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Xueping Zhong

Biographic Data

ID3942864
NAMEXueping Zhong
GIVEN NAMESXueping
FAMILY NAMEZhong
SIGNATUREZHONG X
AFFILIATIONSTufts University
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS37
AUTHOR COUNT8
EDITOR COUNT4
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2023
H-INDEX3
  • Televising Chineseness

    Xueping Zhong•ARTICLE•Asian Studies Review•2023

    Televising Chineseness: gender, nation, and subjectivity." Asian Studies Review, ahead-of-print(ahead-of-print), pp. 1–2

  • Mainstream Culture Refocused

    Open Access•Xueping Zhong•BOOK•Mainstream Culture Refocused•2017

    Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China, offers a wide, penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture.\n\nMainstream Culture Refocused explores the ma…

  • Revolution and Its Narratives

    Open Access•Xiang Cai, Xueping Zhong et al.•BOOK•Revolution and Its Narratives•2016

    Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among cu…

  • Revolution and Its Narratives

    Xiang Cai, Rebecca E Karl et al.•BOOK•Revolution and Its Narratives•2016

  • Debating the Socialist Legacy and Capitalist Globalization in China

    Open Access•Xueping Zhong, Ban Wang•BOOK•Debating the Socialist Legacy and…•2014

    The first English collection of translated essays, by Chinese literary scholars, writers, and critics, this volume focuses on the legacy of socialist culture and post-socialist phenomena within the co

  • Beyond Romance

    Xueping Zhong•CHAPTER•Mainstream Culture Refocused•2010

  • Also beyond Romance

    Xueping Zhong•CHAPTER•Mainstream Culture Refocused•2010

  • Culture and Social Transformations in Reform Era China

    Kebin Liao, Zhong Xueping et al.•BOOK•Culture and social transformations…•2010

    Preliminary Material /T.Y. Cao , X. Zhong and L. Kebin -- Introduction /Cao Tianyu -- "Consider The Other More Important Than The Self ": Liang Shuming’s View Of Confucian Ethics /Chen Lai -- The Basic Form, Actual Form, And Potential Form Of Neo-Confucianism: Considering The Historical Function And Practical Significance Of Neo-Confucianism /Liao Kebin -- Individual Identification And The Realm Of Moral Character /Liu Dong -- Classical And Moder…

  • Mainstream Culture Refocused

    Xueping Zhong•BOOK•Mainstream Culture Refocused•2010•Cited by: 12

    Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China, offers a wide, penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture.\n\nMainstream Culture Refocused explores the ma…

  • Who Is a Feminist? Understanding the Ambivalence towards Shanghai Baby , ‘Body Writing’ and Feminism in Post‐Women's Liberation China

    Open Access•Xueping Zhong•ARTICLE•Gender & History•2006•Cited by: 4

  • Masculinity Besieged

    Xueping Zhong•BOOK•Masculinity Besieged?•2000•Cited by: 21

    In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China's ongoing quest for modernity.Before the 1990s onslaught of popular culture decentered the role of intellectu…

  • Woman and Chinese Modernity

    Xueping Zhong, Rey Chow•ARTICLE•SubStance•1992

  • Masculinity Besieged

    Xueping Zhong•BOOK•Masculinity Besieged?•2000•Cited by: 21

    In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China's ongoing quest for modernity.Before the 1990s onslaught of popular culture decentered the role of intellectu…

  • Mainstream Culture Refocused

    Xueping Zhong•BOOK•Mainstream Culture Refocused•2010•Cited by: 12

    Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China, offers a wide, penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture.\n\nMainstream Culture Refocused explores the ma…

  • Who Is a Feminist? Understanding the Ambivalence towards Shanghai Baby , ‘Body Writing’ and Feminism in Post‐Women's Liberation China

    Open Access•Xueping Zhong•ARTICLE•Gender & History•2006•Cited by: 4

  • Woman and Chinese Modernity

    Xueping Zhong, Rey Chow•ARTICLE•SubStance•1992

  • Masculinity Besieged

    Xueping Zhong•BOOK•Masculinity Besieged?•2000•Cited by: 21

    In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China's ongoing quest for modernity.Before the 1990s onslaught of popular culture decentered the role of intellectu…

  • Who Is a Feminist? Understanding the Ambivalence towards Shanghai Baby , ‘Body Writing’ and Feminism in Post‐Women's Liberation China

    Open Access•Xueping Zhong•ARTICLE•Gender & History•2006•Cited by: 4

  • Beyond Romance

    Xueping Zhong•CHAPTER•Mainstream Culture Refocused•2010

  • Also beyond Romance

    Xueping Zhong•CHAPTER•Mainstream Culture Refocused•2010

  • Culture and Social Transformations in Reform Era China

    Kebin Liao, Zhong Xueping et al.•BOOK•Culture and social transformations…•2010

    Preliminary Material /T.Y. Cao , X. Zhong and L. Kebin -- Introduction /Cao Tianyu -- "Consider The Other More Important Than The Self ": Liang Shuming’s View Of Confucian Ethics /Chen Lai -- The Basic Form, Actual Form, And Potential Form Of Neo-Confucianism: Considering The Historical Function And Practical Significance Of Neo-Confucianism /Liao Kebin -- Individual Identification And The Realm Of Moral Character /Liu Dong -- Classical And Moder…

  • Mainstream Culture Refocused

    Xueping Zhong•BOOK•Mainstream Culture Refocused•2010•Cited by: 12

    Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China, offers a wide, penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture.\n\nMainstream Culture Refocused explores the ma…

  • Debating the Socialist Legacy and Capitalist Globalization in China

    Open Access•Xueping Zhong, Ban Wang•BOOK•Debating the Socialist Legacy and…•2014

    The first English collection of translated essays, by Chinese literary scholars, writers, and critics, this volume focuses on the legacy of socialist culture and post-socialist phenomena within the co

  • Revolution and Its Narratives

    Open Access•Xiang Cai, Xueping Zhong et al.•BOOK•Revolution and Its Narratives•2016

    Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among cu…

  • Revolution and Its Narratives

    Xiang Cai, Rebecca E Karl et al.•BOOK•Revolution and Its Narratives•2016

  • Mainstream Culture Refocused

    Open Access•Xueping Zhong•BOOK•Mainstream Culture Refocused•2017

    Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China, offers a wide, penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture.\n\nMainstream Culture Refocused explores the ma…

  • Televising Chineseness

    Xueping Zhong•ARTICLE•Asian Studies Review•2023

    Televising Chineseness: gender, nation, and subjectivity." Asian Studies Review, ahead-of-print(ahead-of-print), pp. 1–2

Art (9 works) · Sociology (9 works) · Political science (8 works) · China (7 works) · Chinese history and philosophy (7 works) · History (7 works) · Law (7 works) · Aesthetics (6 works) · Literature (6 works) · china (5 works)

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