Rick Altman

Biographic Data

ID3940519
NAMERick Altman
GIVEN NAMESRick
FAMILY NAMEAltman
SIGNATUREALTMAN R
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS45
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2006
H-INDEX2

  • Virtual Voyages: Cinema and Travel

    Jennifer Lynn Peterson, Lauren Rabinovitz et al.BOOKVirtual Voyages2006

  • Technologie et textualité de l'intermedialité

    Rick AltmanARTICLESociétés & Représentations2000Cited by: 1

    L'intermédialité au sens fort désigne une étape historique transitoire, pendant laquelle une forme destinée à devenir un média à part entière se trouve encore à tel point prise entre plusieurs médias existants que sa propre identité reste encore en question. La technologie de l'intermédialité est toujours double, bi-standard. La textualité intermédiatique est tout aussi bicéphale, car elle dépend d'une capacité de citer les textes produits par d'…

  • Film/Genre

    Rick AltmanBOOKFilm/Genre1999

  • Penser l'histoire du cinéma autrement: Un Modèle De Crise

    Rick AltmanARTICLEVingtième Siècle Revue d histoire1995

    Thinking differently about the history of cinema, Rick Altman. In its beginnings, American commercial cinema had no clear identity. It was poorly differentiated from other types of entertainment such as the circus and the theatre. By studying the crisis that swept the theatre industry in the first years of the 20th century, the slow constitution of the cinema as a specific genre can be traced. Through the struggles of the occupational categories …

  • De l'histoire du cinema. Methode historique et histoire du cinema

    Remy Pithon, Michele Lagny et al.ARTICLEVingtième Siècle Revue d histoire1993

  • Dickens, Griffith, and Film Theory Today

    Rick AltmanARTICLESouth Atlantic Quarterly1989Cited by: 1

    Research Article| April 01 1989 Dickens, Griffith, and Film Theory Today Rick Altman Rick Altman Search for other works by this author on: This Site Google South Atlantic Quarterly (1989) 88 (2): 321–359. https://doi.org/10.1215/00382876-88-2-321 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Rick Altman; Dickens, Griffith, and Film Theory Today. South Atlantic Quarterly 1 April 1989; 88 (2): 321…

  • The American film musical

    Rick AltmanBOOKThe American film musical1987

  • A Semantic/Syntactic Approach to Film Genre

    Rick AltmanARTICLECinema Journal1984Cited by: 34

    Most comfortable in the seemingly uncomplicated world of Hollywood classics, genre critics have felt little need to reflect openly on the assumptions underlying their work. Everything seems so clear. Why bother to theorize, American pragmatism asks, when there are no problems to solve? We all know a genre when we see one. Scratch only where it itches. According to this view, genre theory would be called for only in the unlikely event that knowled…

  • Moving Lips: Cinema as Ventriloquism

    Rick AltmanARTICLEYale French Studies1980Cited by: 9