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Aston Gonzalez

Biographic Data

ID3922971
NAMEAston Gonzalez
GIVEN NAMESAston
FAMILY NAMEGonzalez
SIGNATUREGONZALEZ A
AFFILIATIONSSalisbury University
ORCID0000-0003-1787-7397
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS2
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Colored Conventions Project

    Open Access•Aston Gonzalez, Jeffrey Mcclurken•ARTICLE•Journal of American History•2021•Cited by: 2

    Colored Conventions Project Colored Conventions Project, https://coloredconventions.org/. Co-directed by P. Gabrielle Foreman and Jim Casey. Center for Black Digital Research, Penn State University. Reviewed Sept. 30–Nov. 2, 2020. Aston Gonzalez Aston Gonzalez Salisbury University, Salisbury, Maryland Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 107, Issue 4, March 2021, Pages 1060–1…

  • Creole Drama: Theatre and Society in Antebellum New Orleans

    Open Access•Aston Gonzalez•ARTICLE•Journal of American History•2020

    Creole Drama showcases the vibrant and internationally connected world of New Orleans spoken-drama theater from the end of the eighteenth century to the Civil War. Impressively rich historical context enlivens the neighborhoods, populations, and venues that helped sustain a lively and contentious theater scene. Sustaining the rivalries between Anglophone and Francophone populations was a shifting desire to preserve the French language and colonia…

  • The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852. Martha J. Cutter

    Open Access•Aston Gonzalez•ARTICLE•MELUS Multi-Ethnic Literature of…•2019

    In The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852, Martha J. Cutter considers the five decades before the 1852 book publication of Uncle Tom’s Cabin to explore how illustrated anti-slavery texts created empathy for enslaved people of African descent among US and British audiences. Her book joins a number of recent publications, such as those by Jasmine Nichole Cobb, Dar…

  • Stolen looks, people unbound: Picturing contraband people during the civil war

    Aston Gonzalez•ARTICLE•Slavery and Abolition•2019

    This article evaluates the images of contraband slaves published in Harper’s Weekly and Frank Leslie’s Illustrated Newspaper during the Civil War. As these publications competed for business, they established and reiterated numerous claims regarding the authenticity of their images and news reports. Illustrators initially depicted African Americans using repurposed racial stereotypes that had existed for generations. Blackface minstrelsy, scienti…

  • William Dorsey and the construction of an African American history archive

    Aston Gonzalez•ARTICLE•Social Dynamics•2019•References: 10

    This article investigates the collecting philosophies and practices of William Henry Dorsey, a nineteenth-century African American collector and archivist in Philadelphia. Over many decades, Dorsey created an archive that documented black professional, artistic, and political accomplishments in order to preserve these histories, influence public perception of African Americans, and enable future research on historical black figures. In doing so, …

  • The Art of Racial Politics: The Work of Robert Douglass Jr., 1833–46

    Open Access•Aston Gonzalez, Aston Gonzalez Aston Gonzalez•ARTICLE•The Pennsylvania Magazine of…•2014

  • Colored Conventions Project

    Open Access•Aston Gonzalez, Jeffrey Mcclurken•ARTICLE•Journal of American History•2021•Cited by: 2

    Colored Conventions Project Colored Conventions Project, https://coloredconventions.org/. Co-directed by P. Gabrielle Foreman and Jim Casey. Center for Black Digital Research, Penn State University. Reviewed Sept. 30–Nov. 2, 2020. Aston Gonzalez Aston Gonzalez Salisbury University, Salisbury, Maryland Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 107, Issue 4, March 2021, Pages 1060–1…

  • The Art of Racial Politics: The Work of Robert Douglass Jr., 1833–46

    Open Access•Aston Gonzalez, Aston Gonzalez Aston Gonzalez•ARTICLE•The Pennsylvania Magazine of…•2014

  • The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852. Martha J. Cutter

    Open Access•Aston Gonzalez•ARTICLE•MELUS Multi-Ethnic Literature of…•2019

    In The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852, Martha J. Cutter considers the five decades before the 1852 book publication of Uncle Tom’s Cabin to explore how illustrated anti-slavery texts created empathy for enslaved people of African descent among US and British audiences. Her book joins a number of recent publications, such as those by Jasmine Nichole Cobb, Dar…

  • Stolen looks, people unbound: Picturing contraband people during the civil war

    Aston Gonzalez•ARTICLE•Slavery and Abolition•2019

    This article evaluates the images of contraband slaves published in Harper’s Weekly and Frank Leslie’s Illustrated Newspaper during the Civil War. As these publications competed for business, they established and reiterated numerous claims regarding the authenticity of their images and news reports. Illustrators initially depicted African Americans using repurposed racial stereotypes that had existed for generations. Blackface minstrelsy, scienti…

  • William Dorsey and the construction of an African American history archive

    Aston Gonzalez•ARTICLE•Social Dynamics•2019•References: 10

    This article investigates the collecting philosophies and practices of William Henry Dorsey, a nineteenth-century African American collector and archivist in Philadelphia. Over many decades, Dorsey created an archive that documented black professional, artistic, and political accomplishments in order to preserve these histories, influence public perception of African Americans, and enable future research on historical black figures. In doing so, …

  • Creole Drama: Theatre and Society in Antebellum New Orleans

    Open Access•Aston Gonzalez•ARTICLE•Journal of American History•2020

    Creole Drama showcases the vibrant and internationally connected world of New Orleans spoken-drama theater from the end of the eighteenth century to the Civil War. Impressively rich historical context enlivens the neighborhoods, populations, and venues that helped sustain a lively and contentious theater scene. Sustaining the rivalries between Anglophone and Francophone populations was a shifting desire to preserve the French language and colonia…

  • Colored Conventions Project

    Open Access•Aston Gonzalez, Jeffrey Mcclurken•ARTICLE•Journal of American History•2021•Cited by: 2

    Colored Conventions Project Colored Conventions Project, https://coloredconventions.org/. Co-directed by P. Gabrielle Foreman and Jim Casey. Center for Black Digital Research, Penn State University. Reviewed Sept. 30–Nov. 2, 2020. Aston Gonzalez Aston Gonzalez Salisbury University, Salisbury, Maryland Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 107, Issue 4, March 2021, Pages 1060–1…

History (5 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · American History and Culture (4 works) · Law (4 works) · Race, History, and American Society (4 works) · Art (3 works) · Asian American and Pacific Histories (3 works) · History (3 works)

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