Moynagh Sullivan
Biographic Data
| ID | 3940995 |
|---|---|
| NAME | Moynagh Sullivan |
| GIVEN NAMES | Moynagh |
| FAMILY NAME | Sullivan |
| SIGNATURE | SULLIVAN M |
| AFFILIATIONS | National University of Ireland, Maynooth |
| ORCID | 0000-0002-1702-9024 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 2 |
An “Unthought Known” of Her Own
Although Baraitser (2009 Baraitser , L. ( 2009 ). Maternal Encounters: the Ethics of Interruption . Hove , UK and New York, NY : Routledge . [Google Scholar]) investigates interruption as a condition of maternal subjectivity, this essay concerns itself with how maternal presence itself can interrupt aesthetic practice. Reading Baraitser with and through the work of the Northern Irish poet Medbh McGuckian, I interweave the aesthetic with the philo…
The Woman Gardener
Blanaid Salkeld (1880–1959), a published poet, actress, writer of verse plays, reviewer, and publisher, is fascinating both as an active participant in literary and artistic circles of early and mid-twentieth century Ireland and as a poet in her own right. In terms not just of style but also of politics, Salkeld is considered neither postcolonial nor properly modernist. Salkeld's class and access to international influences would appear to disqua…
Irish Postmodernisms and Popular Culture
This collection explores popular culture in Ireland and Ireland in popular culture, from Fanfic to Orange Parades; from boybands to the Blessed Virgin Mary; from celebrity tourism to the Gaelic Athlet
The Treachery Of Wetness
The Woman Gardener
Blanaid Salkeld (1880–1959), a published poet, actress, writer of verse plays, reviewer, and publisher, is fascinating both as an active participant in literary and artistic circles of early and mid-twentieth century Ireland and as a poet in her own right. In terms not just of style but also of politics, Salkeld is considered neither postcolonial nor properly modernist. Salkeld's class and access to international influences would appear to disqua…
The Treachery Of Wetness
The Treachery Of Wetness
Irish Postmodernisms and Popular Culture
This collection explores popular culture in Ireland and Ireland in popular culture, from Fanfic to Orange Parades; from boybands to the Blessed Virgin Mary; from celebrity tourism to the Gaelic Athlet
An “Unthought Known” of Her Own
Although Baraitser (2009 Baraitser , L. ( 2009 ). Maternal Encounters: the Ethics of Interruption . Hove , UK and New York, NY : Routledge . [Google Scholar]) investigates interruption as a condition of maternal subjectivity, this essay concerns itself with how maternal presence itself can interrupt aesthetic practice. Reading Baraitser with and through the work of the Northern Irish poet Medbh McGuckian, I interweave the aesthetic with the philo…
The Woman Gardener
Blanaid Salkeld (1880–1959), a published poet, actress, writer of verse plays, reviewer, and publisher, is fascinating both as an active participant in literary and artistic circles of early and mid-twentieth century Ireland and as a poet in her own right. In terms not just of style but also of politics, Salkeld is considered neither postcolonial nor properly modernist. Salkeld's class and access to international influences would appear to disqua…
Irish and British Studies (4 works) · Art (3 works) · Irish (3 works) · Sociology (3 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Colonialism (1 works)