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Stephen Duncombe

Biographic Data

ID3935546
NAMEStephen Duncombe
GIVEN NAMESStephen
FAMILY NAMEDuncombe
SIGNATUREDUNCOMBE S
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS14
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2022
H-INDEX2
  • The Copenhagen Experiment

    Stephen Duncombe, Silas Harrebye•ARTICLE•Social movement studies•2022•Cited by: 2•References: 29

    In recent decades the importance of emotion for social mobilization has been recognized. Likewise, there has been a recent upsurge of descriptive and theoretical work done on creative forms of activism that mobilize affect. What is missing is an evidence-based, empirical study of the variable impact of creative vs. conventional forms of activism on a public audience. To address this knowledge gap, the authors designed and staged a public experime…

  • Cultural Resistance

    Open Access•Stephen Duncombe•OTHER•The Blackwell Encyclopedia of…•2017•Cited by: 1•References: 1

    Cultural resistance is the practice of using meanings and symbols – that is, culture – to contest and combat a dominant power, often constructing a different vision of the world in the process. The practice is as old as history. The Hebrew scriptures, for example, were a cultural means with which to create Jewish identity and then hold on to that identity in the face of Roman oppression. The stories of Jesus and the Prophet Muhammad served simila…

  • Radical theatrics

    Stephen Duncombe•ARTICLE•The Sixties•2016

    Hologram protesters outside Spanish government buildings; Sea Turtles marching against the World Trade Organization in Seattle; media pranksters, the Yes Men, posing as corporate spokespeople to re

  • Does it Work

    Stephen Duncombe•ARTICLE•Social research•2016•Cited by: 9

    Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art. Rejecting a singular definition of how activist art is supposed to work and drawing from the actual practices of activist artists, a range of possible aims is offered and then organized around four primary goals. A methodology, which accounts for the indeterminacy of art and the reality of unintended consequence…

  • It stands on its head

    Stephen Duncombe•ARTICLE•Culture and Organization•2012•Cited by: 2

    This essay looks at the ways in which consumer activists have grappled with the particular and peculiar nature of the commodity, first outlined by Karl Marx in Capital. Given the phantasmagoric nature of the commodity, it makes sense that consumer activists have often made fantasy the focus of their attack, employing a strategy which might be called de-fetishizing the commodity. This sort of consumer activist strategy has traditionally been emplo…

  • They Believe; Can I

    Stephen Duncombe•ARTICLE•Afterimage•2008

    Research Article| July 01 2008 They Believe; Can I? Stephen Duncombe Stephen Duncombe STEPHEN DUNCOMBE is the author of, most recently, Dream: Re-Imagining Progressive Politics in an Age of Fantasy (2007). He teaches the history and politics of media and culture at the Gallatin School of New York University and is a life-long political activist. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2008) 36 (1): 7–…

  • A Pickpocket's Tale

    Stephen Duncombe•ARTICLE•Journal of American History•2007

    George Washington Appo was a pickpocket, con artist, actor, opium addict, snitch, and frequent prisoner. Appo made no important discoveries nor did he found any great enterprises; he cannot even be considered one of Eric Hobsbawm's “primitive rebels,” prefiguring a strain of political resistance through his banditry. George Appo lived and died a minor criminal. So the first question that comes to mind when reading A Pickpocket's Tale is, Why shou…

  • What's the Matter with Kansas

    Open Access•Stephen Duncombe•REVIEW•WorkingUSA•2004

  • The Penalty of Leadership

    Stephen Duncombe•ARTICLE•The Baffler•1999

  • Notes from underground

    Stephen Duncombe•BOOK•Notes from underground•1997

  • I Dreamed I Saw Joe Hill

    Stephen Duncombe•ARTICLE•The Baffler•1997

  • Quality of Whose Life

    Stephen Duncombe•ARTICLE•The Baffler•1995

  • I've Seen the Future, andIt's a Sony

    Stephen Duncombe•ARTICLE•The Baffler•1994

  • We're Marketed, Therefore We Are

    Stephen Duncombe•ARTICLE•The Baffler•1993

  • Does it Work

    Stephen Duncombe•ARTICLE•Social research•2016•Cited by: 9

    Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art. Rejecting a singular definition of how activist art is supposed to work and drawing from the actual practices of activist artists, a range of possible aims is offered and then organized around four primary goals. A methodology, which accounts for the indeterminacy of art and the reality of unintended consequence…

  • The Copenhagen Experiment

    Stephen Duncombe, Silas Harrebye•ARTICLE•Social movement studies•2022•Cited by: 2•References: 29

    In recent decades the importance of emotion for social mobilization has been recognized. Likewise, there has been a recent upsurge of descriptive and theoretical work done on creative forms of activism that mobilize affect. What is missing is an evidence-based, empirical study of the variable impact of creative vs. conventional forms of activism on a public audience. To address this knowledge gap, the authors designed and staged a public experime…

