K M Harris
Biographic Data
| ID | 3923880 |
|---|---|
| NAME | K M Harris |
| GIVEN NAMES | K M |
| FAMILY NAME | Harris |
| SIGNATURE | HARRIS K M |
| AFFILIATIONS | University of Washington |
| ORCID | 0000-0003-2405-1016 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 23 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
A World by Themselves: Protectionism and the Political Economy of Trade in the Ohio Valley, 1816–1828
This paper explores American tariff politics and the embrace of protectionism within the Ohio Valley in the two decades following the War of 1812. During these years, residents of the western states navigated the emergence of steam transportation, a growing number of state-chartered banks, and intense population growth. This fueled an economic boom that went bust during the Panic of 1819. Western farmers, merchants, and manufacturers blamed harmf…
Blue Seattle: Immanent ethics and contemporary urbanisation
This paper asserts that critical investigations into the urbanisation process should consider the actually existing ethics of the process itself, without defaulting to transcendent normative principles. Grounded in an ontology of immanence, as presented in Deleuze and Guattari's (9) political philosophy, I argue that attention must be paid to the production and transformation of normativity. Using the redevelopment of the South Lake Union ( SLU )…
Making room for the extraeconomic: Ontology for contemporary critical urban inquiry
This paper revisits the 2011 debate in City over the relationship between assemblage urbanism and critical urban theory. Rather than emphasizing the somewhat exaggerated cleavage between the two sides of the debate, it seeks to address some of the incisive critiques that Brenner, Madden, and Wachsmuth ([2011]. “Assemblage Urbanism and the Challenges of Critical Urban Theory.” City 15 (2): 225–240) level against McFarlane's ([2011a]. “Assemblage a…
“Black is …” and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
These ten propositions have arisen in contemplation of an epistemological and methodological dialogue between black cinema and black visual culture. The propositions consider what each has to offer to the other. The aphoristic formulation and listing of the propositions, though provocative, reflect a principled, specific, and open engagement with the moving image as part of a conceptualization of the visual
For creative appropriation: John Protevi's Life, War, Earth and urban studies
Additional informationNotes on contributorsKeith Harris is a PhD candidate in the Interdisciplinary Built Environment program at the University of Washington, Seattle, Washington, USA
Did New York Kill Indie Rock?: Did New York Kill Indie Rock?
Characterization of Char for Agricultural Use in the Soils of the Southeastern United States
Roots: The relationship between the global and the local within the Extreme Metal scene
Music's 'malleability' (Taylor 1997) has always facilitated its export and import from one location to another. Indeed, such processes are central to the creation and dissemination of new musical forms. Yet in our contemporary globalised world, such processes occur ever more extensively and rapidly giving rise to new forms of appropriation and syncretism. Record companies from the developed world find new audiences in the developing world (Laing …
Exploring Frontiers and Settling Territory: Shaping the Sociology of Education
Roots: The relationship between the global and the local within the Extreme Metal scene
Music's 'malleability' (Taylor 1997) has always facilitated its export and import from one location to another. Indeed, such processes are central to the creation and dissemination of new musical forms. Yet in our contemporary globalised world, such processes occur ever more extensively and rapidly giving rise to new forms of appropriation and syncretism. Record companies from the developed world find new audiences in the developing world (Laing …
Making room for the extraeconomic: Ontology for contemporary critical urban inquiry
This paper revisits the 2011 debate in City over the relationship between assemblage urbanism and critical urban theory. Rather than emphasizing the somewhat exaggerated cleavage between the two sides of the debate, it seeks to address some of the incisive critiques that Brenner, Madden, and Wachsmuth ([2011]. “Assemblage Urbanism and the Challenges of Critical Urban Theory.” City 15 (2): 225–240) level against McFarlane's ([2011a]. “Assemblage a…
Exploring Frontiers and Settling Territory: Shaping the Sociology of Education
Exploring Frontiers and Settling Territory: Shaping the Sociology of Education
Roots: The relationship between the global and the local within the Extreme Metal scene
Music's 'malleability' (Taylor 1997) has always facilitated its export and import from one location to another. Indeed, such processes are central to the creation and dissemination of new musical forms. Yet in our contemporary globalised world, such processes occur ever more extensively and rapidly giving rise to new forms of appropriation and syncretism. Record companies from the developed world find new audiences in the developing world (Laing …
Characterization of Char for Agricultural Use in the Soils of the Southeastern United States
Did New York Kill Indie Rock?: Did New York Kill Indie Rock?
For creative appropriation: John Protevi's Life, War, Earth and urban studies
Additional informationNotes on contributorsKeith Harris is a PhD candidate in the Interdisciplinary Built Environment program at the University of Washington, Seattle, Washington, USA
“Black is …” and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
These ten propositions have arisen in contemplation of an epistemological and methodological dialogue between black cinema and black visual culture. The propositions consider what each has to offer to the other. The aphoristic formulation and listing of the propositions, though provocative, reflect a principled, specific, and open engagement with the moving image as part of a conceptualization of the visual
Making room for the extraeconomic: Ontology for contemporary critical urban inquiry
This paper revisits the 2011 debate in City over the relationship between assemblage urbanism and critical urban theory. Rather than emphasizing the somewhat exaggerated cleavage between the two sides of the debate, it seeks to address some of the incisive critiques that Brenner, Madden, and Wachsmuth ([2011]. “Assemblage Urbanism and the Challenges of Critical Urban Theory.” City 15 (2): 225–240) level against McFarlane's ([2011a]. “Assemblage a…
Blue Seattle: Immanent ethics and contemporary urbanisation
This paper asserts that critical investigations into the urbanisation process should consider the actually existing ethics of the process itself, without defaulting to transcendent normative principles. Grounded in an ontology of immanence, as presented in Deleuze and Guattari's (9) political philosophy, I argue that attention must be paid to the production and transformation of normativity. Using the redevelopment of the South Lake Union ( SLU )…
A World by Themselves: Protectionism and the Political Economy of Trade in the Ohio Valley, 1816–1828
This paper explores American tariff politics and the embrace of protectionism within the Ohio Valley in the two decades following the War of 1812. During these years, residents of the western states navigated the emergence of steam transportation, a growing number of state-chartered banks, and intense population growth. This fueled an economic boom that went bust during the Panic of 1819. Western farmers, merchants, and manufacturers blamed harmf…
Sociology (7 works) · Philosophy (5 works) · Art (4 works) · Epistemology (4 works) · Law (4 works) · Political science (4 works) · Aesthetics (3 works) · Environmental ethics (3 works) · Law (3 works) · Philosophy (3 works)