica
FAMILY NAMESassatelli
SIGNATURESASSATELLI M
AFFILIATIONSUniversity of Sussex
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS20
AUTHOR COUNT3
EDITOR COUNT1
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Symbolic Production in the Art Biennial: Making Worlds

    Open Access•Monica Sassatelli•ARTICLE•Theory Culture & Society•2017•Cited by: 12•References: 9

    Biennials - periodic, independent and international exhibitions surveying trends in visual art - have with startling speed become key nodes in linking production, distribution and consumption of contemporary art. Cultural production and consumption have been typically separated in research, neglecting phenomena, like biennials, sitting in between. Biennials have become, however, key sites of both the production of art's discourse and where that d…

  • Festivals and the Cultural Public Sphere

    Gerard Delanty, Liana Giorgi et al.•BOOK•Festivals and the Cultural Public…•2011

    Festivals and the Cultural Public Sphere provides the first major social scientific study of these festivals in the wake of their explosion in popularity over the past decade. It explores the cultural significance of contemporary arts festivals from their location within the cultural public sphere, examining them as sites for contestation and democratic debate, and also identifying them as examples of a particular aesthetic cosmopolitanism. The b…

  • European Identity between Flows and Places: Insights from Emerging European Landscape Policies

    Open Access•Monica Sassatelli•ARTICLE•Sociology•2010•Cited by: 6•References: 14

    This article is a contribution to the debate on European identity. It explores the emerging field of European landscape policies, clustering around the European Landscape Convention (Council of Europe, 2000) as an interpretative key for representations of Europe as cultural 'unity in diversity', a formula that embodies the main institutional and public narrative of the identity of Europe. The article presents results from fieldwork research traci…

  • The Arts, the State, and the EU: Cultural Policy in the Making of Europe

    Open Access•Monica Sassatelli•ARTICLE•Social Analysis•2007•Cited by: 2

  • Symbolic Production in the Art Biennial: Making Worlds

    Open Access•Monica Sassatelli•ARTICLE•Theory Culture & Society•2017•Cited by: 12•References: 9

    Biennials - periodic, independent and international exhibitions surveying trends in visual art - have with startling speed become key nodes in linking production, distribution and consumption of contemporary art. Cultural production and consumption have been typically separated in research, neglecting phenomena, like biennials, sitting in between. Biennials have become, however, key sites of both the production of art's discourse and where that d…

  • European Identity between Flows and Places: Insights from Emerging European Landscape Policies

    Open Access•Monica Sassatelli•ARTICLE•Sociology•2010•Cited by: 6•References: 14

    This article is a contribution to the debate on European identity. It explores the emerging field of European landscape policies, clustering around the European Landscape Convention (Council of Europe, 2000) as an interpretative key for representations of Europe as cultural 'unity in diversity', a formula that embodies the main institutional and public narrative of the identity of Europe. The article presents results from fieldwork research traci…

  • The Arts, the State, and the EU: Cultural Policy in the Making of Europe

    Open Access•Monica Sassatelli•ARTICLE•Social Analysis•2007•Cited by: 2

  • The Arts, the State, and the EU: Cultural Policy in the Making of Europe

    Open Access•Monica Sassatelli•ARTICLE•Social Analysis•2007•Cited by: 2

  • European Identity between Flows and Places: Insights from Emerging European Landscape Policies

    Open Access•Monica Sassatelli•ARTICLE•Sociology•2010•Cited by: 6•References: 14

    This article is a contribution to the debate on European identity. It explores the emerging field of European landscape policies, clustering around the European Landscape Convention (Council of Europe, 2000) as an interpretative key for representations of Europe as cultural 'unity in diversity', a formula that embodies the main institutional and public narrative of the identity of Europe. The article presents results from fieldwork research traci…

  • Festivals and the Cultural Public Sphere

    Gerard Delanty, Liana Giorgi et al.•BOOK•Festivals and the Cultural Public…•2011

    Festivals and the Cultural Public Sphere provides the first major social scientific study of these festivals in the wake of their explosion in popularity over the past decade. It explores the cultural significance of contemporary arts festivals from their location within the cultural public sphere, examining them as sites for contestation and democratic debate, and also identifying them as examples of a particular aesthetic cosmopolitanism. The b…

  • Symbolic Production in the Art Biennial: Making Worlds

    Open Access•Monica Sassatelli•ARTICLE•Theory Culture & Society•2017•Cited by: 12•References: 9

    Biennials - periodic, independent and international exhibitions surveying trends in visual art - have with startling speed become key nodes in linking production, distribution and consumption of contemporary art. Cultural production and consumption have been typically separated in research, neglecting phenomena, like biennials, sitting in between. Biennials have become, however, key sites of both the production of art's discourse and where that d…

Sociology (4 works) · Political science (3 works) · Aesthetics (2 works) · Law (2 works) · Linguistics (2 works) · Sport and Mega-Event Impacts (2 works) · Action (physics) (1 works) · Anthropology (1 works) · Art (1 works) · Art history (1 works)

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