Rosemary Hawker
Biographic Data
| ID | 3940331 |
|---|---|
| NAME | Rosemary Hawker |
| GIVEN NAMES | Rosemary |
| FAMILY NAME | Hawker |
| SIGNATURE | HAWKER R |
| AFFILIATIONS | Griffith University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Repopulating the Street: Contemporary Photography and Urban Experience
Over the past thirty years, the city as represented by art photography has been shown as progressively empty and alienating. While the emptiness of nineteenth-century streets was due to the limitations of photographic technology, it was actively pursued as a formal device by the New Topographics photographers. Recent art photography shows an even more pronounced trend towards showing the city as vacant. This contrasts starkly with the densely pop…
The Idiom in Photography As the Truth in Painting
Richter is known for the diversity of his oeuvre, his so-called photo-paintings evidence a persistent return to the relationship of two traditionally opposed media.Often star tling in their visual effects, these images rely on a highly rhetorical attem pt to tran scribe what I will label "photographic idiom" into the med ium of paint ing.In some of Richter's works, this photographic reference appears as a high realism, one that we take for grante…
The Idiom in Photography As the Truth in Painting
Richter is known for the diversity of his oeuvre, his so-called photo-paintings evidence a persistent return to the relationship of two traditionally opposed media.Often star tling in their visual effects, these images rely on a highly rhetorical attem pt to tran scribe what I will label "photographic idiom" into the med ium of paint ing.In some of Richter's works, this photographic reference appears as a high realism, one that we take for grante…
The Idiom in Photography As the Truth in Painting
Richter is known for the diversity of his oeuvre, his so-called photo-paintings evidence a persistent return to the relationship of two traditionally opposed media.Often star tling in their visual effects, these images rely on a highly rhetorical attem pt to tran scribe what I will label "photographic idiom" into the med ium of paint ing.In some of Richter's works, this photographic reference appears as a high realism, one that we take for grante…
Repopulating the Street: Contemporary Photography and Urban Experience
Over the past thirty years, the city as represented by art photography has been shown as progressively empty and alienating. While the emptiness of nineteenth-century streets was due to the limitations of photographic technology, it was actively pursued as a formal device by the New Topographics photographers. Recent art photography shows an even more pronounced trend towards showing the city as vacant. This contrasts starkly with the densely pop…
Art (2 works) · Photography (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Art history (1 works) · Citation (1 works) · Cityscape (1 works) · Computer Science (1 works) · Download (1 works) · Icon (1 works)