  • It stands on its head

    Stephen Duncombe•ARTICLE•Culture and Organization•2012•Cited by: 2

    This essay looks at the ways in which consumer activists have grappled with the particular and peculiar nature of the commodity, first outlined by Karl Marx in Capital. Given the phantasmagoric nature of the commodity, it makes sense that consumer activists have often made fantasy the focus of their attack, employing a strategy which might be called de-fetishizing the commodity. This sort of consumer activist strategy has traditionally been emplo…

  • Cultural Resistance

    Open Access•Stephen Duncombe•OTHER•The Blackwell Encyclopedia of…•2017•Cited by: 1•References: 1

    Cultural resistance is the practice of using meanings and symbols – that is, culture – to contest and combat a dominant power, often constructing a different vision of the world in the process. The practice is as old as history. The Hebrew scriptures, for example, were a cultural means with which to create Jewish identity and then hold on to that identity in the face of Roman oppression. The stories of Jesus and the Prophet Muhammad served simila…

  • We're Marketed, Therefore We Are

    Stephen Duncombe•ARTICLE•The Baffler•1993

  • I've Seen the Future, andIt's a Sony

    Stephen Duncombe•ARTICLE•The Baffler•1994

  • Quality of Whose Life

    Stephen Duncombe•ARTICLE•The Baffler•1995

  • Notes from underground

    Stephen Duncombe•BOOK•Notes from underground•1997

  • I Dreamed I Saw Joe Hill

    Stephen Duncombe•ARTICLE•The Baffler•1997

  • The Penalty of Leadership

    Stephen Duncombe•ARTICLE•The Baffler•1999

  • What's the Matter with Kansas

    Open Access•Stephen Duncombe•REVIEW•WorkingUSA•2004

  • A Pickpocket's Tale

    Stephen Duncombe•ARTICLE•Journal of American History•2007

    George Washington Appo was a pickpocket, con artist, actor, opium addict, snitch, and frequent prisoner. Appo made no important discoveries nor did he found any great enterprises; he cannot even be considered one of Eric Hobsbawm's “primitive rebels,” prefiguring a strain of political resistance through his banditry. George Appo lived and died a minor criminal. So the first question that comes to mind when reading A Pickpocket's Tale is, Why shou…

  • They Believe; Can I

    Stephen Duncombe•ARTICLE•Afterimage•2008

    Research Article| July 01 2008 They Believe; Can I? Stephen Duncombe Stephen Duncombe STEPHEN DUNCOMBE is the author of, most recently, Dream: Re-Imagining Progressive Politics in an Age of Fantasy (2007). He teaches the history and politics of media and culture at the Gallatin School of New York University and is a life-long political activist. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2008) 36 (1): 7–…

  • It stands on its head

    Stephen Duncombe•ARTICLE•Culture and Organization•2012•Cited by: 2

    This essay looks at the ways in which consumer activists have grappled with the particular and peculiar nature of the commodity, first outlined by Karl Marx in Capital. Given the phantasmagoric nature of the commodity, it makes sense that consumer activists have often made fantasy the focus of their attack, employing a strategy which might be called de-fetishizing the commodity. This sort of consumer activist strategy has traditionally been emplo…

  • Radical theatrics

    Stephen Duncombe•ARTICLE•The Sixties•2016

    Hologram protesters outside Spanish government buildings; Sea Turtles marching against the World Trade Organization in Seattle; media pranksters, the Yes Men, posing as corporate spokespeople to re

  • Does it Work

    Stephen Duncombe•ARTICLE•Social research•2016•Cited by: 9

    Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art. Rejecting a singular definition of how activist art is supposed to work and drawing from the actual practices of activist artists, a range of possible aims is offered and then organized around four primary goals. A methodology, which accounts for the indeterminacy of art and the reality of unintended consequence…

  • Cultural Resistance

    Open Access•Stephen Duncombe•OTHER•The Blackwell Encyclopedia of…•2017•Cited by: 1•References: 1

    Cultural resistance is the practice of using meanings and symbols – that is, culture – to contest and combat a dominant power, often constructing a different vision of the world in the process. The practice is as old as history. The Hebrew scriptures, for example, were a cultural means with which to create Jewish identity and then hold on to that identity in the face of Roman oppression. The stories of Jesus and the Prophet Muhammad served simila…

  • The Copenhagen Experiment

    Stephen Duncombe, Silas Harrebye•ARTICLE•Social movement studies•2022•Cited by: 2•References: 29

    In recent decades the importance of emotion for social mobilization has been recognized. Likewise, there has been a recent upsurge of descriptive and theoretical work done on creative forms of activism that mobilize affect. What is missing is an evidence-based, empirical study of the variable impact of creative vs. conventional forms of activism on a public audience. To address this knowledge gap, the authors designed and staged a public experime…

Political science (8 works) · Law (7 works) · Philosophy (6 works) · Sociology (6 works) · Art (5 works) · Law (5 works) · Politics (5 works) · Epistemology (4 works) · Aesthetics (3 works) · Business (3 works)

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