Eric Nicholson
Biographic Data
| ID | 3938996 |
|---|---|
| NAME | Eric Nicholson |
| GIVEN NAMES | Eric |
| FAMILY NAME | Nicholson |
| SIGNATURE | NICHOLSON E |
| AFFILIATIONS | Syracuse University Florence and New York University Florence, Florence, Italy |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Amorous Hope, A Pastoral Play
Crossing Borders with Satyrs, the Irrepressible Genre-Benders of Pastoral Tragicomedy
Although the ancient Athenian satyr-play was the model for Italian Renaissance pastoral tragicomedy, its chorus of singing and dancing satyrs was suppressed, and these same essential characters were often reduced to a solitary outsider figure representing a violent threat rather than a regenerative force for human communities. My essay asks how and why this reduction became a prevalent dramatic choice, as well as how and why the genre-bending spi…
Transnational Mobilities in Early Modern Theater
Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…
Transnational Exchange in Early Modern Theater
Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…
Love in the Mirror
Giovan Battista Andreini. Love in the Mirror. The Other Voice in Early Modern Europe: The Toronto Series 2. Ed. and trans., Jon R. Snyder. Toronto: Iter Inc., 2009. viii + 244 pp. index. append. bibl. CAD$19.50. ISBN: 978–0–77272–051–1. - Volume 63 Issue 4
Sin and Fear
Sin and Fear
Journal Article Sin and Fear: The Emergence of a Western Guilt Culture, 13th–18th Centuries, by Jean Delumeau (Translated by Eric Nicholson). New York: St. Martin's Press, 1990, x + 677 pp. $39.95 Get access Donald A. Nielsen Donald A. Nielsen SUNY College, Oneonta Search for other works by this author on: Oxford Academic Google Scholar Sociology of Religion, Volume 52, Issue 2, Summer 1991, Pages 213–214, https://doi.org/10.2307/3710967 Publishe…
Transnational Exchange in Early Modern Theater
Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…
Transnational Mobilities in Early Modern Theater
Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…
Sin and Fear
Journal Article Sin and Fear: The Emergence of a Western Guilt Culture, 13th–18th Centuries, by Jean Delumeau (Translated by Eric Nicholson). New York: St. Martin's Press, 1990, x + 677 pp. $39.95 Get access Donald A. Nielsen Donald A. Nielsen SUNY College, Oneonta Search for other works by this author on: Oxford Academic Google Scholar Sociology of Religion, Volume 52, Issue 2, Summer 1991, Pages 213–214, https://doi.org/10.2307/3710967 Publishe…
Sin and Fear
Love in the Mirror
Giovan Battista Andreini. Love in the Mirror. The Other Voice in Early Modern Europe: The Toronto Series 2. Ed. and trans., Jon R. Snyder. Toronto: Iter Inc., 2009. viii + 244 pp. index. append. bibl. CAD$19.50. ISBN: 978–0–77272–051–1. - Volume 63 Issue 4
Transnational Mobilities in Early Modern Theater
Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Ita…
Transnational Exchange in Early Modern Theater
Contents: Introduction, Robert Henke Part I Traveling Actors: Border crossing in the commedia dell' arte, Robert Henke English troupes in early modern Germany: the women, M.A. Katritzky. Part II Transportable Units: A Midsummer Night's Dream and Italian pastoral, Richard Andrews Dramatic bodies and novellesque spaces in Jacobean tragedy and tragicomedy, Melissa Walter. Part III The Question of the Actress: Moral and Theoretical Transnationalisms:…
Crossing Borders with Satyrs, the Irrepressible Genre-Benders of Pastoral Tragicomedy
Although the ancient Athenian satyr-play was the model for Italian Renaissance pastoral tragicomedy, its chorus of singing and dancing satyrs was suppressed, and these same essential characters were often reduced to a solitary outsider figure representing a violent threat rather than a regenerative force for human communities. My essay asks how and why this reduction became a prevalent dramatic choice, as well as how and why the genre-bending spi…
Amorous Hope, A Pastoral Play
Sociology (5 works) · Art (4 works) · History (4 works) · Drama (2 works) · History (2 works) · History (2 works) · History and criticism (2 works) · Literature (2 works) · Philippine History and Culture (2 works) · Reformation and Early Modern Christianity (2 works)