Hannelie Marx
Biographic Data
| ID | 3924763 |
|---|---|
| NAME | Hannelie Marx |
| GIVEN NAMES | Hannelie |
| FAMILY NAME | Marx |
| SIGNATURE | MARX H |
| AFFILIATIONS | University of South Africa |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Archetypes of memory and amnesia in South African soap opera
This essay investigates the relationship between memory, or rather amnesia, in the South African context and soap opera. South Africa has only recently celebrated ten years of democracy and the past still affects the lives of its inhabitants. The country has undergone far-reaching shifts in its political, economic and cultural paradigms. These also manifest in the production of meaning in popular visual culture, and more particularly, in soap ope…
Musical parody, “zef” and the politics of belonging: “Dankie vir die antwoord maar wat was die vraag?”
Drawing on the parodic representations of poor whites in the lyrics and music videos of Die Antwoord and Die Vraag, this paper explores whether mediated representations of poor whites open up a space to contest class-based stereotypes or whether they merely work to perpetuate middle-class white normativity. Drawing on Mason's (2010) assertion that the media constantly "rediscovers" poor white South Africans, we will argue that Die Antwoord as wel…
Bastardised whiteness: Zef'-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities
This paper argues that post-apartheid South Africa destabilised what it means to be white and Afrikaans in South Africa. In particular, it explores the emergence into visibility of so-called ‘zef’-culture as mediated through musical acts like Die Antwoord and Jack Parow and to a lesser extent websites such as Watkykjy. The authors argue that the reconfiguration of white Afrikaans identities as mediated through ‘zef’-cultural artefacts is delibera…
Chanette Paul-Hughes oor lig en donker
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices
Bastardised whiteness: Zef'-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities
This paper argues that post-apartheid South Africa destabilised what it means to be white and Afrikaans in South Africa. In particular, it explores the emergence into visibility of so-called ‘zef’-culture as mediated through musical acts like Die Antwoord and Jack Parow and to a lesser extent websites such as Watkykjy. The authors argue that the reconfiguration of white Afrikaans identities as mediated through ‘zef’-cultural artefacts is delibera…
Archetypes of memory and amnesia in South African soap opera
This essay investigates the relationship between memory, or rather amnesia, in the South African context and soap opera. South Africa has only recently celebrated ten years of democracy and the past still affects the lives of its inhabitants. The country has undergone far-reaching shifts in its political, economic and cultural paradigms. These also manifest in the production of meaning in popular visual culture, and more particularly, in soap ope…
Chanette Paul-Hughes oor lig en donker
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices
Bastardised whiteness: Zef'-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities
This paper argues that post-apartheid South Africa destabilised what it means to be white and Afrikaans in South Africa. In particular, it explores the emergence into visibility of so-called ‘zef’-culture as mediated through musical acts like Die Antwoord and Jack Parow and to a lesser extent websites such as Watkykjy. The authors argue that the reconfiguration of white Afrikaans identities as mediated through ‘zef’-cultural artefacts is delibera…
Musical parody, “zef” and the politics of belonging: “Dankie vir die antwoord maar wat was die vraag?”
Drawing on the parodic representations of poor whites in the lyrics and music videos of Die Antwoord and Die Vraag, this paper explores whether mediated representations of poor whites open up a space to contest class-based stereotypes or whether they merely work to perpetuate middle-class white normativity. Drawing on Mason's (2010) assertion that the media constantly "rediscovers" poor white South Africans, we will argue that Die Antwoord as wel…
Archetypes of memory and amnesia in South African soap opera
This essay investigates the relationship between memory, or rather amnesia, in the South African context and soap opera. South Africa has only recently celebrated ten years of democracy and the past still affects the lives of its inhabitants. The country has undergone far-reaching shifts in its political, economic and cultural paradigms. These also manifest in the production of meaning in popular visual culture, and more particularly, in soap ope…
South African History and Culture (4 works) · Art (3 works) · Sociology (3 works) · Aesthetics (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Music History and Culture (2 works) · Musical (2 works)